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This is an automated archive made by the Lemmit Bot.

The original was posted on /r/animemes by /u/OrFenn-D-Gamer on 2025-09-19 04:24:19+00:00.

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When in recovery mode after a battle on Rigel VII, Captain Pike and the crew of the Enterprise try to avoid the 18 year-old distress call from the Talos Region. But when Spock interrupts a martini meeting between Pike and Boyce, it’s time to gather a team and Time-Warp again! Will Pike survive the thoughts of Talosians? Will Vina be there if Pike returns? Despite all his rage, is Pike just a rat in a cage? It’s the episode that gives you a beginning, but not before showing you the end!

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The original was posted on /r/dataisbeautiful by /u/Sarquin on 2025-09-19 06:04:18+00:00.

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Photograph Source: Gage Skidmore – CC BY-SA 2.0

“Charlie Kirk’s funeral Sunday will be a historic moment for conservatives,” Henry Olsen writes at the Washington Post. “Kirk’s widow, Erika, President Donald Trump and his allies will understandably want to use the event to call out a tide of left-wing intolerance and violence. But they need to strike the right tone — or they risk squandering Kirk’s legacy.”

Value, with legacies as with everything else, is subjective. Whether you’ve invested well, or squandered, a legacy comes down to what you’d prefer to accomplish with that legacy and whether you succeed or fail at it.

In a perfect world, Charlie Kirk’s supporters would focus on, and mine the legacy value of, his reputation as an advocate of free speech and debate. Whatever one thinks of the views he promoted and defended, there’s 24-karat gold in the notion that verbal argument is, in both moral and practical terms, better than physical violence as a means of resolving disputes.

We do not live in a perfect world.

In our imperfect world, prominent figures on the “MAGA” right — including but not limited to the president and vice-president of the United States — look at Charlie Kirk and see their very own Horst Wessel.

Like Kirk, Wessel was an accomplished advocate and public speaker for his political party: The National Socialist German Worker’s Party, aka the Nazis. Unlike Kirk, Wessel was also a violent “stormtrooper” who engaged in street violence against the Nazis’ opponents.

Like Kirk, Wessel was murdered at a fairly young age. Like Kirk (for the moment, anyway), the motives behind his murder were unclear.

Joseph Goebbels immediately and successfully began promoting Wessel as a martyr to the Nazi cause and using his killing as a vector for attacks on Adolf Hitler’s political opponents.

Goebbels’s MAGA equivalents are already hard at work promoting Kirk as a martyr to their cause and using his killing as a vector for attacks on Donald Trump’s political opponents.

For years, I’ve heard from some quarters that Trump is “literally Hitler.”

We’re about to find out whether, and if so to what extent, that’s true.

If he and his underlings continue with the Horst Wessel approach, and use Kirk’s funeral as an opportunity to call for more heads on more pikes in Kirk’s name, it’s almost certainly true.

If he and his underlings take a few deep breaths, examine their own motives and souls, and turn Kirk’s funeral into a celebration of free speech and open debate, it probably isn’t.

Either way, they’ll only have squandered Kirk’s legacy if they don’t manage to squeeze whatever they’re after out of that legacy.

As for the rest of us, we avoid squandering it by paying attention to how it’s used.

The post Charlie Kirk: the Value of a Legacy is Subjective appeared first on CounterPunch.org.


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Bogotá, denunce di molestie all’AICS: il caso che scuote l’agenzia italiana di cooperazione

@news
La giornalista e avvocata Ana Bejarano ha portato alla luce denunce di commenti sessisti e avances indesiderate. Comportamenti inadeguati che sono stati riconosciuti dall'Agenzia, la quale ha però comminato sanzioni ritenute inadeguate dalle vittime

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Jon Stewart addressed head-on the specter of censorship looming over U.S. late night talk shows on Thursday with an over-the-top portrayal of a politically obsequious television host under authoritarian rule.

Stewart hosted the Comedy Central program one day after ABC suspended Jimmy Kimmel’s late-night show indefinitely following comments he made about the assassination of conservative activist Charlie Kirk and two months after CBS said it would cancel the show hosted by one of President Donald Trump’s fiercest critics on TV, Stephen Colbert.

The show opened with a voiceover promising adherence to the party line.

“We have another fun, hilarious administration-compliant show,” it said.

Stewart lavished praise on the president and satirized his criticism of large cities and his deployment of the National Guard to fight their crime.

“Coming to you tonight from the real (expletive), the crime ridden cesspool that is New York City. It is a tremendous disaster like no one’s ever seen before. Someone’s National Guard should invade this place, am I right?” Stewart said.

“The Daily Show” set was refashioned with decorative gold engravings, in a parody of gold accents Trump has added to the fireplace, doorway arches, walls and other areas of the Oval Office.

Stewart fidgeted nervously as though he was worried about speaking the correct talking points. When the audience members reacted with an “awww” he whispered: “What are you doing? Shut up. You’re going to (expletive) blow this for us.”

He took on a more stilted tone when he started describing Trump’s visit to the United Kingdom, calling the president “our great father.”

“Gaze upon him. With a gait even more majestic than that of the royal horses that prance before him,” he said.

Stewart’s featured guest was due to be Maria Ressa, the journalist and author of “How to Stand Up to a Dictator.” Ressa also shared the 2021 Nobel Peace Prize for her fight for freedom of expression in her home country of the Philippines.

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Me doing the Courier's Rasher quest 17 times and getting my ass kicked over and over again by Lace:

bug-facts Bullshit game, fake difficulty, sadistic devs, pls nerf

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Erst flüchtete er, dann kehrte er zurück, um seine Spuren zu verwischen und flüchtete erneut. Ein 87-jähriger Autofahrer hat bei einem anderen Auto am Thalmässinger Marktplatz (Landkreis Roth) den Spiegel angefahren. Dummerweise wurde er beobachtet.

Ein aufmerksamer Zeuge hatte beobachtet, dass der Senior am Dienstag gegen 10.45 Uhr am Marktplatz in Thalmässing mit seinem Fahrzeug den Außenspiegel eines anderen Fahrzeugs angefahren hatte. Offenbar fuhr der Mann aufgrund des Gegenverkehrs zu weit rechts und beschädigte so den Spiegel des parkenden Fahrzeugs. Der Fahrer setzte allerdings seinen Weg fort, ohne sich um den Schaden in Höhe von rund 300 Euro zu kümmern. Der Zeuge konnte sich aber einen Teil des Kennzeichens merken und gab dies an die Polizei Hilpoltstein weiter. Noch während der Zeuge mit der Polizei telefonierte, kam der Unfallverursacher zurück, sammelte die beschädigten Teile des Spiegels ein und - flüchtete erneut. Diesmal konnte sich der Zeuge allerdings die gesamte Autonummer notieren und die Polizei hatte so leichtes Spiel. Eine Streife fuhr zum 87-jährigen Unfallverursacher nach Hause. Ihm droht nun ein Verfahren wegen unerlaubtem Entfernens vom Unfallort.

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My name is Ehab, from northern Gaza. I have a family with four children — we have lost everything. Our home was destroyed, and I lost parts of my family: my sister and her children are among the dead and wounded. Now, we sleep on the streets, with no shelter and no safety.

The warplanes never leave the skies above us — we cannot sleep from the noise and fear. Tanks and raids are frighteningly close, and the gunboats fire from the sea. The situation is terrifying — the children cry from fear, and the elderly cannot endure the cold and hunger.

I have lost so much weight from hunger and this genocide. We have no source of income, no money to evacuate to the south where it may be safer. We desperately need funds to move my family to safety, and to buy food and medicine. You are our only hope.

Please, share this story and donate if you can. Every amount, no matter how small, can save us right now. PayPal is the only service that works here.

May God protect us and our families. From the depths of my heart, thank you to anyone who reaches out a hand to help. https://gofund.me/00439328

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to catch up those who aren't aware, the overwhelming majority of native Japanese speakers use 12-key flick input to type on smartphones, as it evolved from the input on flip phone (garakei) hardware keypads. it also requires less keystrokes => faster than typing romaji, once accustomed.

for context, the most widely recommended Japanese keyboard on android has been Google Gboard, MS Swiftkey, etc. tbh, these are very good as a keyboard, but unfortunately also great at collecting personal private data. the previous open source choice Mozc (created by a Google from a gentler timeline) has been outdated since before the pandemic.

thankfully, now there are at least 3 open source projects working on east Asian language (primarily Japanese) flick keyboards for mobile devices:

FCITX, FUTO keyboard, and Florisboard

so far, i think FUTO seems the furthest along, with a nightly build for android available already. if you try this, remember to import the kanji conversion dictionary file linked in this comment since it was excluded from the apk to reduce file size.

this is very exciting, as only a year ago, there was hardly any mention of work being done. the only solution i could find for modern smartphones was by a Graphene OS forum user who had recompiled the latest binary of Mozc (from 2019!) while splicing in modern components for those that had become outdated. the result was janky to say the least.

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The Supper is a short adventure game about the darkest side of the human soul.

Ms. Appleton was always a wellspring of kindness, until The Voice started talking to her. It won't leave her alone. It commands her to serve a very special meal to some distinguished customers.

Explore, cook and solve puzzles in this delicious treat for adventure game fans. A tiny snack to consume while you make your afternoon coffee or right before bed!

From Octavi Navarro, creator of the critically acclaimed short games Midnight Scenes, Unwelcome, and The Librarian, comes a delicious treat for adventure game fans. A tiny snack to consume while you make your afternoon coffee or right before bed!

From PC Gamer: The Supper is a dark story of revenge that brings to mind Sweeney Todd. You play as a peg-legged tavern owner, who has to serve three very special dishes to a trio of horrible pirates, who really should have checked the Food Standards rating first...

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Context: my father is a lawyer and therefore has a bajillion pdf files that were digitised, stored in a server. I’ve gotten an idea on how to do OCR in all of them.

But after that, how can I make them easily searchable? (Keep in mind that unfortunately, the directory structure is important information to classify the files, aka you may have a path like clientABC/caseAV1/d.pdf

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Photograph by Nathaniel St. Clair

Whatever other people reprove in you, cultivate; it is you.

–Jean Cocteau

Whoever… requires heaps of facts before any theories can be attempted has no poetic power; nothing original or beautiful will be produced by him….The Platonic [finding similarity] is the poetic tendency, the so-called science is the negative and poisonous… science is false by not being poetic.  It isolates the reptile or mollusk it assumes to explain,  whilst reptile… only exists in system, in relation.

–R W Emerson, Literature, from English Traits

…the scholars have become unideal…The practical and comfortable oppress [English scholars] with inexorable claims, and the smallest fraction of power remains for heroism and poetry.

Ibid.

The wise advice from film maker Jean Cocteau, handwritten on a faded yellow post-it, hangs on the edge of the bulletin board in my study.  I seem particularly to need it at the moment, my inner life on a razor’s edge between the extreme “reproof” I aim at myself, before others have the chance, and something – a renewed sense of purpose? – still mostly hidden.  For people who might be impatient with the intransigence of my grief over losing our Cafe, I can say only, “me too!” But I can hardly write in a way that fails to connect honestly with my actual circumstances, even though the message they send is not one I wish to advertise (Failure!)  So, welcome to my wrestling match with whatever larger reality that confronts me with such soul-level challenges. There’s no rescue, I only can make my way through it, trying to stay conscious.

Yesterday I read a review of a book (The Question of Unworthy Life: Eugenics and Germany’s 20**th Century, by Dagmar Herzog) about the Nazi programs of sterilization and euthanasia.  In relation to the latter, the words “unworthy of life” were actually used in a 1920 essay written by a lawyer named Karl Binding and the psychiatrist, Alfred Hoche to categorize people either so profoundly brain damaged or physically disabled they could not work, even at simple tasks.   Hoche called such people “ballast existences” that weighed society down; that is, while it cost something to maintain their lives, they could contribute nothing back to the community.  Consequently, up to three hundred thousand ballast existences were euthanized by the end of the war.

In a world which offers no substantial argument against some people being deemed “unworthy of life,” ostensibly for economic reasons, and vicious programs are rationalized and put in place to carry out their elimination, is not anybody’s worthiness for life extremely shaky (in fact there’s more than one documented instance of work-capable people being swept up in the euthanasia program).  For what other basis are we given than the rationalist balance sheet, reducing humanity to no more than machines, that by now has boomeranged back on itself into an absurdly stalemated world of your “truth” vs my “truth?” Where are we to go for a different valuation of the human, to restore the relational the power of which is in imagination, not scientific rationalism, even ecological science?

Here is why such a shaky sense of self-worth underlies and belies liberal normality.  And why the bourgeois lifestyle to which we’re supposed to assimilate  is just a cover-up that never can uproot those deep feelings of low self-worth,  the disabling residue of trauma.  Needed is some way to get below the world’s default ascription of unworthiness, though it serves capitalism so well,  and see for oneself what the truth of the matter is. There must be a way to the demeaned, but truer basis for identity, that is, as prophets and poets long have pointed to it – the (poetic) consciousness that unifies.

In the wake of the Charlie Kirk murder pundit David Brooks in a PBS interview pointed to the “dark passions” that are now flourishing in the “body politic,” heightening divisiveness.  These are not something new; eruption of “the shadow” drove Nazi fervor in the 1930’s. A war was fought, fascism was defeated, and still the dark passions continue to emerge and surprise us.  They surprise because in liberal reality we are strangers to ourselves; we do not know the dark passions in ourselves.  These can only be met in oneself, in the soul’s imagination where “checks and balances” also exist.  It no longer will do to point the finger at the ones who are filled with and motivated by obvious nihilistic passion; the source of the dark reality must be contended with in oneself.  The passions did not come from nowhere. We are all connected, one body, fated.

As far as my personal plight goes,  I’ve been here before – that is, I’ve experienced the soul tumult before, having, up until age 40 or so, more or less successfully kept the fuller truth of  myself hidden from myself.  Unknowingly,  I had all along been an other. Unknowingly I’d been driven, always, to be not that.  The great learning out of the ordeal was that my otherness was me; I could no longer repudiate what was myself.

The Cafe was the triumphant expression of that otherness redeemed – it proclaimed otherness in every joyfully funky detail; it was a poem in the guise of a perfectly viable small business.

The political philosopher Hannah Arendt, much more precocious than I,  took this bull of worthlessness by the horns early in her life.  She identified herself*,* in conscious embrace of her otherness as a Jew,  a pariah.  It was a move akin to those childhood chasing games, when one mocked at fate:“Ha-ha you can’t get me.” Thus protected from the unconscious evil in what Jung called the “collective unconscious,” she could think; that is, she could trust in the soul truth of in relation, which energizes the power of thought.

We are neither more nor less limited in consciousness than was Hannah Arendt, a Jew in 1920’s Germany. Everyone is limited to the assimilated consciousness of their place and time and political structure. We who are limited by liberal, rationalist reality are, as much as she,  on our own to find our way to that identity that’s possible below conformity and assimilation. Above it, there is only the false rescues of exceptionalism and making oneself a “winner;” when successfully achieved, such rescue  will be at the expense of some other not yourself. We are all connected, one body, fated.

+++

Back to my struggle with God, with failure.  Is this what happens to those who follow an ideal, ignoring capitalism’s inexorability? Without the Cafe it seems my native “negativity,” long my stronghold against liberal totality, has difficulty finding its way into the imaginative expansion that assures me my life is meaningful. Without the Cafe as proof of the power of the dream, the negativity keeps boomeranging back at me.

However, a dream I had two nights ago seemed to tell me something different.  In a mysterious, indirect way, it pointed me back once again to the blessing of my negativity. Upon waking, I could remember no details, just a vague sense the dream left me with that the key was in my attitude, which could be – and in the dream magically was –  different than the place I’ve been stuck in for so long.  I had an influx of positive, loving thoughts about my negativity!  It came to me:  negativity is next to prophecy, the one must have the other!

+++

During a recent visit to my brother in Vermont, we watched The Bob Dylan film A Complete Unknown, on their big flat-screen TV*.* For  me, perpetually struggling with my negativity,  that moviemade something perfectly clear: Bob had, always, a dominant streak of negativity.   He was dour, genuinely melancholic, not always nice.  No ‘happy camper,’ he was also not  a comedian, the guy who could turn taciturnity into witty, sardonic humor like so many of my Jewish friends in college whose wit so impressed me.  Thus it is possible, is it not, that  we who are congenitally this way – i.e., melancholic, incapable of accentuating the positive – possess a gift that’s needed in the liberal world so relentlessly upbeat? Not a comedian?  Not songwriter/poet?  A “complete unknown?” No matter.   The kind of advice long considered wise, such as  Polonius’s to his son Laertes:  “To thine own self be true!” or Emerson’s dictum of self reliance:”Trust thyself” does not include a warning to “censor the negative; it is unworthy of you.” That is what liberal society has taught us so well you’d think cheerful optimism – not love thy neighbor as thyself – was the central Christian message; in so teaching, at its heartless heart, liberal reality teaches conformity.

It seems as if it often falls to wives to uphold the accentuate-the-positive rule. Because of my conscious melancholism, I’m aware of and can hear objectively the “wife” voice in myself.  I’m in endless struggle with my mother’s liberal faith, leery of “too much” pessimism,  but which leaves me at the mercy of the rationalist liberal reality in which worth must be earned.  Can I, once more, on my own, stand up for my right – my duty – to my negativity which in any case I cannot eliminate in myself, for it is me?   Stop listening to my “wife/mother” tell me – “Don’t be so negative” – Can I embrace it?  It may be that negativity is the best defense against the American compulsion to believe in progress as absolute; we negative-leaners do not – ever – honestly believe that! The negativity is a flowing, alive stream down in the soul; one can try to stifle it, to block it, send it to the corner, but it will never succeed; it is you!  However, to be redemptive, expression of negativity has one important qualification: it must have an art form.  Art transforms the merely negative to prophecy. What is not necessary for the happy person Ii.e., making art) is essential for the unhappy.

My brothers and I have in common the tendency to be “too negative.”  I have struggled to transform the fault into a strength, a kind of mythic challenge.  At one point during the weekend, driving through the picturesque Vermont countryside,  we passed through a town where an old railway line, using state funds,  had been expensively restored, including a brand-new, very attractive and historically-accurate train station.  The goal of the project,  my sister-in-law told us, was  to encourage AMTRAK to make this a stop, the trains to bring more and more people in for skiing, mainly.  My brother rejoined, “Yeah, but have you seen the trains?  There’s nobody in ’em.”  His wife could not restrain herself from saying “You’re too negative.”

She’s right, of course, but  so is he!  To stay out of the trap of negavity-is-bad, a condemnation that even when not actually spoken carries much weight, one has to be able to stay with – friendly to – the dark truth that is as real as any positive,  forward-looking,  liberal-friendly restoration projects.  For one thing, all projects that get done make profits for somebody or they would not happen.  One points this out not to persist in negativity for its own sake, not because we aren’t pleased that some of the apartments in the newly renovated former manufacturing plant in Utica will be reserved for homeless people, but because there’s more to truth, always, than meets the eye.  In capitalism, bottomline truth usually has to do with money’s purpose, not peoples’.  This is the truth to which, above all, we are expected to assimilate.  The robber barons’ money went to the most admirable purposes imaginable – libraries, museums, parks, etc.  But that doesn’t change the fact the money was robbed in the first place.

But negativity has a rough time hanging in against the totalizing force of liberal positivity to which people cling, not ‘as if for dear life’ but as if, simply, of course one must be positive.  One must stay the moderate path, like David Brooks.   Precisely as if positivity’s light could thereby banish – eliminate – overcome – replace – dark truth by the very fact of its rightness.  All that happens then is the shadow grows, the dark passions proliferate.

+++

Most people would agree; those early Dylan songs had such power  because of their “prophetic edge.”  Prophecy is the transformation of negative (honest) truth into the truth that connects.  Its power comes from its speaking from below the mainstream conformity (which, paradoxically, divides), from the unifying soul.  It goes right to the heart of people – often the young people – who “know something’s wrong and don’t know quite what it is,” and puts words to it.  Dylan, famously, chose faithfulness to the Muse rather than cave to the pressures coming both from the industry people who wanted him to stay with the winning formula, and from those whose souls he’d ignited with his power of prophecy.  He moved away from acoustic singer/songwriter solo performance, to “electronic” music with a band.  So what happened to his prophetic “negativity?” But that’s not the question. More importantly, what happened to the negativity – the potential for prophecy – in his legion of fans?

The turning point in Bob Dylan’s career that so upset his fans  revealed that even “radical” countercultural minorities can become forces of assimilation.  Dylan’s change in his art  partook of a different politics; in the words attributed to folksinger Joan Baez after his break with folk orthodoxy at Newport, going electric gained him his freedom “from us and all our shit,” a fully anarchist move. The anarchist is not a “nabob” of negativity.  He is deeply positive, responding with a yes to the deep call of the creative muse.  Articulated by Emerson in the early 1800’s as “trust thyself” the message has rarely been followed even by fans of Emerson, for fundamentalist liberal positivity cannot allow spiritual transformation to remain loyal to its unfolding, never-finished nature.

Was there any self-reproach/reproof in Dylan as he turned away from those who had been so supportive of him – Pete Seeger and Woody Guthrie in particular?  But how could he have remained faithful to the yes if he could not disappoint his mentors!  Some angel came to his ear at that time, for no earthly voice would have encouraged him.  Here is the reality of “trust thyself,” where the path goes invisible to those watching, “visible” only to the one who trusts.  The duty to “trust thyself,” including that negativity that is never socially approved, may particularly trouble us noncombative types, lulled into passivity in liberal reality.   That is what makes Emerson’s call so radical.

The post Embracing Negativity, Upsetting Conformity appeared first on CounterPunch.org.


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