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... Big Brother Watch slammed the new powers. Director Silkie Carlo said: "Starmer's benefits bank spying proposals sound alarmingly similar to the powers Labour fought just a few months ago in opposition. Everyone wants fraud to be dealt with, and the government already has strong powers to investigate the bank statements of suspects.

"But to force banks to constantly spy on benefits recipients without suspicion means that not only millions of disabled people, pensioners, and carers will be actively spied on but the whole population's bank accounts are likely to be monitored for no good reason."

Carlo said a "financial snoopers' charter" designed to automate suspicion of the UK's poorest people was intrusive, unjustified, and risks the kind of injustice seen during the Post Office Horizon scandal.

"This is yet another insult to pensioners, an attack on Britain's poorest people, and an assault on the presumption of innocence," she said.

Pandemics – the global spread of infectious diseases – seem to be making a comeback. In the Middle Ages we had the Black Death (plague), and after the first world war we had the Spanish flu. Tens of millions of people died from these diseases.

Then science began to get the upper hand, with vaccination eradicating smallpox, and polio nearly so. Antibiotics became available to treat bacterial infections, and more recently antivirals as well.

But in recent years and decades pandemics seem to be returning. In the 1980s we had HIV/AIDS, then several flu pandemics, SARS, and now COVID (no, COVID isn’t over).

So why is this happening, and is there anything we can do to avert future pandemics?

Nearly 4.1 billion people, roughly half the planet’s population, experienced unusually hot temperatures between June and August, in what was Earth’s hottest season on record.

Climate change made these high temperatures three times more likely, according to the latest report by Climate Central, a US-based non-profit of scientists and science communicators that conducts research on climate change...

Returning to British suburbia from the Brazilian Amazon is always disconcerting, but it has been doubly weird in the past few days because the London commuter belt has been inundated with volumes of rain that normally belong in the tropics.

Mini-tornadoes, flash floods and the dumping of a month’s worth of rain in a single day have flooded transport hubs, high street pubs, and the shrubs of semidetached homes.

If that sounds unnatural, it is. This weather does not belong in the safe, predictable, home counties of England. At least, not in a normal state of affairs.

But ever-greater combustion of fossil fuels has turned the world’s climate on its head. In the past week, the northern latitudes are behaving like the equatorial margins...

Hurricane Helene is now forecast to reach catastrophic Category 4 strength by the time it makes landfall in Florida on Thursday, the National Hurricane Center says, with storm surge potentially climbing to 20 feet along some parts of the coast.

Helene could be the strongest hurricane to hit the United States in over a year – and time is running out for those in its path to prepare.

“A catastrophic and deadly storm surge is likely along portions of the Florida Big Bend coast, where inundation could reach as high as 20 feet above ground level, along with destructive waves,” the center warned. “Preparations to protect life and property should be completed by early Thursday before tropical storm conditions arrive.”

Helene rapidly intensified into a hurricane Wednesday and will continue strengthening as it crosses over the record-warm water of the Gulf of Mexico. Rapidly intensifying storms like Helene are becoming more frequent in a world warming due to fossil fuel pollution...

Barfoot draws from folk horror, both in setting and storytelling, for his unique creature feature. That means that the horror builds slowly, relying on atmosphere and the isolated, stunning wooded setting to create unease as Lewis and Laura struggle with their loss. Neither handle it well; the quiet Lewis has retreated into himself as Laura relies heavily on their wine cellar to cope with the empty nights. It’s an emotionally fraught environment perfect for horror to take root, further sowing division between son and stepmom.

That horror comes slowly, with Barfoot strategically escalating the creature’s invasion. When the creature does appear, always obscured enough to retain mystery, it’s effectively chilling. The filmmaker has a strong sense of editing that only enhances the visceral terror of the entity, though he is prone to pulling punches. The action cuts away on more than one occasion just as Barfoot dangles the possibility of full-throttle horror, opting instead to preserve the enigmatic nature of this particular creature...

... Daddy’s Head is handsomely crafted, with a creature design that’s pure nightmare fuel. Barfoot knows exactly how and when to employ it for maximum discomfort, though he is prone to cutting the horror scenes too early. The final coda, while sweet, doesn’t quite hit its intended note, either. Barfoot isn’t interested in spelling out everything, working heavily in its favor. While that ultimately makes for a sparser story, it’s one that rewards more depending on how much work you’re willing to put in as a viewer to decipher its details and clues. Whether you’re on this movie’s wavelength or not, one thing is certain: Daddy’s Head is creepy as hell.

When the author Thomas Hardy was writing Tess of the D’Urbervilles in 1891, he chose to set the novel’s dramatic conclusion at Stonehenge, where Tess sleeps on one of the stones the night before she is arrested for murder.

What the author did not know, as he wrote in the study of his home, Max Gate in Dorchester, was that he was sitting right in the heart of a large henge-like enclosure that was even older than the famous monument on Salisbury Plain.

Though invisible at ground level after millennia of ploughing, the enclosure still survives under Hardy’s garden. It has now been given protection by the government as a scheduled monument, recognising its status as a nationally important site...

... The Severed Sun is a deeply immersive and atmospheric folk horror in the truest, traditional sense – unlike some recent additions to this subgenre. It isn’t a cash-in based on the success of something like Midsommar as it’s a work truly stepped in distinctly British (or European), horror, nor is it a movie that simply presents the conventions of the genre in a neat fashion without any inclination to examine them or approach them in any meaningful, creative way (yes, I’m looking at you Lord of Misrule). A deeply ambiguous movie, The Severed Sun intentionally presents its audience with a puzzle to savour and return to – one which affords them the opportunity to create their own interpretations and ideas about what they might have seen. It’s a remarkable achievement considering its time restraints and budget, and the film’s experimental and unnervingly atmospheric electronic soundtrack, written and performed by Brain Rays adds to the experience. It’s an auteur’s work – a beautifully considered movie in which all its key components work in harmony and has Puckett’s fingerprints all over it, and once again I’m left hoping to see more in the future.

The British-American series The Third Day, created by Felix Barrett and Dennis Kelly (who made the masterpiece Utopia), is a 2020 psychological thriller-folk horror series that should certainly have gotten more recognition, especially for fans of disturbing cults in horror, as it is one that will have your jaw on the floor. The story follows a man and then a woman on their separate journeys, but arrive at the same island at different times; what happens there is far more shocking than they had anticipated. For those who have forgotten about The Third Day, here's a recap, and for those who don't know, let's find out what it's about and why it should be one to remember...

Ecuador's government has announced the suspension of electricity service for nine hours on Sunday in 12 of the Andean nation's 24 provinces and placed 19 areas on red alert due to a drought that has reduced the water levels of hydroelectric plants. The blackout in the provinces will be from 8:00 a.m. local time until 5:00 p.m., the Ecuadorian presidency said in a statement released Saturday night on X. It is in addition to the government's plans announced on Tuesday for eight-hour nightly power cuts nationwide from Monday to Thursday. Ecuador is gripped by the worst drought in the country in 61 years and an energy crisis made worse by what the government says is lack of maintenance of existing dams and contracts to ensure new energy generation...

A camp excursion takes a deadly turn in Lore, a gruesome and acclaimed anthology horror film from directors James Bushe, Patrick Ryder, and Greig Johnson.

Premiering at last year's FrightFest, Lore is now available to stream exclusively on the Icon Film Channel and will be shown in select theaters in the United Kingdom beginning on Friday, September 27. For those unable to access the movie via those two methods, it will be available on home entertainment in October in the UK.

Starring Richard Brake (Hannibal Rising), Andrew Lee Potts (The Witcher), Bill Fellows (Ted Lasso), and Rufus Hound (Hounded), Lore centers on a group of friends on a fun and fright-filled camping excursion led by their mysterious guide, Darwin (Brake). Around the campfire, Darwin encourages everyone to exchange scary stories, but they're unaware that telling tales about demons and spirits could have dangerous repercussions for them all.

Based on the trailer and early photos, it looks like Lore will feature popular folk horror tropes, menacing stalkers, ghostly hauntings, and more. Some reviewers have compared it to classic Hammer horror films mixed in with a dash of Black Mirror.

Check out the full-length trailer...

Back in 2020, Collider did a deep dive into the artistic work of Didier Konings, an accomplished concept artist, digital painter, and visual effects artist whose work featured in the likes of Wonder Woman, Rampage, Stranger Things, and Mouse Guard, to name just a few. Since then, Konings has been a busy man, and there have been exciting developments in his career. Last year, Konings teamed up with Make Way Film for his first feature-length project, Heresy, which Collider is delighted to reveal, is set to have its U.S. premiere this week at Fantastic Fest. Since relocating from his native Netherlands, Konings has spent the last ten years working as a concept and VFX artist and, as we've previously noted, his contributions to major studio projects shouldn't be ignored.

His extensive experience in VFX and design played a critical role in Heresy, where he personally handled much of the visual effects work. After directing two award-winning short films over the last four years, Heresy (also known as Witte Wieven) serves as a return to his native Dutch roots, bringing audiences a gripping folk tale of revenge and redemption, mixed with just the right amount of horror thrills. The film received critical and audience acclaim at its world premiere in Rotterdam during IFFR this past January.

The official description of the project gives you an indication of what to expect from the Folk Horror:

"Didier Konings’ simmering medieval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced color palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world"...