traaaaaaannnnnnnnnns
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I’ve listened to two full game osts while writing this. Why can’t I be this productive with my damn essay.
So, for character creation, we can finally come back to Veilguard as it’s pretty indicative of the current trends. We’ve got pronoun selection separate from body, including non-binary pronouns, the ability to make your character explicitly trans and comment on it in game in some select scenes with a few different ways to express it, bodies separated by type 1 or 2 instead of Male/Female, voice selection, and genital selection. This is, on the one hand, a lot better than it was even just a decade ago when every high-profile game had just a gender selection and you had to headcanon the transness in. But it’s also not really great. I’ll be talking about these issues more generally rather than just in the context of Veilguard specifically because again, haven’t played Veilguard, but I have played some of the other games in question.Starting from the top, pronoun selection is good, but oftentimes it gets tied to voice, such as with V in Cyberpunk 2077. In the games where it isn’t, my main criticism would just be that it can feel a little limited if you use neos, but I can recognise that it’s a bit of a sunk cost at that point. Games with only text and no voice-over should absolutely just let you write your pronouns in manually. Overall though, this feature gets a B from me, it just works when it’s in games that aren’t overly cis. But this is also an easy feature to implement, and the oldest. I think the first high-profile game I saw it in was Battletech in 2017, so this is by no means a huge step and I don’t think it’s really worth celebrating.
Being able to express transness is much rarer, I think Veilguard is the only big one to do it right now? But it’s great, the main criticism is that there is very little in the way of moments where you can do it from my understanding, and those that are there are mostly tied in with Taash’s questline. I hope this one gets picked up more because it’s an A+ feature but requires lots of work and authenticity that I don’t necessarily trust all the mostly cis devs to do well.
This one might be a controversial take, but body type is awful. They’re always still so clearly designed to be male and female bodies, with all the usual trappings of the western beauty standards associated with women and the machistic musculature with men. And so many games will have body type selection while still tying your gender to it. Looking at you pokemon. This feature gets a D-, it’s by far the easiest one to implement and so it’s become the most common one by far in games. But it’s also literally less than useless if the game doesn’t allow you to make an actually trans character since it obfuscates the choice you’re really making of the character’s gender. And even in the games that do allow transness, they’re still such idealised bodies that you can never really recreate yourself authentically. And that sucks, they fail to capture the ways that human bodies can be shaped between the high idealised binaries at all.
Selectable genitalia then plays into this issue, and it’s telling that the first high-profile example of its implementation, again Cyberpunk 2077, treats trans bodies as purely sex objects. It implicitly suggests that the only notable thing about trans bodies compared to those of cis people is that we have different genitalia. It implicitly fetishises us even in the games that aren’t explicit about it like Cyberpunk. Like with body type, it does have some value since it is necessary to push away from cisnormativity, it just can’t really do that effectively without a bunch more features surrounding it to allow us to make more genuine expressions of transness that aren’t tied to the cis ideals that we’re currently stuck with. That being said, unlike body type, it does allow you to make your character look more like you in a way that isn’t entirely cisnormative, and, personally, the first time I made a character in a game with one of these creators, Baldur’s Gate 3, I genuinely felt a huge amount of euphoria. Because even if BG3 is still very cis in how the characters are shaped, with its short and curvy body type 2 contrasted by the tall and muscular body type 1, it still let me do that one thing that I never really could before in a game and I felt like I could make a character that was just a little bit more like me. So it’s definitely worthwhile as a feature, it just needs some more time to cook in the oven with the body types. C+
Overall though, character creation is improving, and as it stands this is the main spot where transness has become more common in high-profile games. But notably, this is a spot where the player has full control of their experience. It means that, while yes trans people are getting the ability to represent ourselves in games, we are not getting representation within them reflected back at us nearly as much currently. So I think the creators mask the issue with trans representation in games right now, since they make it appear like there is more transness than there really is. Or at least, more than there is in high-profile games.
So now I’m finally gonna switch to talk about indies, which are far, far more queer. I don’t even know where to begin. Actually yes I do, I’m gonna start with one that I personally found really lovely and affirming back when I was a babytrans still: Our Life: Beginnings and Always is an indie visual novel about you growing up and falling in love with your neighbour/best friend. And as you go through the years, you are given several short character creation screens to allow you to alter your appearance, name, gender, everything, however much you like. It means that you can make a character who actually goes through a transition during the course of the game, and since it starts in childhood with a few very short scenes, you can do this without even needing to play as the non-trans version of your character/yourself for very long. I loved this, unfortunately I didn’t really care for the main love interest so I dropped the game, but I find the idea fascinating and I’m excited for the sequel where the love interest is a girl now for my lesbian ass. I’ve heard one of the DLC romance options has a really good trans narrative in the first game, but I don’t care to play it.
Unfortunately that’s also the only one that really has character creation that complex, most of the others content themselves with pronoun selection and, maybe, very light character customisation. Here is where I wish a lot more games allowed free pronoun inputs, as a lot of these are visual novels where your character is never seen and only referred to by name and pronouns, yet they insist on just he/she/they as options. I know these games can have free pronoun fields, I’ve played enough text-based adventures to have seen it and they always have name inputs besides. I recognise this is more work but cmon, if you’re gonna be the queer underdog go all out with it smh. Also I know you can have both free input and predone he/she/they options. I read a fuckton of ren’py VNs for comfort dammit I know this is possible.
So now we need to move onto games without character creators, for that I’m gonna start up another post. What’s one more at this point, right? (5/8)
Each of these takes me like an hour btw.
Indie games do a lot better with having explicit queer rep. Even the big indie names often have a trans character or two. Take Undertale or Deltarune having nonbinary ones for instance. A lot of these though are just trans without much really coming out of it. So while they’re cool to have, I don’t really feel anything from them one way or the other besides a small ‘neat’ when I learn it.And this is kinda common, Celeste’s Madeline, despite being so commonly mentioned as a big example of a trans character, has her transness only be signalled by out-of-game statements and some in-game visual hints. On the one hand, this means that her feelings are more easily applicable to others who aren’t trans. But on the other it also means that people who don’t catch the small hints who aren’t trans likely aren’t going to make the connection at all. This is when it’s helpful to consider Celeste’s history of being a game made before the creator herself realised she was trans. So it’s a game which engages deeply with her gender feelings, without ever actually commenting on them directly, since she didn’t know that they were gender feelings yet. In this way it’s a really interesting game to look at for how it is so unapologetically trans, yet also not at all. It’s so obvious why it touches a lot of trans people, yet also people who have other issues that are often related like depression. So even though Madeline isn’t very explicitly trans, I think she’s a great example of a trans character, and Celeste is to an extent a trans game, just not a very explicit one. It’s good, and I think worthwhile as one, though I do wish those who suggest it to other trans people as a good trans game would add this caveat about it not being super explicit, as I find it can sometimes disappoint people when they aren’t told.
Barring these, one of the more common ways indies add non-cis characters is with our old friend ‘nonbinary aliens’: So many games have agender characters as a way to emphasise a distance from humans. A good example is Chaos in Hades. It’s certainly cool that Chaos is agender, but there’s no real trans character otherwise. And for a game as unapologetically queer as Hades that’s kind of wild, isn’t it? Others exist too, like many of the characters of Hollow Knight being agender. I get it, it’s cool to emphasise the alienness or difference of society of your neat fantasy creatures by making them not have gender. But if it’s the only example of trans, nonbinary or agender representation in your work you need to at least recognise that it can be lightly dehumanising. Even if it’s implying it’s better than humans, that’s still a form of dehumanisation, just in the other direction. Void Stranger, much as I love it, also falls into this problem with its void lords. Notably, however, they’re all also coded feminine and call each other ‘sisters.’ So while the use of they/them pronouns is done to distance them from regular humans, they’re still very human, and in some cases trying to become more human. That slight difference I think does help rehumanise them despite it, even if it’s still playing into the trope. (6/8)
Now though, we’ve reached the game I really want to talk about, my absolute favourite visual novel, and frankly novel ever: The House in Fata Morgana. Huge spoilers ahead.
Spoilers. (CW: Transphobia, homophobia) I’ve been listening to FataMoru’s OST this whole time tbh, I highly recommend it
The main character of FataMoru, is revealed to be an intersex trans man near the end of the novel. This is done in a bit of a handwave-y magick-y way where his transition is basically replacement for puberty, but nonetheless he is still a trans character and his story is explicitly about it. But it’s not just a coming-out story; it’s much more a story about shame, hurt, and healing. Michel Bollinger is born as Michelle, an albino baby girl in 11th century France, to a noble family. As she grows, she idolises her brothers, a knight and an artist, and wishes to be able to do many of the things that they do, but she’s stopped because she’s weak, a woman, and has an overprotective mother who considers her an angel, her perfect daughter. This continues on until one day she comes down with a bad sickness and her mother keeps her in bed. This continues for months, isolated and alone she eventually gets up once she feels better, only to find that she is much taller, broad-shouldered, and has a deep voice. She’s… a man. And he is happy about it. He drops the last two letters from his name, feeling a sense of rightness as he does, and he goes down to his family, who left him to rot for months, to declare his new identity. Only, everyone at the dinner table, the table he wasn’t invited to, is horrified when it happens. His brothers are speechless, his mother thinks he was possessed by some demon sent to destroy her perfect angel of a daughter, and his father is enraged at the display and social embarrassment. They lock him back in his room for months, with his only company being his brother’s fiancee who continually physically abuses him, insults his body, and starves him. Eventually she stops, and eventually he sees his brothers again. But when he does it’s not under happy circumstances. They tell him that their father has ordered his execution. So the two brothers, with the help of their mother, are trying to send him off to another estate to keep him alive. Michel goes along with it, not having much choice in the matter, but as he goes he asks them if he’s really their brother, to which they agree. ‘I have eyes after all,’ the artist among the two says. So Michel lives in a dark, lonely mansion, for a decade. The townspeople nearby are scared of him, and his brothers never come. He continues writing to his mother, but every letter needs to end with those two extra letters. This gets worse when he receives a package containing a painting from the artist. But the painting was a commission from his mother, to paint Michelle at that age, and not Michel. Seeing this, he’s struck by sorrow and pain and cuts at it with a knife, hurt by the betrayal from his brother, the continued insistence of his mother that he’s her daughter, the loneliness of being abandoned, all alone, with the people you care about hurting you at every turn, unable to see what you want even if it’s so, so very simple. But eventually, things do get a little better. He meets a woman, Giselle, and the two slowly fall in love. This is difficult on account of Michel’s insecurities, he wishes he wasn’t so frail so that he could be more manly, he wishes that he was able to connect with her more easily instead of having the shame and pain of his history tugging behind him. Eventually, Giselle shows him scars she received, and yet he still can’t bring himself to tell her of his own past. And then it catches up to them. Knights are sent to the manor by the church to kill a demon, Michel. They are led by his oldest brother. He kills Michel with tears in his eyes, but Michel was at least able to find solace in saving Giselle beforehand. But that solace goes away quickly, as after his death his ghost needs to watch his corpse be dragged to a pyre, he watches as his mother condemns him as a despicable demon, and he watches as his body burns to ash. It’s so much that he eventually dissociates, not only from his body, but his soul as well. But he refunds Giselle, refinds the manor in the afterlife, and although Giselle has forgotten him over the years he slowly is able to remember, to refind himself. He helps Giselle remember everything, but the shame is still there. She doesn’t learn the truth about him until the witch Morgana pulls it out of Michel, his screams echoing through the halls as she does so. But, Giselle, unlike everyone else, stays with him, and the two help raise each other up. And then they aid others, before eventually reincarnating into another, much nicer life, where they will meet again.It would be no exaggeration to say that this visual novel is the reason I realised I was trans when I did. It happened a year after I first read it, but FataMoru was an integral part of me recognising actual trans experiences, recognising that it is just, a thing that you can be. That it’s not something to be ashamed of, that people will care for you as a trans person, even if it might not be everyone. Reading it was basically the moment that made me realise trans people are just… people, and that maybe I’m a lot like them. Even back then, Michel is, the character I relate to by far the most, in any piece of art. It’s so strong that, for a time, I was genuinely debating using ‘Michelle’ as one of my middle names, but only relented because I felt bad naming myself after his deadname. This is a novel which comforts me, it makes me feel safe, and happy, and seen. I understand that many people would find this narrative hard to read insofar as it’s one of the common ‘trans suffering’ narratives that are so common in trans literature. But for me, that’s how my life is. Ever since I read FataMoru, my life has horrifically begun to mirror it. I wrote a summary of my experiences in the following post, though you don’t need to push yourself to read it. It… got a bit further and more detailed than I expected. I don’t think I really need to draw the parallels I see between me and Michel. We’re both lonely and hurt, thrown away when we became too tricky to keep. But what underpins this is a hope, that things can, maybe even will, become better. Revolutionary optimism in the face of a broken world and people is what feels real to me, more than anything else. So I, at least, like trans suffering narratives, so long as there’s some joy in there too.
I’m honestly scared to reread FataMoru, as much as I love it. I’ve never once read Michel’s chapter without crying, and I’m terrified of how visceral the reaction will be if I were to read it now, after being kicked out, without at least someone there to comfort me. So my overall thoughts is that in the industry at large, trans representation is very messy. But that messiness is often what makes the characters feel authentic, and what allows them to become worthwhile icons for trans people. We have a long way to go with regards to improving it, but I think it’s possible, it just needs a lot of work, time, and genuine efforts. (7/8)
Whoops this turned into a vent post (CW: suicide, abuse, transphobia, homophobia)
I was the perfect angel of my mother, the one who saved her, “cured her cancer” with my birth. My first moments as a trans girl were feeling scared and alone, stuck on an airplane across continents in the summer of 2020 with only my mother who I couldn’t come out to asleep beside me for hours. When we were done moving, I was just scared, dysphoric, and confused on what was to come. I figured, at the time, as a minor my best bet would be to push my parents to get me HRT, but I knew my mother was racist and likely held other bigoted beliefs, so I put it off until I felt it might be safe.I was rejected when I told her I was trans on Christmas of 2020. She insulted me in every way, insulted my choice of name despite it being her own choice for me were I born a girl, said I killed her son, insisted that I must just be gay, as though she hasn’t also denied my bisexuality, said I would ruin my body, that it’s just the evil of my long hair possessing me, that I was never showing any signs, everything you can think of, she’s told me. She, for the first time in my life, though I would later learn not my siblings’, threatened to commit suicide if I did it. After about an hour or two of this, she basically was just stuck on the sofa, sobbing. At the time we were the only two people of my family living together, everyone else was elsewhere, so I felt obligated to keep her company and comfort through the whole thing. She continued to cry that whole night, and would cry often for the next three days. And often I’d be there for her as she’d hold onto me. The few times I was away I had to put on the loudest music I could to drown out my thoughts, the self-hatred, the guilt, the shame. She’d immediately outed me to the rest of my family by calling tehem. My siblings said they were fine with it. My sister chatted with me that night about it, was happy to hear I picked out my name. And my brother was telling our mother to stop bullying me and use my name, though she obviously didn’t. My father, meanwhile, said that he’d support me regardless, but a week later he said that he wouldn’t use my name and would use an old nickname instead, likely to avoid conflicts with my mother. The two of them promised me that we’d go through a psych to get my dysphoria evaluated.
Eventually father came to live with us again, no longer kept away by work. He didn’t use the nickname or my name. Neither of them ever mentioned the psych, and I was afraid to bring it up. Eventually that summer my sister visited, and I tried to get her to help me bring it up to him, but she just insisted he wouldn’t have an issue with it and I should do it myself. I couldn’t. Eventually she even stopped using my name in private conversations. My brother was the only one who stayed supportive, but I told him clearly not to use my name around our parents since I didn’t want to spark conflict again. By this point I changed my plans from pursuing HRT through my parents to doing it alone. But I lacked any money to do it, I couldn’t find an available psychiatrist nearby who knew anything about trans issues, and the one clinic near me that offered informed consent has shut down a year prior. So I laid in that purgatory for a year, unable to make any real progress besides learning to style my already-long hair and voice training poorly and inconsistently. Eventually, I got a job in the summer of 2022. But even with money saved up, I still couldn’t find a psych. I insisted that I needed to get my prescription process at least started before I was 20, or I’d have to find a way to DIY or else commit suicide. I only barely managed to find a psych 2 months before my 20th birthday, a full 2 years after I realised I was trans. A few months went by and the appointment came, I got the letter I needed, and a doctor’s appointment. I had to push it forward by a few months to make sure I could make it, and in the meanwhile I was the most dysphoric I had ever been. My facial hair had gotten to a point where it would become every morning, which tore at me for the months I waited and waited. Eventually, I went to the appointment, my first ever post on the trans mega was even about it. And then I just needed bloodwork and a follow-up and I’d finally have HRT.
But things didn’t turn out so simple. The hospital I had to go to for bloodwork sent a physical letter. My mother found it and demanded to know what it was for. I saw no point in lying, so I simply said it. She exploded. My father, brought into it, asked me what had happened to us going to a psych. I explained that I did it on my own, which only made my mother angrier. “One conversation and they think they know my child better than me.” She again insulted everything about my transition, only this time joined by father. He wasn’t as bad, but he mocked how I would look with breasts, he didn’t understand why I would want to transition, and he simply said to my face that I would never be a pretty woman, as if that was my main goal. I went to school that day feeling entirely numb. The friend I’d normally talk to wasn’t there, so I was alone, in class trying to avoid thinking about anything, trying to avoid crying in the middle of class. Eventually I came home, and while my friend had learned what happened and offered support with a phone call that night to talk through it a little, my parents were still fuming.
We had a cousin over in the following weeks, so my mother hid her anger as well as she could, that is to say she was passive aggressive to me instead of simply aggressive. But eventually she cracked on a day when my brother came to visit and, while we were around my (hugely bigoted btw) cousin, she asked my brother if he supported me. Initially confused, my brother asked for clarification before her vague answer made it clear and he replied that, yes, he does. They argued, and argued, while my mother constantly belittled me, calling me spoiled, selfish, mocked my depression, mocked everything, all while I was just trying, and failing, to not cry. My cousin, cowardly bigot that he is, insisted that he doesn’t judge but “it’s just not a thing where I’m from” (Australia btw) and that I had nothing to be depressed about so I should just feel better. Eventually the argument stopped, my father apologised to our cousin for it happening, and I went to my room to cry alone. My brother came in later, comforted me briefly, then left the house while we were all asleep. I spent the entire week afterwards sleeping not in my actual bedroom, but the guest room which had used to be mine when I was a child instead.
Eventually my cousin left, and almost the very next day I was told, point blank, that I had to leave the house. My father justified it by saying that he was technically paying for my HRT through my school insurance since he paid most of my tuition, and that it broke an earlier agreement we had about him not paying for any of my transition. So I had the choice, stop HRT, or leave. (at this point I still didn’t have my HRT) He was crying that night after telling me, and my mother insisted I head down. He said it was because he told me to leave. That he was crying from the pain of telling me that. I still had to do it though. Over the next days I was scrambling to find an apartment to rent or a sofa to crash on, and part time jobs to work so I could afford to live. My mother would often go out on these days fuming so much that I was genuinely worried she’d keep her threat of suicide. Whenever it happened I, genuinely, had to repeat a mantra of ‘don’t think about it’ to avoid breaking down about the possibility. She never did, of course, but the fear was, and frankly still is, there. Once I found an apartment to view, not even rent, but simply view, I was told by my father that that viewing was the day I’d be kicked. It was barely a week from the day. I had to pack everything in a rush, get the friend I was going to crash at as a backup okayed, and then he drove me, and I was away from family.
For reference, these last three paragraphs all happened in the span of less than a month, it was incredibly hectic. Things slowed down at this point, I couldn’t really bring myself to tell my siblings, they were too far away and too much was going on in my life, I was too tired to do it. The only person in my family I spoke to regularly was my father, who I still call weekly. Even now my siblings are mostly people I speak to occasionally every few months. We’ve always been quite distant, though. My mother, meanwhile, would constantly send me voice mails of insults on my phone. It took a lot to not listen to some of them. The next year continued to be hectic, but I had HRT, so things were looking better.
They got pretty good, but then began to dip back down after I burned several of the friendships I cared the most for in the span of a single month. Each wasn’t intentional, but I’m a selfish asshole, it always happens eventually. And each of them were friendships I genuinely really cared for. I obviously didn’t deserve to, though. I temporarily isolated myself almost entirely after that point to avoid doing it again in the short term. But in so doing I made myself feel lonelier, and lonelier. I miss all of them, all the friends I lost through mockeries I didn’t consider serious, my siblings too far to see more than once a year, my parents, who much as I would find it easier, I can never seem to hate. Every single time it’s been my fault. But I’m never going to be able to change those relationships, so I just have to keep learning and trying to be better, so that eventually I can be better for the future ones.
I am so sorry for inflicting this on you, especially when it is long enough to be an undergrad thesis on its own (8/8)
Don't be sorry, it's fine. I read everything, all the parts about videogames were pretty cool, even if I didn't reply to each one.
Not sure if this will need a spoiler but:
Talking about trans issues/transphobia/mental health
I'm sorry you had to go through all of this, seems to be somewhat of a standard experience unfortunately. I'm still in the closet, but I think my closest friends know I'm NB, but I'm more transfem than they realize (haven't told them directly, but I have a trans flag on most of my bios on social media) and I can't imagine not being completely independent before trying to transition, you're very brave and you'll be fine. You shouldn't isolate yourself from others, it's bad for you, and don't knock yourself down for having issues with dealing with people, people are always difficult, it's just important that you try to be nice to others, though. You will eventually find good friends that will accept and support you, and you will accept and support them too.Now, after this i gotta get back to writing this thing. I have 5 and a half days and 5 pages to write something that I barely have any academic references to use