this post was submitted on 21 Apr 2025
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[–] [email protected] 10 points 1 week ago* (last edited 1 week ago) (6 children)

I want to write my thesis (actual masters thesis btw, serious bussiness) about trans people in media (maybe specifically videogames), but i don't have a solid idea yet and i thought i'd ask you all something. What do you think about representation of trans people in media lately? Any good examples that you'd like to share? Any bad ones? What do you think about videogames as a trans person? Have there been any developments that made you feel more included or represented in videogames (or other media)?

You can just say whatever, I just wanna get a feel from asking this, no need to write too much.

edit: Should I make a dedicated post for this? thonk-trans

[–] [email protected] 10 points 1 week ago (1 children)

Obviously, I think bridget is a very good topic because she's one of the only characters who had to like publicly transition because she was publicly presenting as a boy for years. Same with testament. There's also that character from rocko's modern life who transitioned. I think it's more interesting to see characters who weren't trans when they were introduced because it more accurately mirrors our experiences.

I'd also like to see more representation of trans people who don't "pass". I think most trans characters are just presented as stealth.

In this case, the example from rocko's modern life is really interesting because the characters are all so far off from the human form that androgyny is the norm and only gender expression differentiates most genders (ed bighead and his wife look essentially exactly the same physically, but they have different gender expressions)

[–] [email protected] 9 points 1 week ago (1 children)

Most representations of trans people that don't pass are super transphobic, unfortunately. Your answer does actually give me some perspective on what to think about, thank you so much

[–] [email protected] 10 points 1 week ago

Most representations of trans people that don't pass are super transphobic, unfortunately

Frankly, I think most representations historically are transphobic in general. When we're being mocked, or it's revealed that a woman is "actually a man" in a movie, that character is often played by a cis woman.

I hope we can get more realistic representation where we aren't treated like freaks. We can't all meet the standards of Instagram models and celebrities any more than cis women can.

[–] [email protected] 9 points 1 week ago (1 children)

Okay before I can answer this I need to know whether you're going to include visual novels in this or not because that will wildly change the examples I can come up with.

[–] [email protected] 7 points 1 week ago (1 children)

Right now anything goes, nothing is set in stone yet

[–] [email protected] 2 points 1 week ago* (last edited 1 week ago) (1 children)

Okay. Spoiling this because it's huge.

Block o' textI think a good spot to start here would be the most recent high-profile example we've got with Dragon Age Veilguard giving us both the ability for a player character to be trans as well as including a non-binary party member. I haven't played it myself yet since my PC wouldn't be able to run it, but I'm pretty keyed into Bioware discourse so I still want to talk about it a bit, more so so I can segue into other subjects. Starting with the party member, Taash, they're the first actual playable trans character in a Bioware RPG, but not actually the first trans character in one. For that I would like to direct you to David Gaider's old blog post here on the subject. To very simply summarise, they started with transphobic stereotypes for jokes, then introduced a character in a piece of side media, then put one into one of the main games as a side character. I'm directing you to this since it does a good job of showing the mentality he (and likely the other bioware writers of the time) were going with when writing the earlier trans characters. For one, it took being criticised for being transphobic to push him to reexamine how he was writing them. But more importantly imo, is how he describes writing Maevaris as an "experiment." He did it not in a mainline game but instead a side comic (and while he tries to say that it's still serious since the publisher would be more vested in the comic's success and they were fine with it, I disagree since, frankly, Dragon Age was not Dark Horse's money-printer). Then, he gauged the opinions and when it was relatively positive kept going. So when the next mainline game came out with Inquisition, it had a trans side character. Once again this shows how trans characters were more of an experiment at the time, relegated to one character and missable conversations to cause a smaller stir. Gaider has a pretty liberal take on this, hesitating to push further at the time since he feels that gaming culture wasn't ready for it yet. And while it's definitely true that gamers would have rejected a trans party member at the time, I think it's a pretty cowardly take from him, especially when Bioware was writing gay party characters back in fucking 2003 with KotOR's Juhani and were championing them in 2009 with Dragon Age, a few years before many other high-profile games started including gay romances (though early gay characters in games are a whole other can of worms, Juhani is deliberately pretty hard to get into a relationship with and doesn't signpost being a lesbian at all, a lot of people I've spoken to about the game didn't even know she was one. Plus there's a whole other level where most of the early gay romanceable characters in gaming being lesbians is usually to appeal to the straight male gamer who's presumed default rather than appealing to actual gay people, see Fallout 2 having a gay marriage but also making its female protagonist's dialogue options be like, 90% misogynistic 'sex-crazed' shit where she can sleep with everyone, it's played up for male players rather than real women). I think this is all illustrative of how trans characters in games have been treated historically, so now we're gonna look at some with the context in mind and fill it out a bit.

Let's start off with coming back to Veilguard and the modern stuff. Taash's personal questline is mainly focused on their transness, from breaking their egg to coming out, it's mainly focused on the experience of early transition in particular. So this is a huge improvement compared to the stuff we'll look at later for older games, but it illustrates a problem in a lot of the current writing of trans characters: It's often predicated mainly on the coming-out story. This extends beyond video games and applies to a lot of other media too, but basically the main story that trans people are used to tell is this. Part of this is because coming out is a pretty good source of drama; my own experience with it for instance would be plenty to feed an entire novel of angst. Another part of it is that it's a very relatable narrative for people who aren't queer and among queer people it's the most common shared narrative between people who are gay or trans. (And for this reason this issue of overemphasising coming out is a thing for all queer stories in general and not just trans ones. But where gay stories have become more varied in popular art over time trans ones haven't yet. Though admittedly a lot of those gay characters are often not really treated as queer by the thing-as-written, see player sexuality in games, but that's a whole different can of worms.) Then the last part of it is that coming-out is an easy way to introduce and centre the transness of the character. This last one makes it kind of clear why so many of trans characters get this treatment, since often it's illustrative of them being a tokenised character. This isn't to say that centering their transness is always tokenification, but rather that it often can be. And frankly, most contemporary popular games are coming at it in this direction imo. I'll explain further how the current trend is to make trans token characters when I get to the character creation side of things, but for now I'm going to finally bring up some examples of other games and their characters. Starting with:

Guilty Gear Strive. This is a strong start, its got Bridget, who had a coming out so spectacular it lit the internet on fire. I, honestly, think her story in Strive is a bit of a mess, but in a good way. It's built on her older story in XX wherein she was born a boy, but due to village superstitions surrounding twin boys her parents hid her sex by making her present as a girl. Now while a lot of people say that this makes the Strive transition a grooming narrative, that her parents made her trans. I disagree since literally everything in her XX lore says that her parents were apologetic about it, that she knew she was born a boy the whole time, etc... Instead it's a mess that looks like a grooming narrative, and honestly that's kinda what I like about it? It being messy makes it feel more authentic to me as a trans narrative. Our lives often aren't the perfect and sweet coming out stories wrapped up in bows that you'll see with other characters. And Bridget having this backstory that was always a bit weird only to then become trans? It feels messy in the way that real trans lives are. How many among us thought we were just tomboys or feminine men before we transitioned? I sure as fuck did, I was obsessed with becoming a femboy for literal years before my egg cracked. Bridget captures that perfectly. So despite being such a mess, I think she's actually really good representation, and her main arcade story feels like it also captures it well. It's not focused as much on her coming out to others, it's an egg crack, it's her struggling with how she feels, not knowing how to describe it, and coming to terms with it with the help of friends who give her support. And that's often something that a lot of trans people need to hear more than how hard it is for us to come out to others. The fact that she broke the internet is, I think, actually partly to do with the fact that unlike a lot of the more tokenised examples there is something genuinely strong in Bridget's character for trans people. People are still to this day denying that she's trans and is just a femboy, the history of her as one meant that people had to actually change how they treated a fictional character like they do actual trans people. Frankly I don't even care whether Bridget was or wasn't a token decision, maybe she was, but art is about a lot more than the intent of the creator, and Bridget has clearly managed to actually impact a lot of people in a way that I don't think many of the other examples of trans characters I'm going to mention in this section have. So even if her inclusion was done for token reasons, she's surpassed that. Now the other character, Testament, is a bit simpler. They're X-gender, Japan's catch-all for nonbinary identities. Testament was actually always this, it was just mistranslated in the earlier games into making them a man. The main change in Strive is that Testament was originally treated as still having a gender, just one that is more bigender, whereas in Strive they are moreso agender. But also still playing up the bigender aspects since their theme uses he/she pronouns. Overall the gender stuff barely matters in Testament's story in any of the games, instead of being a trans narrative, it's more like the common nonbinary aliens motif, where human Testament was a boy, but then died and came back as an agender gear. In this way it falls into some pretty common tropes that are annoying regarding nonbinary characters not being allowed to just, be humans, since a lot of cis writers will often make being nonbinary a special trait to signify not being human. Despite this, Strive's depiction of Testament does a lot to humanise them, they're kind of just vibing, and all of the other gear characters have explicit binary genders so Testament is unique in their agenderness, which I think helps to alleviate the criticism a little. Also Testament is hot and I main them so I'm biased lol. I need more androgynous hotties in my life.

I am so sorry this ballooned way out of proportion, this is post (1/8)

[–] [email protected] 3 points 1 week ago* (last edited 1 week ago) (2 children)

I genuinely didn't know there was a character limit. They can’t stop meBridget and Testament are two among many examples of individual trans characters in games that have big playable rosters. Most of those other trans characters, however, often don't go beyond being tokens. Take for instance Bazz in last year’s Concord, who literally had to be confirmed by the VA outside of the game as trans rather than it actually coming up at all, let alone naturally. Basically every high-profile hero shooter and MOBA has at least one of these characters at this point, and since those games barely have any story to speak of it’s hard for me to feel anything for any of them. They’re just… there. They usually cause small controversies when they’re released, but unlike Bridget there isn’t much to attach yourself to with them, nor is there anything that really makes them feel trans. Usually it’s just a reveal and then people who aren’t shits will refer to them correctly while others don’t. One could argue that this normalises trans people, having them just be there, but imo it doesn’t really. I guarantee you that many people don’t even realise these characters are trans or nonbinary, and while that’s true to how people can stealth irl, it means that those people who don’t realise aren’t having their beliefs challenged. It is basically worthless. It gives the developers some credit with progressives, fuels the culture war a little to bring attention to the new character announcement, and then it stops mattering.

These sorts of nothing characters even exist in some non-live service games. Xenoblade 3 has two trans(ish) characters. One of them in the basegame, Juniper, literally never once gets referred to with a pronoun in a way that makes it clear that they’re nonbinary. Every time they get referred to it can easily be read as either using it for uncertainty (right before they’re introduced) or using it to refer to a group (in a later questline). The only reason we know for a fact that they’re nonbinary is that they’re coded as being gender ‘2’ in the game when every other character with a binary gender gets a 0 or 1. While it’s funny that they’re literally nonbinary, it means that any player who isn’t keyed into online discussion or decides to datamine for some reason will practically never realise they’re trans. Thankfully, the other trans character is much more explicit, but they’re also kind of not trans. ‘A’ is one of the main characters of the game’s DLC expansion Future Redeemed. I will be spoiling the next section for anyone interested in the game or series:

Xenoblade 1, 2, and 3 Future Redeemed spoilersSo A is a supercomputer, Ontos, who is a part of a triad with Pneuma and Logos. Pneuma and Logos appear in Xenoblade 2 and they are explicitly female and male respectively, and are meant to represent exactly what you would think philosophically based on their names. Ontos, meanwhile, actually appeared in Xenoblade 1 as the character Alvis, who is explicitly a man. In Future Redeemed, Ontos is split into two people. One, using Alvis’ body and he/him pronouns, is called Alpha and is the villain of the expansion. The other, A, has a female body and uses she/her pronouns, though the game doesn’t use them in any actual cutscenes in the English translation. There is then a cutscene around the middle of the expansion where a character from Xenoblade 1 asks A directly about her gender being different from Alvis. A character from 2 then comes by and says that it makes sense, since Ontos was the one who regulated Pneuma and Logos, so being in-the-middle of those two gender-wise fits. The community took this and a lot of the queer fans immediately interpreted it as A being nonbinary. But the actual thing the game is going for is that Ontos is representative of the Jungian collective unconscious since that’s one of the major pillars of the series’ themes. So the intent is that A is meant to be explicitly female to represent the anima in contrast to Alpha representing the animus. And the conflict between the two is very heavily coloured in explicitly gendered ways. So ultimately I disagree with the interpretation that A is nonbinary since it’s clearly not what the game is going for. That being said, however, Ontos is explicitly nonbinary, and I think there is an argument to be made that Alvis in 1 is retroactively genderfluid. A is therefore, in my opinion, trans without really being trans, and that works for me. Speaking personally, I really like A, Xenoblade 1 is my favourite game ever and hearing that they made Alvis nonbinary unironically made me play Future Redeemed sooner than I was intending back when it came out (I was holding off since I was playing other series at the time). I wasn’t even really disappointed when I reached the scene and realised A is clearly meant to still be a woman, since it still means that Alvis/Ontos/A/Alpha is queer, just in a very different, less clear way. And given my feelings on Bridget, I think I’ve made it clear that I like these sorts of messy queer narratives that aren’t really perfectly analogous to how we often talk about queerness.
Non-spoiler stuff cont.The next major one I can think of is... Lev in The Last of Us 2. I haven't played the game and beyond its discourse I had little interest in the series, so I can't really touch on this one much. From what I know he’s fine.

Most of the other trans characters in current gaming are ultimately the same as what Dragon Age was doing back in the 2010s. They’re all side characters, usually with short, missable scenes talking about their transness, or they just have some pronoun that suggests some nonbinary identity that is never elaborated on. Both of these are little more than inclusion tokens, who rarely if ever seriously touch on anything queer at all beyond existing. I’ll use Baldur’s Gate 3 as the example here: there’s two trans characters, one of which is a trans woman who you recognise from a description of her pre-transition self (ugh) and the latter is an Ilithid, literally a brain-eating alien who is only “trans” since it uses it/its pronouns. This latter case is a good illustration of the nonbinary alien trope I was mentioning earlier, since there is literally nothing about this character that is really trans at all and these sorts of characters tying nonbinary identities to a lack of humanity are… iffy to say the least when they are often the majority of non-binary representation out there in non-queer works. FF14’s faeries, much as I love their scottish gremlin selves, showcase the way this happens on a species-wide scale. Beyond the purview of video games I could also mention the long history of Magic the Gathering hyping up new nonbinary characters who are every time without fail not-human. They might’ve introduced an actual one recently but I stopped caring about MtG, either way they kept doing this for like over a decade and it’s annoying. On the whole though, high-profile games have made little progress when it comes to trans characters compared to where Dragon Age was at the time, kinda proving Gaider’s point. Given this I’m gonna go through older stuff now for actual examples and I won’t be mentioning these minor characters unless I think something about one is worthwhile.

The next one that I really noticed was another Xenoblade character, Roc, who like Juniper is basically not mentioned as being trans at all and we only know because of code. I’m only mentioning this because Roc is a playable character (sorta, Xenoblade 2 is weird) with a full quest to themself and plenty of voiced lines yet despite that they’re just… nothing. I’m honestly shocked at how they even managed it, let alone twice.

Next up is Baldur’s Gate 1’s sequel/expansion/thing Siege of Dragonspear. This one includes a trans character who basically just says one line about being trans. Later she got updated to have more, but she’s to my knowledge the first real controversial example of a trans character in a high-profile game. Maybe I’m wrong, there could have been more controversy surrounding Krem in Dragon Age Inquisition for instance, but I wasn’t terminally online then like I am now at the time, and Siege released at the perfect time for this to blow up in 2016, post-gamergate.

Granblue is a series I mostly know about due to its adjacency with Guilty Gear, but it has two trans characters and, tmk, has for a while. They are Cagliostro and Ladiva, both trans women, and honestly both of them seem like kinda bad representation to me. Cagliostro is an incredible immortal alchemist who changed his body into that of a… little girl’s… in an attempt to be as cute as possible. No shade to transfems whose main goal in transition is cuteness, I was one of you once, but making this an actual character gives me an ick. Ladiva, meanwhile, is very non-passing, she’s outright got a beard and an incredibly muscular frame while identifying as a binary woman. On the one hand, this does have a bright side to it as she’s written to be accepting of who she is (outright refusing Cagliostro’s offer of magic HRT) and she is treated as a woman by the cast. On the other, I’m not crazy to say that this is obviously just them playing off of regular transphobia for a joke right? Like Ladiva is just the standard transmisogynistic stereotype turned up to 11. On the one hand props to the game for being clear that you should still treat her like a woman, but on the other I think the visual irony is meant to be a gag and she’s so far removed from the experiences of most real transfems that I can’t really consider her to be good rep in the way I could Bridget.

By this point we’ve gone far back enough that, among high-profile games, most of the examples are now transphobic, so I’ll continue this in the next post with a trigger warning upfront. (2/8)

[–] [email protected] 2 points 1 week ago

I do feel like games most oftenly just slap a body type and pronoun and call it good trans representation, or have a token character that's kinda whatever. All the replies I got and a few articles I read give almost the same results, so it seems like I found something. Thank you for so much detail, this is a very good read. I didn't even realize there were trans characters in Baldur's Gate 3...

[–] [email protected] 1 points 1 week ago* (last edited 1 week ago) (1 children)

I was supposed to be writing an essay tonight btw, this is my warmup now though so don’t feel bad (CW: Femboys (and related slurs), brainwormed psychologists, homophobia, transphobia)So, before I go back actually, there are a few games I skipped over earlier since they have characters who aren’t trans, but are coded as trans. Specifically I want to talk about the Fire Emblem series, particularly Engage and Fates. These two games each have a character who is a crossdresser, and both of them are awful. In Engage, we’ve got Rosado, whose entire character is that he wants to be cute. And in Fates, we’ve got Forrest, who wears women’s clothing because fashion is his hobby and he doesn’t care if it’s gendered or not. Of the two I like Forrest quite a bit more since he’s just like me fr fr, but really both of them are pretty bad. This is because this is a series which has a long running gag wherein there’s a duo of brothers with pink and green hair respectively, who are both coded as gyaru drag queens and speak exclusively in innuendo. So when the actual player units that are transfeminine adjacent are just femboys, it belies a bigger issue with the series’ writing trans characters. And being a femboy is an issue, since their appearance is used in the way that it often is for femboy characters in anime: jokes about them being mistaken for women. This trope has a long and storied history that I don’t care about cuz it’s just transmisogyny. Also Bridget used to be one of these sorts of characters too and I will never forgive her for it. A lot of ink has been spilled on how these sorts of femboy characters being played up for jokes delegitimises transfemininity and, generally, promotes transmisogynistic stereotypes like the idea that transitioning is done to “trap” people. Femboys are the “acceptable” alternative since they’re “honest” about being “traps.” They are Blanchard’s ideal homosexual transexual since they admit that they aren’t changing sex, they just suppress the transexual urges and become simply homosexual. Blech. This isn’t even touching on the homophobia inherent to this, with how being homosexual is treated as both the punchline and the crime of the situation. Not to mention how the appearance of most femboy characters belies an infatuation with people who look like women without any of the secondary sex characteristics of either the men they supposedly are or the women they appear as. This is both an impossible standard to hold people to (twink death comes for us all) and pseudo-pedophilic in nature. There’s a reason many of these characters (Like Bridget in XX) are explicitly minors. Even among those who aren’t, many are still treated as beacons of innocence, childishness. Consider, for instance, the new character in Catherine: Full Body, Rin. He is meant to be the innocent foil to the other two romantic interests, and while he is not a minor, he is coded as one through both this innocence and his apparel being literally a modified sailor outfit, that is to say a modified Japanese schoolgirl uniform.

The worst bit, personally, is that there was a time when these sorts of characters did really speak to me, when I was wanting to be a femboy and didn’t know I was trans yet. Though, I admittedly used the term ‘trap’ at the time since I fell into the common mental trap (pun intended) of thinking that, since I was using it to refer to myself and no one else, I wasn’t actually perpetuating transphobia. Eventually I wisened up and stopped really using it in favour of femboy, but I realised I was trans a year later so that period didn’t last super long. Honestly this period is something that I feel quite a lot of shame for in retrospect, but typing this out and really expressing my issues with it and femboys as a whole in retrospect has been kind of cathartic. Something about writing the word ‘trap’ explicitly to mean the slur and to disavow it and acknowledge how I probably unknowingly hurt some of the trans people around me by using it at the time actually just, helps. And ultimately I think it’s important to mention this since it was a big part of my own experience as a trans woman, even if I’m ashamed that it was now.

On the note of Catherine, the original release of the game isn’t safe from criticism either. It has an explicitly trans character, Erica, who is basically relegated to all the standard transphobic jokes, including “trapping” a man who then feels ashamed about having sex with her. How fun. Full Body even gives everyone an alternate timeline happy ending where her slide shows she isn’t trans. What the fuck. The devs apparently tried to backpedal and say ‘she can still transition later!’ but what the fuck, that doesn’t make this better. These transphobic joke characters are everywhere, see Dragon Age 2’s Serendipity being played for one, even if Gaider tries to deny the severity of it by saying the intent was just to make a drag queen. Most of them often are like Serendipity, where they aren’t explicitly trans because part of the transphobia is in denying them their gender, making it clear that, regardless of how they present, they aren’t “really” their gender. I’m not even going to bother with mentioning these. It’s a bit of a pain every time one comes up.

This brings us to the other common category of transphobic characters: villains who are coded (or explicitly) trans as a way to emphasise their craziness. There’s a ton of these, but usually they aren’t really that transphobic themselves, rather it’s the weight of the association being made so often and so consistently that is the problem. I don’t really see the point in just listing them out, but I do want to talk about one low-profile example that really pissed me off not too recently. So, now I get to talk about some visual novels. I read one years ago by the name of Sekien no Inganock: What a Beautiful People, and I never finished it. So I thought last year, why not try again. And I had a pretty great time at first, its setting and worldbuilding are super cool and I like the overall vibe it goes for. But then the ending of the first chapter reveals that the villain of that chapter, Salem, used to be a man before the big magical cataclysm that the setting revolved around happened. When it happened, she became a woman, and this really distressed her, especially since she was poor and had to become a prostitute. But she thought she would be okay with the forced transition if she could have kids, to ‘fulfill her role’ as a woman and become, in her view, fully female. But her body is infertile, so she despairs and becomes a child murderer because seeing kids makes her mad. She tells the main character this as he confronts her, and during the conversation the main character and narration both switch pronouns to he/him. This, considering I had forgotten it entirely, kinda fucked up my night when I reread it. It hits all the classic transphobic villain beats: the super restrictive view of gender, the craziness, the violence that is intrinsically tied to their gender identity in some way, the denial of her gender after the reveal, everything. And it’s become my go-to example in my head for trans villains in stories because it’s just so blatant in every way. Every time one of these comes up it’s uncomfortable in some way or another to read or watch or play.

There is another example in visual novels, quite a high-profile one, but it’s a lot messier in comparison, and also a gigantic spoiler. I have very mixed feelings on this one because in some ways I like it, and I love the character in question. But on the other hand it does reinforce these issues of queer-coding villains and tying transness to poor mental health. I’m going to spoiler the name of the VN in question since even knowing this information is kind of a big spoiler in itself. It’s in the next post, since it was so long that I needed to split this one up. Help.

(3/8)

[–] [email protected] 1 points 1 week ago* (last edited 1 week ago) (1 children)

Actual spoiler (CW: Transphobia, Homophobia, Intersexism, abuse)
spoiler It’s Umineko, I’m sorry Cromalin. Also I’m not kidding about the spoilers, I will be talking about the culprit’s identity very clearly so get out if you actually want to read this. It’s really good, I highly recommend it. So one of the main characters of Umineko: When they Cry is Beatrice. For the first half or so of the VN she’s the main antagonist, and then in the second half she becomes the main character’s love interest. I kinda buried the lead by calling her a villain, because in some ways she is, but in others she’s really not. So, Umineko is a mystery first and foremost, and around the middle of it the question of the culprit’s identity becomes complicated by implications that they may be trans in some way. This is done at first by two characters, siblings, who are explicitly stated to be different genders despite looking the same, thus priming the player to consider that perhaps the culprit isn’t the gender they appear to be, or outright trans. (I love the implication that being trans is so wild to cis brains that it needs to be foreshadowed) Then a bunch of other stuff that lead up to the reveal that Beatrice is actually a trans woman named Yasu. She, early in life, had her genitals mutilated in an accident and wasn’t able to know her birth sex because of it, being effectively physically intersex. So she was raised as a woman, but still had a lot of gender confusion that manifests in her having several other personalities which differ in genders. Shannon and Beatrice are girls, far more feminine than Yasu herself, meanwhile Kanon is a boy. But the mental health aspect goes further, as Yasu also has an elaborate fantasy world to herself with full on hallucinated persons. This is all in contrast to an alternate universe we later see, wherein Yasu was not in the accident and instead was raised as a boy called Lion. (although the story keeps this hidden for the purpose of the mystery, there are hints in-game and out-of-game statements which make it clear that the intention is for Lion to be a boy) They, in contrast, make no indications as to having any alternate personalities or elaborate fantasies. They even emphasise their gender at times. Their actual gender, however, is still constantly kept as a light mystery, so while it’s clear that they’re meant to be male, you can easily read them as being some sort of nonbinary as well, hence why I’ve been sticking to they/them in this section. Regardless though, this all comes together to make Beatrice a trans character who is: a murderer, explicitly mentally ill, and actively contrasted to her alternate timeline counterpart who is neither of those things and isn’t explicitly trans in the same way. So I do think it’s safe to say that there are aspects wherein she’s reinforcing this issue of queer-coded villains. But Beatrice is also the main character’s love interest. And their love is explicitly a good thing. And Beatrice’s fantasy world is treated as beautiful and worth believing in even if it isn’t necessarily true. “Without love it cannot be seen.” So while she is definitely a queer villain, I also think that Umineko has a lot of sympathy for her and, in that way, I think she’s actually an incredible character who I really appreciate. She may not be perfect and reinforces some negative things, but I think she’s still worthwhile as trans representation. Once again, I’m drawn towards the messiness, it feels more real and compelling to me. I don’t really want perfection, I love the human, and the human is imperfect, that is part of what makes us beautiful. It’s why I love classic literature with queer themes so much, since while the queerness is often messy in them, it feels real to me. And Beatrice is sooo fitting for the exact era of Oscar Wilde’s gothic horror. :::

Back to non-spoilers. This is honestly very fun to write (CW: Transphobia, Homophobia, Intersexism, SA, abuse)Then there’s Kaine in NieR: Replicant/Gestalt. She is intersex, explicitly so, but the way her intersexness is framed is entirely through her genitalia. She also wears lingerie to emphasise her femininity. Yeah. Yoko Taro is definitely a dude. That being said, Kaine is kinda cool despite this and I like her a lot, especially since, while she is sexualised, it’s not her genitalia that is the focus of it at all. The player is instead meant to empathise with Kaine when that is mentioned, since it’s being done by someone actively bullying her. And her emphasising femininity is done as a way to reclaim it when she has been bullied for it her whole life. And while it’s not great, I can find it compelling and relate to it enough that I’d say, yeah, I like Kaine.

And this brings us to the last problematic trans character of note, Vivec in Morrowind. I’m not a huge TES head, but I have friends who are, so I've gotten to hear plenty about the controversies surrounding him and Kirkbride’s way of writing him. To put it brief, he’s intersex in the gross fetishistic way where he just has both male and female genitalia and is a rapist. (not talking about Trial here, I’m talking about him and Molag Bal, though Trial makes it worse) But he’s also a shockingly early trans-adjacent character. He’s basically the first one in any high profile game that isn’t treated as just a transphobic joke. (I’m not even going to bother covering anything earlier since characters like Birdo and Poison are just transphobia with nothing else to go for them) So while he’s awful, I can’t really blame the people who find him compelling as trans representation entirely. I’m sure there’s more here than I’m saying but again, not a big TES person, and the friends I do have are very anti-Kirkbride so most of my understanding is coloured by that and their way of reading him. Regardless I think the fetishy aspects and the way that the rape is treated so flippantly is bad enough that I don’t really find Vivec compelling myself.

That’s covers the last of the problematic ones, and also the end of the high-profile side of trans non-player avatars. So, it’s kinda shit all around with a few standouts of note. Next up I’ll be covering character creation. (4/8)

[–] [email protected] 2 points 1 week ago* (last edited 1 week ago) (1 children)

I’ve listened to two full game osts while writing this. Why can’t I be this productive with my damn essay.So, for character creation, we can finally come back to Veilguard as it’s pretty indicative of the current trends. We’ve got pronoun selection separate from body, including non-binary pronouns, the ability to make your character explicitly trans and comment on it in game in some select scenes with a few different ways to express it, bodies separated by type 1 or 2 instead of Male/Female, voice selection, and genital selection. This is, on the one hand, a lot better than it was even just a decade ago when every high-profile game had just a gender selection and you had to headcanon the transness in. But it’s also not really great. I’ll be talking about these issues more generally rather than just in the context of Veilguard specifically because again, haven’t played Veilguard, but I have played some of the other games in question.

Starting from the top, pronoun selection is good, but oftentimes it gets tied to voice, such as with V in Cyberpunk 2077. In the games where it isn’t, my main criticism would just be that it can feel a little limited if you use neos, but I can recognise that it’s a bit of a sunk cost at that point. Games with only text and no voice-over should absolutely just let you write your pronouns in manually. Overall though, this feature gets a B from me, it just works when it’s in games that aren’t overly cis. But this is also an easy feature to implement, and the oldest. I think the first high-profile game I saw it in was Battletech in 2017, so this is by no means a huge step and I don’t think it’s really worth celebrating.

Being able to express transness is much rarer, I think Veilguard is the only big one to do it right now? But it’s great, the main criticism is that there is very little in the way of moments where you can do it from my understanding, and those that are there are mostly tied in with Taash’s questline. I hope this one gets picked up more because it’s an A+ feature but requires lots of work and authenticity that I don’t necessarily trust all the mostly cis devs to do well.

This one might be a controversial take, but body type is awful. They’re always still so clearly designed to be male and female bodies, with all the usual trappings of the western beauty standards associated with women and the machistic musculature with men. And so many games will have body type selection while still tying your gender to it. Looking at you pokemon. This feature gets a D-, it’s by far the easiest one to implement and so it’s become the most common one by far in games. But it’s also literally less than useless if the game doesn’t allow you to make an actually trans character since it obfuscates the choice you’re really making of the character’s gender. And even in the games that do allow transness, they’re still such idealised bodies that you can never really recreate yourself authentically. And that sucks, they fail to capture the ways that human bodies can be shaped between the high idealised binaries at all.

Selectable genitalia then plays into this issue, and it’s telling that the first high-profile example of its implementation, again Cyberpunk 2077, treats trans bodies as purely sex objects. It implicitly suggests that the only notable thing about trans bodies compared to those of cis people is that we have different genitalia. It implicitly fetishises us even in the games that aren’t explicit about it like Cyberpunk. Like with body type, it does have some value since it is necessary to push away from cisnormativity, it just can’t really do that effectively without a bunch more features surrounding it to allow us to make more genuine expressions of transness that aren’t tied to the cis ideals that we’re currently stuck with. That being said, unlike body type, it does allow you to make your character look more like you in a way that isn’t entirely cisnormative, and, personally, the first time I made a character in a game with one of these creators, Baldur’s Gate 3, I genuinely felt a huge amount of euphoria. Because even if BG3 is still very cis in how the characters are shaped, with its short and curvy body type 2 contrasted by the tall and muscular body type 1, it still let me do that one thing that I never really could before in a game and I felt like I could make a character that was just a little bit more like me. So it’s definitely worthwhile as a feature, it just needs some more time to cook in the oven with the body types. C+

Overall though, character creation is improving, and as it stands this is the main spot where transness has become more common in high-profile games. But notably, this is a spot where the player has full control of their experience. It means that, while yes trans people are getting the ability to represent ourselves in games, we are not getting representation within them reflected back at us nearly as much currently. So I think the creators mask the issue with trans representation in games right now, since they make it appear like there is more transness than there really is. Or at least, more than there is in high-profile games.

So now I’m finally gonna switch to talk about indies, which are far, far more queer. I don’t even know where to begin. Actually yes I do, I’m gonna start with one that I personally found really lovely and affirming back when I was a babytrans still: Our Life: Beginnings and Always is an indie visual novel about you growing up and falling in love with your neighbour/best friend. And as you go through the years, you are given several short character creation screens to allow you to alter your appearance, name, gender, everything, however much you like. It means that you can make a character who actually goes through a transition during the course of the game, and since it starts in childhood with a few very short scenes, you can do this without even needing to play as the non-trans version of your character/yourself for very long. I loved this, unfortunately I didn’t really care for the main love interest so I dropped the game, but I find the idea fascinating and I’m excited for the sequel where the love interest is a girl now for my lesbian ass. I’ve heard one of the DLC romance options has a really good trans narrative in the first game, but I don’t care to play it.

Unfortunately that’s also the only one that really has character creation that complex, most of the others content themselves with pronoun selection and, maybe, very light character customisation. Here is where I wish a lot more games allowed free pronoun inputs, as a lot of these are visual novels where your character is never seen and only referred to by name and pronouns, yet they insist on just he/she/they as options. I know these games can have free pronoun fields, I’ve played enough text-based adventures to have seen it and they always have name inputs besides. I recognise this is more work but cmon, if you’re gonna be the queer underdog go all out with it smh. Also I know you can have both free input and predone he/she/they options. I read a fuckton of ren’py VNs for comfort dammit I know this is possible.

So now we need to move onto games without character creators, for that I’m gonna start up another post. What’s one more at this point, right?

(5/8)

[–] [email protected] 2 points 1 week ago* (last edited 1 week ago) (1 children)

Each of these takes me like an hour btw.Indie games do a lot better with having explicit queer rep. Even the big indie names often have a trans character or two. Take Undertale or Deltarune having nonbinary ones for instance. A lot of these though are just trans without much really coming out of it. So while they’re cool to have, I don’t really feel anything from them one way or the other besides a small ‘neat’ when I learn it.

And this is kinda common, Celeste’s Madeline, despite being so commonly mentioned as a big example of a trans character, has her transness only be signalled by out-of-game statements and some in-game visual hints. On the one hand, this means that her feelings are more easily applicable to others who aren’t trans. But on the other it also means that people who don’t catch the small hints who aren’t trans likely aren’t going to make the connection at all. This is when it’s helpful to consider Celeste’s history of being a game made before the creator herself realised she was trans. So it’s a game which engages deeply with her gender feelings, without ever actually commenting on them directly, since she didn’t know that they were gender feelings yet. In this way it’s a really interesting game to look at for how it is so unapologetically trans, yet also not at all. It’s so obvious why it touches a lot of trans people, yet also people who have other issues that are often related like depression. So even though Madeline isn’t very explicitly trans, I think she’s a great example of a trans character, and Celeste is to an extent a trans game, just not a very explicit one. It’s good, and I think worthwhile as one, though I do wish those who suggest it to other trans people as a good trans game would add this caveat about it not being super explicit, as I find it can sometimes disappoint people when they aren’t told.

Barring these, one of the more common ways indies add non-cis characters is with our old friend ‘nonbinary aliens’: So many games have agender characters as a way to emphasise a distance from humans. A good example is Chaos in Hades. It’s certainly cool that Chaos is agender, but there’s no real trans character otherwise. And for a game as unapologetically queer as Hades that’s kind of wild, isn’t it? Others exist too, like many of the characters of Hollow Knight being agender. I get it, it’s cool to emphasise the alienness or difference of society of your neat fantasy creatures by making them not have gender. But if it’s the only example of trans, nonbinary or agender representation in your work you need to at least recognise that it can be lightly dehumanising. Even if it’s implying it’s better than humans, that’s still a form of dehumanisation, just in the other direction. Void Stranger, much as I love it, also falls into this problem with its void lords. Notably, however, they’re all also coded feminine and call each other ‘sisters.’ So while the use of they/them pronouns is done to distance them from regular humans, they’re still very human, and in some cases trying to become more human. That slight difference I think does help rehumanise them despite it, even if it’s still playing into the trope.

(6/8)

[–] [email protected] 2 points 1 week ago* (last edited 1 week ago) (1 children)

Now though, we’ve reached the game I really want to talk about, my absolute favourite visual novel, and frankly novel ever: The House in Fata Morgana. Huge spoilers ahead.

Spoilers. (CW: Transphobia, homophobia) I’ve been listening to FataMoru’s OST this whole time tbh, I highly recommend itThe main character of FataMoru, is revealed to be an intersex trans man near the end of the novel. This is done in a bit of a handwave-y magick-y way where his transition is basically replacement for puberty, but nonetheless he is still a trans character and his story is explicitly about it. But it’s not just a coming-out story; it’s much more a story about shame, hurt, and healing. Michel Bollinger is born as Michelle, an albino baby girl in 11th century France, to a noble family. As she grows, she idolises her brothers, a knight and an artist, and wishes to be able to do many of the things that they do, but she’s stopped because she’s weak, a woman, and has an overprotective mother who considers her an angel, her perfect daughter. This continues on until one day she comes down with a bad sickness and her mother keeps her in bed. This continues for months, isolated and alone she eventually gets up once she feels better, only to find that she is much taller, broad-shouldered, and has a deep voice. She’s… a man. And he is happy about it. He drops the last two letters from his name, feeling a sense of rightness as he does, and he goes down to his family, who left him to rot for months, to declare his new identity. Only, everyone at the dinner table, the table he wasn’t invited to, is horrified when it happens. His brothers are speechless, his mother thinks he was possessed by some demon sent to destroy her perfect angel of a daughter, and his father is enraged at the display and social embarrassment. They lock him back in his room for months, with his only company being his brother’s fiancee who continually physically abuses him, insults his body, and starves him. Eventually she stops, and eventually he sees his brothers again. But when he does it’s not under happy circumstances. They tell him that their father has ordered his execution. So the two brothers, with the help of their mother, are trying to send him off to another estate to keep him alive. Michel goes along with it, not having much choice in the matter, but as he goes he asks them if he’s really their brother, to which they agree. ‘I have eyes after all,’ the artist among the two says. So Michel lives in a dark, lonely mansion, for a decade. The townspeople nearby are scared of him, and his brothers never come. He continues writing to his mother, but every letter needs to end with those two extra letters. This gets worse when he receives a package containing a painting from the artist. But the painting was a commission from his mother, to paint Michelle at that age, and not Michel. Seeing this, he’s struck by sorrow and pain and cuts at it with a knife, hurt by the betrayal from his brother, the continued insistence of his mother that he’s her daughter, the loneliness of being abandoned, all alone, with the people you care about hurting you at every turn, unable to see what you want even if it’s so, so very simple. But eventually, things do get a little better. He meets a woman, Giselle, and the two slowly fall in love. This is difficult on account of Michel’s insecurities, he wishes he wasn’t so frail so that he could be more manly, he wishes that he was able to connect with her more easily instead of having the shame and pain of his history tugging behind him. Eventually, Giselle shows him scars she received, and yet he still can’t bring himself to tell her of his own past. And then it catches up to them. Knights are sent to the manor by the church to kill a demon, Michel. They are led by his oldest brother. He kills Michel with tears in his eyes, but Michel was at least able to find solace in saving Giselle beforehand. But that solace goes away quickly, as after his death his ghost needs to watch his corpse be dragged to a pyre, he watches as his mother condemns him as a despicable demon, and he watches as his body burns to ash. It’s so much that he eventually dissociates, not only from his body, but his soul as well. But he refunds Giselle, refinds the manor in the afterlife, and although Giselle has forgotten him over the years he slowly is able to remember, to refind himself. He helps Giselle remember everything, but the shame is still there. She doesn’t learn the truth about him until the witch Morgana pulls it out of Michel, his screams echoing through the halls as she does so. But, Giselle, unlike everyone else, stays with him, and the two help raise each other up. And then they aid others, before eventually reincarnating into another, much nicer life, where they will meet again.

It would be no exaggeration to say that this visual novel is the reason I realised I was trans when I did. It happened a year after I first read it, but FataMoru was an integral part of me recognising actual trans experiences, recognising that it is just, a thing that you can be. That it’s not something to be ashamed of, that people will care for you as a trans person, even if it might not be everyone. Reading it was basically the moment that made me realise trans people are just… people, and that maybe I’m a lot like them. Even back then, Michel is, the character I relate to by far the most, in any piece of art. It’s so strong that, for a time, I was genuinely debating using ‘Michelle’ as one of my middle names, but only relented because I felt bad naming myself after his deadname. This is a novel which comforts me, it makes me feel safe, and happy, and seen. I understand that many people would find this narrative hard to read insofar as it’s one of the common ‘trans suffering’ narratives that are so common in trans literature. But for me, that’s how my life is. Ever since I read FataMoru, my life has horrifically begun to mirror it. I wrote a summary of my experiences in the following post, though you don’t need to push yourself to read it. It… got a bit further and more detailed than I expected. I don’t think I really need to draw the parallels I see between me and Michel. We’re both lonely and hurt, thrown away when we became too tricky to keep. But what underpins this is a hope, that things can, maybe even will, become better. Revolutionary optimism in the face of a broken world and people is what feels real to me, more than anything else. So I, at least, like trans suffering narratives, so long as there’s some joy in there too.

I’m honestly scared to reread FataMoru, as much as I love it. I’ve never once read Michel’s chapter without crying, and I’m terrified of how visceral the reaction will be if I were to read it now, after being kicked out, without at least someone there to comfort me.

So my overall thoughts is that in the industry at large, trans representation is very messy. But that messiness is often what makes the characters feel authentic, and what allows them to become worthwhile icons for trans people. We have a long way to go with regards to improving it, but I think it’s possible, it just needs a lot of work, time, and genuine efforts. (7/8)

[–] [email protected] 2 points 1 week ago* (last edited 1 week ago) (1 children)

Whoops this turned into a vent post (CW: suicide, abuse, transphobia, homophobia)I was the perfect angel of my mother, the one who saved her, “cured her cancer” with my birth. My first moments as a trans girl were feeling scared and alone, stuck on an airplane across continents in the summer of 2020 with only my mother who I couldn’t come out to asleep beside me for hours. When we were done moving, I was just scared, dysphoric, and confused on what was to come. I figured, at the time, as a minor my best bet would be to push my parents to get me HRT, but I knew my mother was racist and likely held other bigoted beliefs, so I put it off until I felt it might be safe.

I was rejected when I told her I was trans on Christmas of 2020. She insulted me in every way, insulted my choice of name despite it being her own choice for me were I born a girl, said I killed her son, insisted that I must just be gay, as though she hasn’t also denied my bisexuality, said I would ruin my body, that it’s just the evil of my long hair possessing me, that I was never showing any signs, everything you can think of, she’s told me. She, for the first time in my life, though I would later learn not my siblings’, threatened to commit suicide if I did it. After about an hour or two of this, she basically was just stuck on the sofa, sobbing. At the time we were the only two people of my family living together, everyone else was elsewhere, so I felt obligated to keep her company and comfort through the whole thing. She continued to cry that whole night, and would cry often for the next three days. And often I’d be there for her as she’d hold onto me. The few times I was away I had to put on the loudest music I could to drown out my thoughts, the self-hatred, the guilt, the shame. She’d immediately outed me to the rest of my family by calling tehem. My siblings said they were fine with it. My sister chatted with me that night about it, was happy to hear I picked out my name. And my brother was telling our mother to stop bullying me and use my name, though she obviously didn’t. My father, meanwhile, said that he’d support me regardless, but a week later he said that he wouldn’t use my name and would use an old nickname instead, likely to avoid conflicts with my mother. The two of them promised me that we’d go through a psych to get my dysphoria evaluated.

Eventually father came to live with us again, no longer kept away by work. He didn’t use the nickname or my name. Neither of them ever mentioned the psych, and I was afraid to bring it up. Eventually that summer my sister visited, and I tried to get her to help me bring it up to him, but she just insisted he wouldn’t have an issue with it and I should do it myself. I couldn’t. Eventually she even stopped using my name in private conversations. My brother was the only one who stayed supportive, but I told him clearly not to use my name around our parents since I didn’t want to spark conflict again. By this point I changed my plans from pursuing HRT through my parents to doing it alone. But I lacked any money to do it, I couldn’t find an available psychiatrist nearby who knew anything about trans issues, and the one clinic near me that offered informed consent has shut down a year prior. So I laid in that purgatory for a year, unable to make any real progress besides learning to style my already-long hair and voice training poorly and inconsistently. Eventually, I got a job in the summer of 2022. But even with money saved up, I still couldn’t find a psych. I insisted that I needed to get my prescription process at least started before I was 20, or I’d have to find a way to DIY or else commit suicide. I only barely managed to find a psych 2 months before my 20th birthday, a full 2 years after I realised I was trans. A few months went by and the appointment came, I got the letter I needed, and a doctor’s appointment. I had to push it forward by a few months to make sure I could make it, and in the meanwhile I was the most dysphoric I had ever been. My facial hair had gotten to a point where it would become every morning, which tore at me for the months I waited and waited. Eventually, I went to the appointment, my first ever post on the trans mega was even about it. And then I just needed bloodwork and a follow-up and I’d finally have HRT.

But things didn’t turn out so simple. The hospital I had to go to for bloodwork sent a physical letter. My mother found it and demanded to know what it was for. I saw no point in lying, so I simply said it. She exploded. My father, brought into it, asked me what had happened to us going to a psych. I explained that I did it on my own, which only made my mother angrier. “One conversation and they think they know my child better than me.” She again insulted everything about my transition, only this time joined by father. He wasn’t as bad, but he mocked how I would look with breasts, he didn’t understand why I would want to transition, and he simply said to my face that I would never be a pretty woman, as if that was my main goal. I went to school that day feeling entirely numb. The friend I’d normally talk to wasn’t there, so I was alone, in class trying to avoid thinking about anything, trying to avoid crying in the middle of class. Eventually I came home, and while my friend had learned what happened and offered support with a phone call that night to talk through it a little, my parents were still fuming.

We had a cousin over in the following weeks, so my mother hid her anger as well as she could, that is to say she was passive aggressive to me instead of simply aggressive. But eventually she cracked on a day when my brother came to visit and, while we were around my (hugely bigoted btw) cousin, she asked my brother if he supported me. Initially confused, my brother asked for clarification before her vague answer made it clear and he replied that, yes, he does. They argued, and argued, while my mother constantly belittled me, calling me spoiled, selfish, mocked my depression, mocked everything, all while I was just trying, and failing, to not cry. My cousin, cowardly bigot that he is, insisted that he doesn’t judge but “it’s just not a thing where I’m from” (Australia btw) and that I had nothing to be depressed about so I should just feel better. Eventually the argument stopped, my father apologised to our cousin for it happening, and I went to my room to cry alone. My brother came in later, comforted me briefly, then left the house while we were all asleep. I spent the entire week afterwards sleeping not in my actual bedroom, but the guest room which had used to be mine when I was a child instead.

Eventually my cousin left, and almost the very next day I was told, point blank, that I had to leave the house. My father justified it by saying that he was technically paying for my HRT through my school insurance since he paid most of my tuition, and that it broke an earlier agreement we had about him not paying for any of my transition. So I had the choice, stop HRT, or leave. (at this point I still didn’t have my HRT) He was crying that night after telling me, and my mother insisted I head down. He said it was because he told me to leave. That he was crying from the pain of telling me that. I still had to do it though. Over the next days I was scrambling to find an apartment to rent or a sofa to crash on, and part time jobs to work so I could afford to live. My mother would often go out on these days fuming so much that I was genuinely worried she’d keep her threat of suicide. Whenever it happened I, genuinely, had to repeat a mantra of ‘don’t think about it’ to avoid breaking down about the possibility. She never did, of course, but the fear was, and frankly still is, there. Once I found an apartment to view, not even rent, but simply view, I was told by my father that that viewing was the day I’d be kicked. It was barely a week from the day. I had to pack everything in a rush, get the friend I was going to crash at as a backup okayed, and then he drove me, and I was away from family.

For reference, these last three paragraphs all happened in the span of less than a month, it was incredibly hectic. Things slowed down at this point, I couldn’t really bring myself to tell my siblings, they were too far away and too much was going on in my life, I was too tired to do it. The only person in my family I spoke to regularly was my father, who I still call weekly. Even now my siblings are mostly people I speak to occasionally every few months. We’ve always been quite distant, though. My mother, meanwhile, would constantly send me voice mails of insults on my phone. It took a lot to not listen to some of them. The next year continued to be hectic, but I had HRT, so things were looking better.

They got pretty good, but then began to dip back down after I burned several of the friendships I cared the most for in the span of a single month. Each wasn’t intentional, but I’m a selfish asshole, it always happens eventually. And each of them were friendships I genuinely really cared for. I obviously didn’t deserve to, though. I temporarily isolated myself almost entirely after that point to avoid doing it again in the short term. But in so doing I made myself feel lonelier, and lonelier. I miss all of them, all the friends I lost through mockeries I didn’t consider serious, my siblings too far to see more than once a year, my parents, who much as I would find it easier, I can never seem to hate. Every single time it’s been my fault. But I’m never going to be able to change those relationships, so I just have to keep learning and trying to be better, so that eventually I can be better for the future ones.

I am so sorry for inflicting this on you, especially when it is long enough to be an undergrad thesis on its own (8/8)

[–] [email protected] 2 points 1 week ago

Don't be sorry, it's fine. I read everything, all the parts about videogames were pretty cool, even if I didn't reply to each one.

Not sure if this will need a spoiler but:

Talking about trans issues/transphobia/mental healthI'm sorry you had to go through all of this, seems to be somewhat of a standard experience unfortunately. I'm still in the closet, but I think my closest friends know I'm NB, but I'm more transfem than they realize (haven't told them directly, but I have a trans flag on most of my bios on social media) and I can't imagine not being completely independent before trying to transition, you're very brave and you'll be fine. You shouldn't isolate yourself from others, it's bad for you, and don't knock yourself down for having issues with dealing with people, people are always difficult, it's just important that you try to be nice to others, though. You will eventually find good friends that will accept and support you, and you will accept and support them too.


Now, after this i gotta get back to writing this thing. I have 5 and a half days and 5 pages to write something that I barely have any academic references to use kiryu-pain

[–] [email protected] 8 points 1 week ago* (last edited 1 week ago)

Sometimes they're trans incidentally. Like, it's not that big a deal for the character and you'd only know if you dug into it.

I'm thinking of Claire from Cyberpunk 2077, it doesn't really come up. Which is quite the juxtaposition of trans women as sexual objects all over the in-game in-universe advertisements. Or Madeline from Celeste is trans. But it's not a big deal necessarily in game. Or Vivian from Paper Mario, she was locked about her trans status and misgendered in the original Japanese, then erased as being trans in the GameCube English release, and now on the switch they got rid of the misgendering but at least made it clear she is trans.

I dunno how I feel about it. I wish I lived in a world where I could be trans, incidentally instead of as a big deal in your face political act. Or I could be seen as a trans (trans in teensy tiny letters) woman.

Talking about the gender fuckery in Earthbound tied to a very unfortunate and date slur for the RomaniOne unfortunate one is the Magypsy (Mag*psy if it gets removed) from Earthbound - unfortunate because of the naming not because of their powerful gender fuckery and magic. As a group they're very fascinating.

Video games and cyberspace is a very good medium to explore trans as a status or as an identity. Something about the nature of the internet letting us put on masks (or take them off) and bringing people who may otherwise have been quite ostracized and suppressed makes cyberspace so seemingly key to being trans in the modern western world.

[–] [email protected] 8 points 1 week ago* (last edited 1 week ago)

You know, I mentioned the game Kowloon's Gate elsewhere in the thread which has a trans character.

It's set in Hong Kong. I'm reminded of another representation of queerness in Hong Kong in the movie Kung Fu hustle. There's a character who wears women's underwear, speaks with a feminine affect, and practices a martial art traditionally practiced by women. Whether this is like a proto-trans woman or a queer man is up to interpretation, I guess, but what I find interesting is that, while there are a few jokes lobbed at him, it really doesn't seem malicious. He is depicted as a loved member of the community who is, at worst, just a bit quirky.

In the case of Kowloon's Gate, it was made by Japanese devs but set in Hong Kong's famous Kowloon walled city. Kowloon walled city is a slum and thus associated with criminal activity (Kung Fu hustle also set in a slum). In this way, there are a lot of implications about Anita, the trans character.

  1. She's a dancer (often euphemism for sex work)
  2. Trans (often associated with sex work)
  3. In a slum (often location for sex work)

Although, it doesn't seem the game ever states this outright. The members of the walled city only treat her with respect and adoration.

This is all to say: I wonder if there is some association in Asia with Hong Kong and gender fuckery? Or perhaps it's just a safe avenue to explore gender fuckery within Asia more broadly, being more cosmopolitan?

[–] [email protected] 7 points 1 week ago (1 children)

Dragon Age: Veilguard is a very recent one that's, imo, kind of a mixed bag on it.

One of your party members, Taash, is enby and their personal story revolves mostly around that and the player character, Rook, can also be trans and being trans gives you unique dialogue options in certain situations.

Trans people were part of the writing and development team and it really shows. One thing that struck me in particular is that your Rook is allowed to feel different ways about their own transness.

That being said there are some definite issues as well. A lot of the conversations, to me, do kind of feel like Baby's First Gender Convo, and some of the dialogue mechanics do feel limiting if your Rook is trans. One thing that really bothered me is that in one conversation there are unique dialogue options for being trans and for being a woman, but they're totally separate. The game allows you to Be Trans or to Be a Woman, but it is mechanically enforced that you are not allowed to be A Trans Woman in that circumstance.

...idk, those are like, some words that are mostly just sort of disorganized thoughts I had I guess doggirl-sweat

Hopefully there's something there.

[–] [email protected] 3 points 1 week ago

Wait, the dialog thing is really weird. Did no one see what that implies?

[–] [email protected] 5 points 1 week ago

I think birdo is trans, but given how long ago birdo was made a character...

Can't think of any others that haven't already been mentioned.

There's also things like fan games by trans people that sometimes touch on trans issues, such as Dysphoria by shovda.

I don't pay too much attention to story in games though.