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[–] 55 points 1 year ago (5 children)

One of the core issues in Marxist ecology is the separation of town and country, how we unevenly develop urban/rural systems and the increased toll that takes on natural ones as a result. We need degrowth, decommodification, and a biocentric reintegration of those three systems. Solar punk is just an aesthetic but alongside art nouveau it's the kind of aesthetic you need to communicate a better way of life. If people just see their treats being taken away they turn reactionary. If they just see the climate crisis as an inevitable apocalypse, they turn reactionary. Solar punk is a non-reactionary example of the neo-luddite garden cities we should be moving toward. It's much more holistically anticapitalist than other punk or traditionalist movements, and it's pleasant when we need radical optimism and significant lifestyle changes that otherwise seem difficult.

The task of a Marxist with a movement like that is to identify the things people like about it and situate it in theory. There's a solid 100+ years of theory on those themes which tie them into larger and more practical things to organise around. Solar punk is a vehicle to get people interested in socialist urbanism and critical ecology, not some utopian goal in itself.

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  • [–] 17 points 1 year ago* (4 children)

    Personally think we should all live in massive arcologies built for a billion people and the whole world other than these massive arcologies should be returned to the wild.

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  • [–] 24 points 1 year ago (1 child)

    Separation from nature is the root of us not understanding our interdependence with it. When it's something we interact with daily and rely on, stewardship becomes an ethical cornerstone that people intuitively understand. Engels said the solution was an even population distribution, and while I think that's another form of over-development I think it hints at the best solution. High density, pedestrian-focused garden cities surrounded by common land. Heavy funding for rural communities and collectivised, nationalised resource extraction to decouple it from profit. Production for need between co-ops, home economy with the commons, state-sponsored public artisans, and nationalised industry. Healing the division of labour by blurring the lines between the office worker, farmer, scientist, and activist through how people engage with their landscape.

    https://www.youtube.com/watch?v=UqJJktxCY9U This video really captures the good part of solar punk for me. They're mastering nature but not dominating it. They need a tremendous number of diverse skills to maintain that homestead lifestyle, but that's a liberating education rather than one that forces them into some professional niche. The technology and surplus exist for need and community enrichment. That massive urban arcology is there in the background of the equally desirable rural life, but it's an urban forest with parks between dispersed skyscrapers. It doesn't do a great job of highlighting what a biocentric landscape would look like, but it at least shows biodiversity as beauty and agrovoltaics as eco-utilitarian production.

    That and the 400~ page books by David Harvey or John Bellamy Foster reach the same conclusion for what 21st century socialism will have to resemble. If I made the anime version of the most radical environmentalist critique I can make it'd just be a prettier version of that.

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  • [–] 50 points 1 year ago (1 child)

    Listen, if your hopecore fanfic art doesn’t sufficiently conform to the standards of socialist realism as to please your Soviet’s censors, it’s basically just fascist slop sorry I don’t make the rules

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    [–] 50 points 1 year ago (3 children)
  • [–] 49 points 1 year ago (1 child)

    what percentage of solarpunk art contains the people who live in or work in or build its subjects

    I looked at google images and it's not close to 0% and I have no idea what's specifically fascist about pictures of solar panels covered in tree leaves if you forget to add the person in overalls holding a hammer.

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  • [–] 22 points 1 year ago

    Ecomodernism is heavily associated with libertarian/fascist fringe politics through Zaha hadid and her firm. Solarpunk takes heavily from ecomodernism

    That's what i got, but I'm not really an architecture or art guy

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  • [–] 48 points 1 year ago

    Everyone I've ever known into solarpunk has been a socialist. Collective action for housing, food, water, and energy production to all has always been their main goal, with ending exploitation by oligarchic control over those resources as their main entry point into the genre. I'm sure there's plenty of lib bullshit like literally every aethetic choice but this is just trolling tbh

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  • [–] 44 points 1 year ago

    [thing you are invested in] is actually somewhat [thing that you would hate to be associated with]

    this is just a generic Twitter troll post, right down to the hedging intended to keep the argument going in the replies

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  • [–] 41 points 1 year ago (24 children)

    Art is fascist when I assume it doesn't depict humans

    Goofy because Solarpunk (while idealist as @Chapo_is_Red@hexbear.net points out) is more interested in human involvement and labor than any other "-punk" aesthetic.

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  • [–] [S] 22 points 1 year ago (23 children)

    Solar-punk feels like of like an inversion of socialist realism to me. Socialist realism celebrates the worker as creator with muscles straining, tools in hand, actively building the world. Labor is heroic, collective, and visibly transformative. The aesthetic screams: WE made this. On the other hand, solar-punk envisions society after the work is done with comfortable citizens enjoying green tech built by unseen hands. The aesthetic whispers: Look what grew while no one was laboring.

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  • [–] 39 points 1 year ago (115 children)

    twitter users: is-this is this fascism?

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    [–] 37 points 1 year ago (1 child)

    Imma be real, I can't see the point in debating about the political tendencies of aesthetics. It's literally fiction. It doesn't have to adhere to reality and so can be appropriated by anyone.

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  • [–] 36 points 1 year ago (2 children)

    Solarpunk is just "what if we did futurism with lots of trees or literally just solar panels?"

    Futurism is sci-fi (sometimes a little fantasy) and can therefore mesh with any political tendency except maybe the most purist of reactionaries / primitivists.

    I'm not sure how you'd even know the people in the place built it. Let's say you have a big shiny complex full of trees and people. If the people built it, do they have to wear overalls and safety helmets or can they wear casual clothes? How can you tell that a person in an image built a structure unless they're actively building it or just finished building it?

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  • [–] 35 points 1 year ago (2 children)

    Wall-E is ecofuturist, and both depicts capitalism as a social ill, and emphasizes the hard work that the humans put in to make Earth livable again post-apocalypse.

    I don't have a point to make, I just like Wall-E

    ^ᶦⁿ^ ^ᵗʰᶦˢ^ ^ᵉˢˢᵃʸ^ ^ᶦ^ ^ʷᶦˡˡ^

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  • [–] 35 points 1 year ago (2 children)

    This is fascism because it depicts evil red fash tankie utopia, I am very smart

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  • [–] 31 points 1 year ago* (last edited 1 year ago) (26 children)

    So idk anything about solar punk, but I did an image search for it and about half the images have people in them and none of it seems particularly fascist?

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  • [–] 36 points 1 year ago (7 children)

    Imo, it's an aesthetic. Ideologically, the worst I can call it is idealist.

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  • [–] 23 points 1 year ago (5 children)

    I think to that point, if we want to figure out how you get from solarpunk to fascism, you need to consider what it implies by its analysis (or lack thereof) of the actual material reality that's necessary to make the solarpunk vision come true and how that analysis/blind spots coincide with ecofascism.

    What's going on that made dilapidated buildings get overrun by plantlife? Is it massive depopulation? Are we idealizing that?

    What's the whole idea about self sufficient communities using technology to live in some kind of frontier? Is this class-conscious, or is it just repackaging settler mythology about frontiersmen and Lebensraum?

    And maybe the problem with it "just" being an aesthetic is that it leaves the audience to fill in the blanks for those questions, and I think the default answers aren't great.

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  • [–] 21 points 1 year ago*

    I'm in the same boat and so I find such charged characterisations pretty jarring. I at least appreciate people imagining a futurist aesthetic that isn't Silicon Valley minimalism, the "Society if" meme or grimy cyberpunk. I ignore any political programs that people tie into it.

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    [–] 30 points 1 year ago

    Oh and btw we're doing Neo-Andean architecture for our socialist society, please make the necessary arrangements.

    https://www.thisiscolossal.com/2019/03/freddy-mamanis-neo-andean-architecture/

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  • [–] 30 points 1 year ago (5 children)

    the famous fascist artform of, uh... landscape painting?

    "EVERY PAINTING MUST FIT A QUOTA OF PEOPLE IN-FRAME" is a take that even actual state censors in communist countries didn't have, truly we never stop innovating

    Zykunov P.A. - Industrial landscape

    more

    Ivan Tyukha - Soviet landscape 2

    Ivan Tyukha - Ruined temple

    Ivan Tyukha - On the Volga river

    Ivan Tyukha - Autumn

    Igor Rubinsky - Haystacks, 1952

    Igor Rubinsky - Foggy morning, 1971

    Charnetskaya N.K. - Tbilisi, 1953

    this one's definitely focused on people, but I just found it and thought it was pretty cute - also the father's fit here is impeccable Ponomarev A.M. - From the city with gifts - 1969

    posting the rest of these on Imgur since I'm tired of waiting on the rate-limit: https://imgur.com/a/zVOjY4E

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    [–] 30 points 1 year ago (7 children)

    Yeah, solarpunk is obviously a reactionary aesthetic. You can read the manifestos of its popularizers and very clearly see the class position of the art movement. How is lionizing the artisan and other middle classes, a reduction in productive capacity, and its desire to revive dead art styles outside of their historical context not reactionary? Stop with the solarpunk and "degrowth" and read more Soviet sci-fi and Chinese five-year plans.

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  • [–] 22 points 1 year ago (3 children)

    whats wrong with degrowth? solely educational question if you feel like replying

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    [–] 29 points 1 year ago

    somebody tell Andrewism he's fash

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  • [–] 27 points 1 year ago (4 children)

    solar punk is real but not how its creators envisage it

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    [–] 21 points 1 year ago

    I think solarpunk while it looks nice is idealistic and does not have a much intellectual depth to it. For example its art pieces do not convey any information about the social relations which makes it very hard to imagine how we can have conditions remotely close to what is being depicted because the works feel more like science fantasy than anything. But equating it with fascist futurism is hasty. I can't explain why because I know nothing about fascist futurism tendencies. But I don't think just because solarpunk skip labour and jumps straight to its fruits makes it fascist. It just makes it a bit silly.

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  • [–] 18 points 1 year ago (2 children)

    You can't prescribe an aesthetic to a future that doesn't exist. The aesthetic of our future will be determined alongside building it, not isolated from the work.

    Oh we're talking about something for video games aren't we?

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    [–] 16 points 1 year ago (4 children)

    This is a really interesting point. But the fascist art is always historic "better times" shit, depicting an old world in a utopian way (without people in it). It's never the future.

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  • [–] 19 points 1 year ago (1 child)

    Counterpoint: Italian futurism. Though I don't think drawing a futuristic city with lots of trees is fascist, I think it's pining for more green spaces. Or for built environments to be aesthetically more pleasant than a sea of asphalt.

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  • [–] 19 points 1 year ago

    Italian futurism preceded fascism, though but only by a few years and was co-opted and later marginalized. Mussolini was kind of riding Futurism's coattails and then vice versa as fascism developed more. An interesting example though.

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