[–] 7 points 1 day ago (5 children)

I've always thought some new form of one-time pad would be interesting in the age of digital mass storage. I guess it would be kind of annoying to have to manage occasional exchanges of pad data with anyone you want to have secure communication with, but it is a simple concept for people to understand.

There was a big concern over quantum computing breaking all the common cryptography recently, is that still a thing?

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  • [–] 2 points 5 days ago

    This would be really cool with a few more players connected via a mycelium network. It would be a bit more complicated to setup, but imagine finding some different fungi in an area of forest and listening to them jam.

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    The synopisis: During the Covid pandemic, New York City created an Open Street on 34th Avenue in Jackson Heights and Corona, Queens — which was one of the city’s pandemic epicenter, where thousands died. The Open Street quickly became a lifeline to residents desperate to exercise or socialize in a socially responsible way. But even as the pandemic faded, residents quickly realized that the 34th Avenue Open Street had become an essential amenity in a neighborhood with among the lowest amount of park space per-capita.

    Quickly, neighborhood activists rallied and got the administration of then-Mayor Bill de Blasio to commit to a full buildout of the Open Street into its current configuration: Paseo Park, which, as its name suggests, is a 1.5-mile long promenade for cycling, strolling and just connecting with neighbors.

     

    Didn't know about this bit of history:

    veteran U.S. activist S. Brian Willson, who lost both legs in 1987 after being run over by a Navy ammunition train while protesting the shipment of arms to the Contras, and whom the Ronald Reagan administration once labeled a “domestic terrorist.”

    2 years before "tank man", amerikkka is so fucking propagandized

     

    Jules Reidy makes song cycles which abstractly deal with devotional love, transcendence, and death of the self. They use materials such as guitars, voice, percussion and found sounds, deconstructing and augmenting them through non-standard tuning systems, polyrhythmic structures, electronic processing and spatialisation. They aim to express and invoke states of uncanniness, dissociation, dys/euphoria, imagination, and void.

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