[-] SamuraiBeandog@lemmy.world 2 points 1 day ago

Yeah and some of the changes they made significantly change the lore and worldbuilding.

[-] SamuraiBeandog@lemmy.world 5 points 2 days ago

I'm happy that Bluepoint wasn't given the BB remake, they really fucked up the aesthetics on the Demon's Souls remake.

[-] SamuraiBeandog@lemmy.world 2 points 2 days ago

One of my favourite photographs of all time.

[-] SamuraiBeandog@lemmy.world 1 points 2 days ago

Yeah they both are built around the classic D&D gameplay loop of exploring and dungeon crawling. I run my own adventures rather than using purchased modules so I don't have to worry about converting monster stats and stuff. But Shadowdark converts very easily to old D&D versions, it would be straight forward to run any old pre-3rd edition D&D modules in it.

[-] SamuraiBeandog@lemmy.world 1 points 2 days ago

Greyhawk is far and away my preferred setting for D&D-like games, I've run a bunch of rules in it but mostly 13th Age and Shadowdark.

[-] SamuraiBeandog@lemmy.world 4 points 4 days ago

Skull Island is one of my favourite movies and I'm utterly baffled by how little esteem it gets. A great concept that it just nails with incredibly tight visual and thematic design, great characters and writing and just cool af stylistic vision. And the special effects are the best in any modern monster movie, Kong is such an evocative presence and conveys so much personality with just body language, and the big fight set pieces with him against other monsters have incredible weight and raw animalistic power to them that most monster movies fail to get right.

[-] SamuraiBeandog@lemmy.world 4 points 6 days ago

Ah I had this one when I was a teenager.

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DUSK 117, mix by Djinn (soundcloud.com)
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Conspiracy Channel, by Cruel Decisions (milagrosamusicmedia.bandcamp.com)
submitted 1 month ago* (last edited 1 month ago) by SamuraiBeandog@lemmy.world to c/industrialmusic@lemmy.ca
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The Valley of Wraiths, by Codex Empire (aufnahmeundwiedergabe.bandcamp.com)
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Hide and Seek, by JK Flesh (jkflesh.bandcamp.com)
submitted 1 month ago* (last edited 1 month ago) by SamuraiBeandog@lemmy.world to c/industrialmusic@lemmy.ca
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O_n Se/cr[e]t.’s, by Sakr (sakrmusic.bandcamp.com)
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Coup De Grace, by Sam KDC (samkdc.bandcamp.com)
submitted 1 month ago* (last edited 1 month ago) by SamuraiBeandog@lemmy.world to c/industrialmusic@lemmy.ca
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Painkiller#3, by Torn (tornmusic.bandcamp.com)
submitted 1 month ago* (last edited 1 month ago) by SamuraiBeandog@lemmy.world to c/industrialmusic@lemmy.ca
[-] SamuraiBeandog@lemmy.world 96 points 3 months ago

Hilarious that this is true and yet the US is still somehow fatter.

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Does anybody have experience running Native Instruments VSTs on Linux? Specifically the stuff from NI Komplete that uses their Native Access app for installation and management?

I'm currently using Ableton on Windows 10, dual booting with Ubuntu. I only keep Windows for Ableton and games at the moment but want to shift as much as possible to full time Linux once I'm forced to upgrade to Windows 11.

I'm currently learning Bitwig Studio for this purpose but a big chunk of my plugins come from NI's Komplete and it would be painful to have to replace them.

I've seen people saying they successfully run Windows VSTs on Linux with Wine, but I feel like the Native Access app that NI forces on you might complicate that.

[-] SamuraiBeandog@lemmy.world 282 points 8 months ago

I saw Bladerunner as a teenager and it affected me so much I'm now a grown-ass man living in a cyberpunk dystopia. Follow your dreams.

[-] SamuraiBeandog@lemmy.world 239 points 2 years ago

"Men are victims of the patriarchy too" is an incredibly powerful message that I wish more men understood.

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SamuraiBeandog

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