cross-posted from: https://lemmy.world/post/39702178

Last Exit — Deutsches Jazzfestival, Frankfurt, 1986 [free jazz]

Guitar: Sonny Sharrock
Drums and vocals: Ronald Shannon Jackson
Sax: Peter Brötzmann
Bass guitar: Bill Laswell

playlist link:

https://open.spotify.com/playlist/6F3sCPmocAQDMNRNg7TZZb

playlist link:

https://open.spotify.com/playlist/6F3sCPmocAQDMNRNg7TZZb

0:00-2:35 Anti-Superstar
2:40-6:53 Fashion Over Function
6:57-10:17 Sophie
10:18-15:45 Fields of Versailles
16:38-19:50 I Like My People Weird
20:18-23:49 Freaks
23:57-27:13 Showgirl at Heart
31:10-40:30  Dance The Pain Away
41:41- 44:58  Shy Girl

I've been sort of going through a KMFDM rediscovery as of Trump 2.0 and I can honestly say it's the best part of his second presidency. Trump is peak MAGAlomaniac. KMFDM has never been more relevant.

my dad always had this dvd playing like every weekend. this song was permanently implanted onto my brain

playlist link:

https://open.spotify.com/playlist/6F3sCPmocAQDMNRNg7TZZb

early coldplay was something else, wow

playlist link:

https://open.spotify.com/playlist/6F3sCPmocAQDMNRNg7TZZb

Unfortunately, the video of the live performance was removed from YouTube, only a short piece remains.

The Portsmouth Sinfonia was an English orchestra founded by a group of students at the Portsmouth School of Art in 1970. The Sinfonia was generally open to anyone and ended up drawing players who either had no musical training or, if they were musicians, chose to play an instrument that was entirely new to them.

As the years passed, the Sinfonia’s musicians eventually became accustomed to and more skilled at playing their instruments, which diminished the novelty of the group. Although the group never formally disbanded, it ceased performing in 1979.

From the recent New Breed remixes album

This album begins the proper modern era of Mamaleek, after the trip-hopy ‘Out of Time’: they cranked metal back up, making the music busier and noisier, simultaneously infusing it with bluesy sensibility. Their trademark sound switches also started here, getting the listener more song per song. As usual, the changes didn't affect the recognizable atmosphere of the songs.

This was the first time Mamaleek were a full band instead of the two dudes, and gave performances. In fact, the album was recorded live, with “little to no overdubs”.