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I've been tinkering with a couple of different setups lately. I really like what Carcass did on the Heartwork album, so I've been experimenting with similar ideas of using an extremely dirty boost into an already-distorted-to-hell amp to use as a blend track. One that works pretty well is a Metal Zone (Waza's great, but the Behringer works too) into the front of a Marshall Valvestate. Pure filth. The opposite version of that (read: the "real" track) is boosting the same amp with a Wampler Clarksdale -- it's a TS808 clone with a three-knob tone stack, so you can do an even deeper bass cut than normal. Very handy for extended range or low tunings, and it really brings out the grind in the OD2 channel's distortion.

I also got my hands on a 50-watt 5150 III EL34 last winter, and I've been messing with unconventional boosts for the blue channel. For whatever reason, they have a really aggressive low-pass filter capacitor on that channel, allegedly as a marketing ploy to set it apart from the 6L6 version of the same amp head (because they otherwise sound almost identical -- the lesson being that the power stage in a 5150 or 6505 doesn't change the sound very much). Sure, you can mod it to get rid of the filter cap, but if you keep it you can get REALLY weird with boosts. I wasn't super impressed with the EQD Plumes, but the DOD Looking Glass sounds like it was made for that amp. It's so goddamned shrill on literally anything else (outside of maybe a 70s JTM), but that low-pass cut tames it really well and gives the whole signal almost a Blues Driver feel... But like, Gojira Magma-flavored.

Edit: Current favorite guitar is a Jackson Pro Series SL3 Soloist (H-S-S pickup configuration) in rainbow crackle. I also have a Mick Thompson signature Soloist that is languishing on my bench until I find time to do a fret level -- I'm really looking forward to that one because the EMTY version of the Duncan Blackouts sound freaking brutal.