this post was submitted on 06 Sep 2023
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While I will post the link to the tweet be aware that there a like 100 blue check bootlickers defending Netflix here https://twitter.com/SaeedDiCaprio/status/1699136050331799627

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[–] [email protected] 93 points 1 year ago* (last edited 1 year ago) (1 children)

I've been seeing so much of this specific style of "debunking" lately, where they debunk something no one has said or cares about but it's close enough to the actual thing. It's genuinely slippery af and seems really effective. Like whether it's specifically Netflix that should be paying him royalties was never the point - it's unjust that the owner of Paul's labour continues to rake in cash without compensation.

Another example I recently found of this is this USA Today fact check of whether Biden voted to overturn Roe v. Wade. (Spoilers: he fucking did.) Instead of fact-checking the actual claim they fact check whether he authored the bill himself lol, and then down in the seventh paragraph they say

Biden did vote in favor of it in 1982, however.

[–] [email protected] 32 points 1 year ago (2 children)

It's a debate tactic called "logic chopping" and it's fucking annoying.

[–] [email protected] 22 points 1 year ago

Hence why it's important to appeal to the club early and often.

[–] [email protected] 15 points 1 year ago (1 children)

Thank you for giving me the name for that! It's so fucking annoying and it's all reddit type debate nerds do anymore.

[–] [email protected] 12 points 1 year ago

Yeah I had to look it up a few years ago because I have a friend that does it. They laser in on one minor detail that wasn't phrased correctly in order to distract from the overall point

[–] [email protected] 80 points 1 year ago (2 children)

was supposed to last only one season

if anything this just makes his case stronger, because he was so good they kept him on

[–] [email protected] 51 points 1 year ago (3 children)

Yeah I have no idea why they think that strengthens their point.

[–] [email protected] 18 points 1 year ago

Yeah it had nothing to do with the topic, but is a random fun fact

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[–] [email protected] 40 points 1 year ago

The original plan where he died sucked ass, and even Vince Gilligan admitted that and said he's glad they didn't do that.

[–] [email protected] 66 points 1 year ago (1 children)

community note: correct, he doesn't make anything from Netflix streaming

[–] [email protected] 47 points 1 year ago

Seriously this doesnt even contradict anything it just works overtime to justify it lol.

[–] [email protected] 42 points 1 year ago (2 children)
[–] [email protected] 32 points 1 year ago

No more half measures, Finger

[–] [email protected] 15 points 1 year ago (1 children)

Have you seen the behind the scenes with him? He's so sweet. Just a happy kind old man. He didn't like how they made Mike mean and kept constantly pushing to humanise him.
I still love the scene of him and Werner in the desert. "The stars look beautiful tonight, I think I will go out to get a better look"

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[–] [email protected] 34 points 1 year ago (3 children)

Shouldn't AMC (as the rights holders of breaking bad) be the one paying him residuals? He definitely deserves residuals under our current system but I don't think Netflix is necessarily the company responsible for that.

[–] [email protected] 33 points 1 year ago (1 children)

The actual problem is that residuals are based on viewer numbers, and streaming services refuse to publish those (because their stock prices would crash)

[–] [email protected] 17 points 1 year ago

"This Hexbear comment was seen 5000000 times" - Twitter

[–] [email protected] 18 points 1 year ago (1 children)

That's exactly what they're striking about. Almost all of the long-tail revenue from TV shows past their initial run has shifted away from reruns on network and cable TV (which is covered by their contract) towards streaming services (which, per their contract, they get basically nothing for). That's a total betrayal of the spirit of the agreement that content owners and the creators had - namely, that the people who worked on the shows would also share in some of the long-term profit from the show. What's funny about the community note is how it literally doesn't even contradict any of that - it's just saying "lol, suck it, we take all the profit now because of how the contracts are written".

Aaron Paul may specifically have negotiated more up-front money, at the cost of less residuals. But it's crazy that he would be getting nothing from one of the most popular shows out there, and it means that everyone else who worked on Breaking Bad who was counting on residual income is getting majorly screwed. We tend to focus on big stars who "made it", but tons of working actors, writers and others work on lots of shows, and take worse up-front pay so that they can instead be payed out from a portion of the long term profits. Those people are getting ripped off, and so they're striking to get the contracts changed.

[–] [email protected] 16 points 1 year ago

This is all accurate, according to an interview that I listened to with a show-runner. Background actors used to be able to survive on their residuals. Now they get paid for one day of work.

Further, the writing staff has been slashed. A show-runner gets a room of writers for a limited time and then they're mostly let go when the season has been written. They don't get to go on set and learn how shows are made to later become producers and show-runners. The interviewee was pretty explicit about how the studios are setting themselves up to have no "new guard" when experienced people retire.

I'm going entirely on things I've heard and read. I am not in the biz. I might be wrong about details. Feel free to correct me.

[–] [email protected] 17 points 1 year ago

So.... I'm not smart enough to remember the exact details about all of this...

There was the writers strike that happened around 2008 and because streaming wasn't that big of a thing, the corporations managed to keep streaming stuff separate from non streaming stuff. (Its one of the things that the current writers strike is about.) So what happened is that when AMC gave Netflix the green light to stream Breaking Bad, there was no requirement in anybody's contract to ensure that they got paid from the deal.

[–] [email protected] 30 points 1 year ago

Thank you Netflix CEO reinforcing my decision to get a cheap VPN and just pirate all the shit I want to watch after cancelling my Netflix account.

[–] [email protected] 24 points 1 year ago (4 children)

It's true that Netflix isn't directly responsible.

It's also true that Paul should have made more for his labor given the popularity and how that system seems to work.

Point your anger at capitalism, people. Netflix is small potatoes.

[–] [email protected] 34 points 1 year ago (6 children)

If Netflix isn't then they should be. If I remember correctly a big part of the SAG strike is about online streaming residuals so it is highly relevant that Netflix has paid him $0. Yes Capitalism is bad but you're literally on Hexbear, we already know that.

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[–] [email protected] 25 points 1 year ago* (last edited 1 year ago) (3 children)

So we should vaguely angry at a concept, but never at specific organizations that are a part of the class structure that upholds said concept? Not even when they're involved in an ongoing labor negotiation+strike?

.porky-happy

obv the point isnt "wow netflix is a bad apple but capitalism is the best system we have" it's more "netflix is bad just like every other corporation, they all exploit the working class, solidarity to the striking actors writers, etc"

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[–] [email protected] 17 points 1 year ago (1 children)

I mean, for me, the whole "Its AMC that should be giving him residuals not Netflix" isnt the point. The point is that someone should be paying him residuals. And the community note here denies that he deserves residuals for streaming at all.

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[–] [email protected] 15 points 1 year ago (1 children)

Up until recently Netflix was a massive, massive middleman putting a cash price between people and their ability to enjoy their cultures stories.

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