That movie has perfect casting. Everyone in it is exactly right for their parts. There is a B movie feel that I can't quite put my finger on but it is an outright excellent film, one of my personal favorites.
Oh I fully appreciate the sex appeal. Crass as the idea is to boost ratings by casting a bombshell in a bone tight catsuit, credit where credit's due it worked. A lot of TVs got tuned to UPN to look at that silver vinyl suit.
Turns out Seven was a massively important character; she got to do a lot of very important Star Trek stuff. Star Trek is at its very best when it's exploring the human condition and often does so with a human adjacent character who is on the edge looking inward at humanity: Spock the human/vulcan hybrid. Data the android. The Emergency Medical Hologram. And Seven of Nine the former borg.
There's some clumsy men writing women stuff in there but she has a lot of smaller moments where she slams up against the subtleties of human communication; As a borg she's as diplomatic as a rifle cartridge and as subtle as her costume. The best stuff with Seven is her fairly unique position in the franchise as a cult escapee. She deals with some heavy shit, the trauma of being assimilated as a child, growing up in the collective and then being taken from it.
And Jeri Ryan did a world class job at bringing the character to life.
Yes. This.
Being born in the 80's means you got pop culture the wrong way around because all the good shit already happened. From the point of view of a 1985 baby, Star Wars has always been there in exactly the same way as Sherlock Holmes: Long enough for people to make children's media loosely based on it.
So, there's a bunch of us who, when you mention Attack of the Killer Tomatoes, they see a Saturday morning cartoon with talking tomatoes rather than the Sharknado of the 1970's.
Rotting Log, stardate 42113.7...
Oh probably Local Forecast by Kevin MacLeod.
Remember the edgy 90's version of that ad where a skinny chick dressed as 1992 as possible beats the hell out of the kitchen with the skillet?
This is why I just...hate touch screen keyboards. T9 never made that kind of editorial decision, and a physical QWERTY keyboard with no software correction running at all didn't either.
Oh my god I forgot entirely about Pierre Escargot. Some neurons have just fired for the first time in decades.
They'd have been alright in 2009.
Prove me wrong: Fine art is a money laundering scheme.
You get some guy who went to art school to slosh some house paint on a sheet. You then hire a white woman who dresses like Malian royalty to come describe it in contradictory adjectives "It's subtle, yet bold" while her gay sidekick in a turtleneck flamboyantly slaps his face and gasps. Sell $20 worth of cotton and $30 worth of Valspar for $3.247 million, and you've just successfully covered up the sale of 94 more brown women.
That was my first thought, a tide pod also rapidly dissolves in sea water, we shouldn't be dumping those in the ocean though.
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Clue didn't work in the theater because they did this gimmick where they made three versions with three different endings. So because it had to be consistent with three contradictory endings, you CAN'T solve it as you go; it doesn't function as a mystery movie. And, it was kind of short.
The TV cut crammed all three endings at the end with the "Here's what REALLY happened" cards inserted, so one ending is now canonical while the others are plausible alternatives, it runs longer, especially the frantic, energetic ending plays longer, so while it still doesn't function as a mystery movie, it is now an excellent farce.
I think it also found its audience in young millennials on television; it was made for and by my parents' generation but they don't like it, while a lot of people my age love it.