[-] [email protected] 1 points 4 days ago

Somehow I’m only seeing this reply now.

Like I said in a sibling response, I’m not from or in the US.

Otherwise, I was completely aware of what the character was a parody of. But I think that only contributed to my issues with the film.

Not because I’m a Trump supporter … I’m down for a parody of him any day, but because I don’t think it was done well or had anything to offer beyond what’s already out there generally … and yet, because it was a trump parody, we were all supposed to like or respect it?

If it was early or prescient (like, before 2016), sure, maybe, but in 2025, doing a trump thing without providing something meaningful and that helps us understand how he’s in power better, is probably a net negative TBH.

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submitted 2 months ago* (last edited 2 months ago) by [email protected] to c/[email protected]

I wanted to like it for basically everything going for it - premise, Pattinson, Bong, sci-fi, “original” film - but came out pretty much as bitter as I have ever after a film. I’m not one to do it, but I was close to walking out on it.

There are some touches of what the film could have been, some moments maybe. But on the whole it felt like a train wreck where I’d bet that people knew on set that it just wasn’t going to work.

At some point I noticed there was a good amount of yelling from the actors (I’m wondering if that’s just me) and can’t help but suspect it was the director or actors trying to find energy in scenes that were struggling. Or maybe that happened in the edit. Then there’s Ruffulo and Collette’s satirical characters that just didn’t land and felt dumb and amateur (along with Poor Things, I’m thinking Ruffulo is just not good and “original” film makers would do well to stay away)

All up, I think it’s embarrassingly bad, or “objectively” bad. No real depth, no coherence or pacing or well directed momentum, much of the comedy doesn’t land, characters and plot often feel like afterthoughts, and it got boring too.

I think this movie review (from a pleasantly non-hype yt channel) says it better than I can.

What’s funny is I think a lot of people want this to be good. For the sake of original, fun, quirky, satirical films (and honestly, me too). But are stuck confronting a film that’s only making that situation worse not better and which represents the risks that studios need to accept not the successes they don’t understand).

Am I off here? I was pleased to find the review I linked as it seemed to match my thoughts.

EDIT - epilogue

And on the point about the fate of films … I saw this in the cinema (somewhat in support of original films) and dragged a friend too.

It was expensive. There was bad behaviour in the cinema (people taking photos with flash of each other!). And the film was bad, IMO, in a way that I feel people should have been more honest about (like I said, I think people wanted this to be good). Plus my friend doesn’t trust my choice in movies any more.

It’s really put me off going to the cinemas TBH. I’ll see how I end up feeling over time, but I think this might have been the straw that broke my back on the whole cinema thing. In part, sadly, because I don’t get how the film was that bad.

7
submitted 3 months ago by [email protected] to c/[email protected]

Jinjer knocked it out of the park with this track (off of their latest album)! Love it!

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submitted 3 months ago by [email protected] to c/[email protected]
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submitted 4 months ago by [email protected] to c/[email protected]

Oooff. That’s had me stressed!

Season 2 had me kinda down. I adored season 1 but it seemed like season 2 didn’t quite know what it was doing. Too slow and underdeveloped.

As it ramped up at the end though I’m really happy with it. And I appreciate the pacing having finished it. Really nice season of TV and I’m totally ready for season 3.

I’ve not read the books, so I don’t know where it’s going.

The whole algorithm thing (that’s apparently what some subtitles have named the voice) … I’m in the fence about the idea of having an AI/algo angle on that … but I guess we still deserve to confront that sort of stuff. I very much appreciated though the structure of there being another level of manipulation. And of course, Bernard refers to them as “who” bit “it” so either he’s naive or there is another organisational element. The additional silo in the “actually there were 51” line also points in that direction. As does the fact that there’s a tunnel at the bottom of the silo … what/who is that for?!

Generally though, having a microcosm of society under duress and oppression is turning out to be a fantastic premise for a TV show willing to be patient with its development! I’m not watching that much TV but Silo and Andor are definitely my favs of the past few years!

43
submitted 4 months ago by [email protected] to c/[email protected]

Of Eggers' works, I've only seen The Northman and this, Nosferatu.

I can confidently say that I like very much what these films are and where they are coming from. I'm almost guaranteed to see Eggers' next film. And, without wanting to see Nosferatu again, I have a general longing to see a film like Nosferatu over the next few days just to dig into the vibe more (I should probably see his earlier films now).

All to say that this film basically delivers on what you'd hope, with probably some surprises and compelling parts.

But what compelled me to write this was that I walked away from Nosferatu with almost exactly the same feeling I had after The Northman ... that I really wanted to see the better version of that film, that there was something missing, something perhaps slight and subtle but also essential for making the films truly great or to at least wash away an itch that there are annoying flaws.

I'm by no means qualified to describe what these things are or to work if they're just me-problems, but I'm struck by having exactly the same feeling after both films and that Eggers is the sole writer of both films. Because what I think I struggle with probably comes down to writing choices.

Watching both films, I thought to myself that Eggers struggles to stitch the dramatic aspects of his films with their atmospheric parts, which in his hands are vital to his style. Sometimes I wondered if a scene really needed to be there or as long, or needed to interrupt the flow of what was cut from before, or couldn't have better dialogue or more focused acting. It just feels like the moment he decides to have a straight dramatic sequence, with dialogue etc, he kind of doesn't know what he's doing nearly as much, let alone how to bind those components into a cohesive whole along with the more intense and supernatural components.

I'm curious now to watch The Lighthouse, which Eggers wrote along with his brother, to see if I can pick on a difference.



Thinking more broadly, as much as I liked an enjoyed Nosferatu, and will probably watch it again at some point, I do feel it is flawed. I could imagine a directors cut being interesting.

But generally, for me, it was downhill from about the middle onwards (basically after "Orlok's Castle" sequence (which was brilliant I thought, and along with the film's opening, easily the highlights I'd look forward to on rewatch).

Thinking about it along with "The Northman", I wonder if Eggers struggled to adapt pre-existing stories. With Nosferatu, for me personally, it certainly took away from the strength of the film that I new the basic structure of the story ahead of time, which for a vibey horror film becomes a serious distraction at some point. And I don't think Eggers really had too much to bring to the final act of the story TBH (apart from that shot/frame, I guess, which if you've seen the film you can probably guess). I certainly would find it interesting if the story told were only loosly inspired by Stoker's and Murnau's prior works.



Anyone else get where I'm coming from? Anyone with a better take on it than me?

4
Diwan 2, Rachid Taha (en.wikipedia.org)
submitted 8 months ago by [email protected] to c/[email protected]

I’d almost forgotten about this album, rediscovered it today, and fuck I love the vibe and energy.

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submitted 8 months ago* (last edited 8 months ago) by [email protected] to c/[email protected]

Instead we’ve the lions, power, swans and cats.

Who were premiers in 2003, 2004, 2005 and 2007 respectively (with a cheeky eagles flag in 2006).

edit:

Or, to include repeats and losing the grand final:

The 01, 02, 03, 04, 05, 07 & 09 premiers, and, the 04, 06, 07 & 08 runners up are in the prelims this year.

Not one GF in 9 years that didn’t have one of these four and only two that were win by another team.

12
submitted 8 months ago by [email protected] to c/[email protected]

How are people feeling about it? I was disappointed by season 1, but happy to keep watching as I'm a die hard fan from childhood.

Season 2 had me excited at first ...

spoilers (and ranting)The first two-three episodes at least had me even a little pumped.

The dark wizard in the east very much signals to me that the stranger could be a blue wizard, along with the dark wizard, which is honestly very cool and a nice way to split the difference around Tolkien's "speculation" on what happened to them.

Getting more complex Sauron manipulation and moving the plot along too seemed nice.

But after episode 4, I don't know. I came away from it thinking it might have been the worst tv episode I've watched since Picard S2, which was very strange given how much interesting shit they did. Ents, Bombadil, Wizards, Hobbit origins (actually I don't care for the amount of hobbit stuff in the show at all).

But there was something just boring about it all for me.

The only way I can explain what I think I'm seeing, and why it's fundamentally flawed, is that the writers/directors want to take Tolkien seriously and even feel rather pressured to do so ... and so in many ways they're actually writing/filming that sense of seriousness rather than a well thought out adaptation style.

The clue for me is how the whole show is at once strangely grounded and somehow "elevated" at the same time. The elves, such as Galadriel and Elrond, are kinda normal people doing normal things a lot of the time (compare LoTR trilogy Galadriel basically being mind-crushing and haunting most of the time) ... but talk as though they're reading directly from the bible or Silmarillion. Same for Halbrand/Annatar/Sauron. The construction of the rings is a clue into this I think, where they've attempted to portray it as powerful and important, but there's absolutely no sense of how in the world they're magical, no indication that there's some special elven craft behind them. Just "add mithril and get powerful rings".

Bombadil's dialogue seemed the same to me. Talking about being the eldest as though he's talking about what happened last week. Now in that character this sort of approach makes the most sense. But even so, there didn't seem to be any joy, jolly or aloofness about the character to signal how old he must be to be casual about witnessing the beginning of time. And there's always the concern the show should have for making us the viewer feel what's happening on screen ... and I don't think we felt Bombadil's mysteriousness much at all. Compare with, in the LoTR books, Tolkien using a wonderful way of showing that ... the one ring had no affect no him whatsoever to the point that he could see Frodo while he was wearing it.

The only breath of fresh air so far has been the dark wizard, which clearly takes cues from Saruman. It's probably been the only sense stylistically I've gotten that we're in a lost age of a fantasy world.

One take I had from season 1 was that RoP's biggest problem might be that it's being made after Game of Thrones not before it. That GoTs is absolutely the wrong influence for a show like this and yet is likely to have one due to its pervasive success. And I feel like I may have been right about that. The Tolkien world and GoT "politics and intrigue" are not compatible. Moreover, I suspect the GoT style may have run its course somewhat. A show like RoP was a chance to try something interestingly mystical and I don't think the creators were up to the challenge, perhaps not at all.

287
submitted 8 months ago by [email protected] to c/[email protected]

While territorial claims are and will likely be heated, what struck me is that the area is right near the Drake Passage, in the Weddell Sea (which is fundamental to the world's ocean currents AFAIU).

I don't know how oil drilling in the antarctic could affect the passage, but still, I'm not sure I would trust human oil hunger with a 10ft pole on that one.

Also interestingly, the discovery was made by Russia, which is a somewhat ominous clue about where the current "multi-polar" world and climate change are heading. Antarctica, being an actual continent that thrived with life up until only about 10-30 M yrs ago, is almost certainly full of resources.

67
submitted 9 months ago* (last edited 9 months ago) by [email protected] to c/[email protected]

It's funny, at time of posting, many of the YT comments are very nostalgic about how much has happened in this 8 year period ... and I can't lie, I feel it too god damn it.

26
submitted 9 months ago by [email protected] to c/[email protected]

Seems like fertile ground for coming up with something fun and interesting ... a whole shadow universe that barely touches ours ... but I don't think I've ever seen it.

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submitted 9 months ago by [email protected] to c/[email protected]

Rant …

spoilerI’m talking about Ash/Rook, obviously.

Just saw the film recently, and while it’s a bit of a love it or hate it film I think, the Rook character is I think objectively egregious.

The idea is good, IMO, in a number of ways, and I can understand that the film makers felt like it was all done with love and affection for Holm and the character. As a viewer, not necessarily onboard with how many cues the film was taking from the franchise, I noticed the silhouette of Rook pretty quickly and was quite happy/hyped to see where it would go.

But OMG the execution is unforgivable! And I feel like this is just so much of what’s wrong with Hollywood and VFX, and also indicates that some execs were definitely intervening in this film. Somewhat fortunately for the film, it had a low budget (AFAICT, by Wikipedia) and is making a profit.

But it’s no excuse to slap some bad CGI onto shots that were not designed for bad CGI. Close ups on the uncanny valley! Come on! AFAICT, bad CGI is often the result of a complete disconnect between the director and the VFX crew, in part because the VFX industry is kept at arms length from the film industry, despite (it because of) its massive importance.

That CGI is not something you do a close up on. No remotely decent director would have done that knowing the CGI looked like that. This is likely bad studio management creating an unworkable situation.

What could have worked much better IMO is don’t have the synth functioning well. Have its facial expressions and movements completely artificial and mechanical. Rely on the likeness of Holm and the AI voice (which did and generally do work well). Could have been done just with a well directed animatronic coupled with some basic CGI to enrich some textures and details. Instead we got a dumb “we’ll do it in post” and tortured some poor editor into cutting those shots together.

For many the film was a mixed bag. For me too. But this somehow prevents me from embracing it because I just don’t trust the people who made it.

… End rant.

[-] [email protected] 138 points 9 months ago* (last edited 9 months ago)

Prepare yourself:

Clinton, Trump and Bush Jr were all born in the “summer” of 1946.

Since 1992, 32 years ago, there has been a presidential candidate from the summer of 1946 for 7 elections (trump 3 times now) or 28 years worth.

Additionally, H Clinton was the “fall” of 1947, Romney the “spring” of 1947, Gore the “spring” of 1948.

Obama, McCain, Kerry and Biden are the only exceptions to the core Boomer generation of a 2 year window dominating presidential elections for ~35yrs.

With Biden and Kerry kinda being older boomers, born in ~1942/3 and Obama a young boomer at ~1960. Harris and Walz (and Vance too) mark a generational step change to X-gen and millennials

[-] [email protected] 300 points 9 months ago

So ... can we like finally dismiss Google Chrome as the obviously awful idea it is and which should never have made it this far and remind all of the web devs married to it that they're doing bad things and are the reason why we can't have nice things?

Hmmm ... a web browser owned by a monopolistic advertising company ... how could that possibly go wrong??!!

XKCD Comic depicting a conversation between someone who send an essay in dot doc, MS Word format, and another trying to convince them to use open source alternatives.  The first person is abusively unconvinced, doesn't care about ensuring we have good software infrastructure and dismisses the open source advocate as smug and "probably autistic".  In the final pane, the first person runs to the open-source-advocate second person panicking about facebook taking over everyone's social lives and doing evil things with it, in response to which the second person simply plays their "world's tiniest open source violin" as a clear "i told you so gesture"

[-] [email protected] 215 points 9 months ago

It feels like the big elephant in the room about shorter work weeks and more remote work is that lower level employee productivity is not the issue with them (likely at all).

And it isn't even that managers and higher-ups have some biases against such schemes (which they certainly do).

It's that such schemes put a clearer focus on the actual role managers and higher-ups are supposed to be performing, namely organising employees and their tasks and priorities into coherent and well-planned projects. Managers are, on average, not actually good at this. And the problem is systemic ... the average work culture doesn't have a good sense of what this looks like. Instead, there are "glue people" all over the place, working beyond their roles to fill in the gaps and keep things together.

But, with a less "monolithic", co-located and co-active workforce, the need for actual coordination beyond "do the things! LFG!!" becomes very real, and very anxious for people who either don't know how to do that or don't want the world to find out that things were actually working fine in spite of their inability to do it. A remote and discretely scheduled workforce necessarily asks accountability questions like "who is responsible for planning this?" and "this isn't my responsibility, you need to get someone else to do it" etc.

Managers and higher-ups aren't comfortable with their actual value being scrutinised more closely. And in many ways, it's actually understandable ... as they likely don't know the answer themselves.

[-] [email protected] 114 points 10 months ago

So from the outside, this is looking like an increasingly difficult situation for anyone left of trump still on twitter ... whatever you like about the platform ... it seems you're actively supporting and endorsing some pretty sketchy behaviour.

[-] [email protected] 266 points 11 months ago

Yea, academics need to just shut the publication system down. The more they keep pandering to it the more they look like fools.

[-] [email protected] 247 points 1 year ago

The moment word was that Reddit (and now Stackoverflow) were tightening APIs to then sell our conversations to AI was when the game was given away. And I'm sure there were moments or clues before that.

This was when the "you're the product if its free" arrangement metastasised into "you're a data farming serf for a feudal digital overlord whether you pay or not".

Google search transitioning from Good search engine for the internet -> Bad search engine serving SEO crap and ads -> Just use our AI and forget about the internet is more of the same. That their search engine is dominated by SEO and Ads is part of it ... the internet, IE other people's content isn't valuable any more, not with any sovereignty or dignity, least of all the kind envisioned in the ideals of the internet.

The goal now is to be the new internet, where you can bet your ass that there will not be any Tim Berners-Lee open sourcing this. Instead, the internet that we all made is now a feudal landscape on which we all technically "live" and in which we all technically produce content, but which is now all owned, governed and consumed by big tech for their own profits.


I recall back around the start of YouTube, which IIRC was the first hype moment for the internet after the dotcom crash, there was talk about what structures would emerge on the internet ... whether new structures would be created or whether older economic structures would impose themselves and colonise the space. I wasn't thinking too hard at the time, but it seemed intuitive to that older structures would at least try very hard to impose themselves.

But I never thought anything like this would happen. That the cloud, search/google, mega platforms and AI would swallow the whole thing up.

[-] [email protected] 476 points 1 year ago* (last edited 1 year ago)

It’s interesting to see Torvalds emerge as a kind of based tech hero. I’m thinking here also of his rant not long ago on social.kernel.org (a kernel devs microblog instance) that was essentially a pretty good anti-anti-leftism tirade in true Torvalds fashion.

EDIT:

Torvalds's anti-anti-left post (I was curious to read it again):

I think you might want to make sure you don’t follow me.

Because your “woke communist propaganda” comment makes me think you’re a moron of the first order.

I strongly suspect I am one of those “woke communists” you worry about. But you probably couldn’t actually explain what either of those words actually mean, could you?

I’m a card-carrying atheist, I think a woman’s right to choose is very important, I think that “well regulated militia” means that guns should be carefully licensed and not just randomly given to any moron with a pulse, and I couldn’t care less if you decided to dress up in the “wrong” clothes or decided you’d rather live your life without feeling tied to whatever plumbing you were born with.

And dammit, if that all makes me “woke”, then I think anybody who uses that word as a pejorative is a f*cking disgrace to the human race. So please just unfollow me right now.

[-] [email protected] 125 points 1 year ago* (last edited 1 year ago)

An insightful thought from a TV critic I read years ago just as streaming was taking off :

There’s no such thing as the best TV show anymore, because there’s so much that’s generally good enough to be a candidate that no one person has watched it all and spent the time to assess it properly.


More broadly, this had happened to western culture with the internet. Previously, with only three tv channels and two major papers, we were all literally on the same page.

I’d go further and say there’s a vertical dimension too in terms of complexity. Society and its various aspects such as technology are now complex enough in total they I don’t think anyone can ever say they understand what’s going on.

[-] [email protected] 131 points 2 years ago

My big take away is that social media as we know it is likely generational. Like real time broadcast TV, it may just not be a thing at all in the future, at least not with the centrality we’ve become accustomed to.

Polls run here and especially on masto bare this out. Mastodon, for instance, leans x-gen/boomer with some millennial in its demographic. It’s hardly a young persons thing. Once you realise so much of the praise and enjoyment of the Fedi is that it reminds people of the older days of the internet, the generational picture becomes pretty clear. 15 year olds today were born after Twitter, Facebook and YouTube. Forums, Usenet, old Twitter are probably like black and white tv to them.

At the moment, I think it’s a major flaw of the Fedi, that it’s fundamentally backwards looking, trying to preserve older big-social designs rather than doing something more diverse or at least different.

An obvious example being private or closed spaces like group chats and the like including public versions if desired. This seems to be a growing form of online interaction, that is in a way more humane or eusocial. But apart from matrix, which sits separately, the Fedi is still stuck redoing Twitter and Reddit.

[-] [email protected] 114 points 2 years ago

I don’t think that’s accurate. I something funny is going on with kbin that is causing fedidb to see one instance as two separate instances. So this number is about 50k too high.

Also, if I may be a little realistically pessimistic, for those hoping for continued growth. These things tend to happen in waves with deflations in between. It seems the Reddit wave has come to an end, and some drop in numbers might happen over the next few weeks or months. It’s natural, and I wouldn’t be dismayed by it at all. Events like the migration cause curiosity in some people who don’t settle. It’s fine.

Who knows what will happen going forward, Reddit it seems is still doing it’s bullshit it seems. But if you like it here, there’s plenty to focus on here to make this place happen. And we don’t need to worry too much about whether Reddit a dying or who’s winning.

[-] [email protected] 157 points 2 years ago

Ok ... so I think false preconceptions are polluting this topic. Apart from the passwords, nothing serious has happened here for your data. As for the DMs ... yea there aren't DMs with any real privacy on the fediverse, they don't exist ... you should presume DMs are public.

Because the fediverse is not in any way private. See for a good treatment of this: https://blog.bloonface.com/2023/07/04/the-fediverse-is-a-privacy-nightmare/

The basic story is that the fediverse is all about duplicating what we post all over the place ... essentially to anyone who decides to run a server on the fediverse. The FBI could (and probably do?) have a server scooping up all sorts of stuff onto their server and you wouldn't know about and probably couldn't do much about it. Google is scraping mastodon (and probably lemmy?) ... try a google search for mastoodn content.

This is all public internet stuff, you're basically running a public blog that happens to be well connected to lots of other public blogs.

As nice as the fediverse is as a nice anti-capitalist-big-corp monopolisation of our social online lives ... it is very much born out of the web2.0 era and doesn't have any of the privacy concerns many of us would now hope for from technologies.

I've argued this elsewhere ... I like the fediverse and am here out of principle ... but in many ways it highlights some of the failings of our world at this time ... because it's about 10 years too late and the future is coming in hot and fast ... in retrospect I wouldn't be surprised if it will make a lot of sense to look back on the fediverse and think that it was effectively redundant at just about the time it gained popularity. An AI dominated internet with massive privacy concerns is here very soon, and the fediverse isn't ready IMO, it's still trying to catch up to web2.0 big social circa 2010.

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maegul

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