this post was submitted on 20 Aug 2024
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I do not think writing fiction for entertainment art is "falsifying history".
With that said, if you think it IS falsifying history then you must also admit that failure to compete in this space means giving this entire entertainment sector to the capitalists to falsify history in the way they want it with literally no counter balance.
If the setting is "historical" or "realistic" it is imo, bc, as I said above, you have to present history reductively, as a compelling, coherent narrative and with the unknowns smoothed out or filled in by imagination. (And all that is assuming the writer has done research into the topic—most artists dont)
The history of knowledge of druids, witches, the middle ages, the middle east and more demonstrates how distorted views can become when the tendencies of capitalist media are allowed to run rampant. Anti-indigenous racism are more serious examples of how these distortions can be harmfulm.
More general fiction outside of "historical fiction" isnt what the post is about, so idk why youre bringing it up. If theres dragons, magic, etc and it doesnt take place in "real life" people are significantly less likely to confuse stuff in it for real facts about histories or cultures.
As I understand it, that's a large part of why the firewall exists isnt it? So that the western created ideological products dont become the cultural mainstream?
Oh man better burn Dickens or every other author that wrote fiction set in a period of history then?
This is silly.
Yes and is precisely why there should be a counterbalance to it produced out of socialist countries. Non-participation simply hands the entire sector over to them.
No. The firewall prevents the american tech companies from owning all the websites. The firewall allowed for Chinese companies to own the Chinese internet instead of facebook, google, twitter, etc etc. The firewall does not prevent the consumption of western artistic produce in the entertainment sector.