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submitted 6 days ago* (last edited 6 days ago) by [email protected] to c/[email protected]

This was not a film about a bunch of marxists fixing the world by understanding material conditions, but instead about Dakota Johnson having to choose between Pedro Pascal pretending he's 6' tall and Chris Evans pretending he isn't.

Yet somehow, this film actually is about capitalism. And how it has reduced the concept of relationships to checkboxes and transactions. It effortlessly jumps from silly romcom to handling very serious matters to making me wonder if the director, Celine Song, is on this site (hearing the phrase 'voluntary celibate' in this film shocked me).

The writing was phenomenal, giving a realistic look at the rich and the poor alike. I could actually gush about the dialog all day, but honestly, I don't want to spoil it. Cinematography was also amazing. Nearly every shot was blocked with beautiful intent or used framing to just make great looking shots. The of anamorphic lenses to form frames and tell the story was gorgeous as well.

To criticize the film, I wish we had a bit more from Pascal's character, I never felt like I was in his head, and Dakota Johnson did not give as good of a performance as the rest of the cast.

So is it about marxist materialism? No, but also in a way, yes. If had to give it a rating, I would say 4.5/5 stars. I might go see it again, because I'm sure there were things I missed.

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[-] [email protected] 5 points 6 days ago

spoilersDid you notice how rarely Pascal's scenes had him close to Johnson / had shots where he was directly facing the camera until the end? And how usually there was something between them, usually something expensive.

Watching how scenes were shot with Evans in contrast, they felt more vulnerable and intimate. Seeing John at low points and struggling. I mean, I could tell how the film would go, given the genre, but I felt the juxtaposition was deliberate and well done. However, it made it feel like Evans' character was given more pathos and depth when Pascal's character wasn't given the same chance for connection.

I'm glad Johnson dropped the cynical calculus, and even then, I appreciate that she was aware of where her concerns around money came from. It wasn't about luxury or vanity, but as a way to be protected from the harsh realities of love.

I was surprised they went there about SA in the film, but given the way people can be objectified and mistreated in something like connections through matchmaking, I think they portrayed the events well.

I went into the movie blind, but I had a good time. I too wish we got more into Pascal's head, but as I wrote above, I think I know why we didn't.

I wish there were more discussions around the intersection of race, sexual orientation, and gender expression, but I think the scenes of Johnson talking to her clients was brutally honest about the way dating is lopsided against people who aren't white, straight, and attractive.

[-] [email protected] 5 points 6 days ago

That is a really great observation, I didn't catch that. I agree we didn't see enough about actual dating dynamics, but seeing the people using the dating services but picky and superficial, but otherwise reasonable and compromising then seeing their full ugliness after Lucy's illusionment is shattered was very impactful.

[-] [email protected] 5 points 6 days ago

Oh yeah. The cracks were there in the earlier scenes with Lucy, but definitely became stark after what happened with Sophie.

this post was submitted on 14 Jun 2025
17 points (100.0% liked)

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