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The wealth of the 10 richest people in the world – a list dominated by US tech billionaires – increased by a record amount after Donald Trump’s victory in the presidential election, according to a widely cited index.

The Bloomberg Billionaires Index estimated that the world’s 10 wealthiest people gained nearly $64bn (about £49.5bn) on Wednesday, the largest daily increase since the index began in 2012.

Elon Musk, the world’s richest person, registered the largest increase with a $26.5bn addition to his fortune, which now stands at $290bn. The prominent backer of Trump’s campaign, benefited from a surge in the share price of Tesla, the electric carmaker where he is chief executive and in which he owns a 13% stake.

The gains came as tech business leaders, including Amazon’s Jeff Bezos, Mark Zuckerberg, chief executive of Facebook parent Meta, and Apple’s Tim Cook publicly congratulated Trump on his election win...

Following his standout performance in the box office sensation Terrifier 3, acclaimed character actor and horror icon Dan Roebuck takes on a new lead role in the highly anticipated film Camp Triple Moon. The new film promises to add a fresh twist to the genre, combining Celtic folklore with a story that explores generational trauma alongside supernatural horrors. Read the full synopsis below:

"Camp Triple Moon follows a group of troubled teenagers sent to a secluded rehabilitation camp, where they are forced to confront their past as well as the malevolent forces lurking in the shadows. The campers quickly realize that the area harbors dark secrets and their inner struggles aren’t the only forces threatening their lives. As strange occurrences unfold and tensions within the group escalate, the campers discover the terrifying legend of the Bodach—a sinister trickster from Irish folklore that haunts the forest, preying on those who dare to enter"...

Ritual Tides is the first game to come from Vertpaint Studios, and should offer something fresh and original for horror fans who are burnt out on a glut of remakes and sequels.

The first trailer for Ritual Tides is heavy on atmosphere, with an ominous voiceover promising plenty of tension as players explore a secret-riddled island populated by gruesome monsters.

With Halloween just around the corner and the spooky season in full swing, now’s the perfect time for new horror games to make themselves known.

This year has been an excellent year for highly-rated horror experiences, with Alan Wake 2 continuing Remedy’s connected universe and the Silent Hill 2 remake proving to be a major win for the devs at Bloober Team.

However, while there are plenty of frights and delights to choose from in gaming right now, Ritual Tides is looking to set itself apart by diving into Folk Horror, a genre with a deep roots that is not often explored within video games...

Now widely considered as one of folk horror’s classic films, Michael Reeves’ Witchfinder General (1968) was not only the first of the unholy trinity that are seen to define the genre – alongside Piers Haggard’s The Blood on Satan’s Claw (1971) and Robin Hardy’s The Wicker Man (1973) – but also arguably the most disturbing of the three. Adapting Ronald Bassett’s 1966 historical novel, Reeves examined a world of superstition, heresy and misogyny, effectively dramatising the brutality of a society gone awry.

Reeves’ film follows the evil doings of witchfinder general Matthew Hopkins (Vincent Price) and his second-in-command Sterne (Robert Russell) as they persecute their way across East Anglia during the English civil war. Parliamentarian soldier Richard (Ian Ogilvy) is due to be wed his love Sara (Hilary Heath) after gaining permission from Priest Lowes (Rupert Davies). With locals falsely accusing Lowes and Sara of witchcraft, Hopkins and his mob descend on the village, enacting terrible deeds supposedly in the name of God. When Richard returns to find the aftermath of Hopkins’ actions, he vows revenge upon the witchfinder.

Although the film has undoubtedly become important to the yet-to-be-identified folk horror genre, Reeves in fact set out to make a kind of English equivalent of a western, particularly in the mould of filmmakers such as Sam Peckinpah. He pays particular attention to the landscape, successfully creating the impression of vast East Anglian plains, where isolated communities are left to their own devices and superstitions, which fester into violence. The result is one of the great cinematic inversions of the pastoral ideal; a film whose landscapes are simultaneously idyllic and ominous.

Here are five locations from the film as they stand today...

During the 2010s, a trend emerged that many dubbed ‘elevated horror’. It’s a lazy term, suggesting that all horror that came before it wasn’t artistic or explored deeper themes beyond scares and thrills. Regardless of the argument for and against ‘elevated’ horror, it is interesting to note that two of the most acclaimed movies from this period fell into the folk horror subgenre – The VVitch and Midsommar.

Both were distributed by A24 and became well-loved titles in the canon, praised for their exploration of themes such as trauma, gender, grief, life and death, and isolation. To explore these topics, the filmmakers used folklore as their foundation, calling upon old stories that have echoed through generations of humans, and the innate fears and beliefs that have followed people for centuries.

Perhaps that’s why these films came to be labelled ‘elevated horror’: at their core, folk horror relies more on creating a general atmosphere of fear through the exploration of human anxieties and the power of group beliefs, as found in religious cults and close-knit villages.

There is a lack of masked killers, extreme gore, jumpscares, haunting spectres, zombies, and vampires in folk horror. When the genre focuses on witchcraft, the audience doesn’t fear terrifying images of witches per se. Instead, the fear is often found in the humans that hunt them down as though they’re animals, attacking femininity and alternate ways of thinking that don’t align with an autocratic system of beliefs.

Thus, the folk horror genre has a particular allure, bringing us face to face with fears that have been carried down through generations and were experienced by our ancestors. No matter the year, folk horror movies explore themes that remind us of our heritage and that people have always been persecuted for being different and outcasts for religious or social reasons, even to the point of extreme violence and death...

This striking short story collection, set in a spooky hotel in the Fens, offers a fierce interrogation of women’s roles in the folk horror world.

I heard The Hotel before I read it – Daisy Johnson’s second short story collection was broadcast on Radio 4, at night, during a Covid lockdown. The 15 gothic tales went out over several weeks and were beautifully produced, summoning the uncanny atmosphere of the Fens, the lost, broken, female narrators like ghosts coming over the airwaves on those bleak winter evenings. Johnson has always been about atmosphere: her prose slops and shifts, weird and unsettling, asking you to check your footing with each step into her marshy world.

The stories are linked by place first of all. The Fenland hotel is built on a site that already has something cursed about it: “the earth… looks as if darkness itself has slipped from the sky and filled the ground”. A woman who was thought a witch had been drowned there and now haunts the place. “This land and I share some similarities,” she tells us in the first story, “this land knows the way I know, this land can see everything, it can see us and what lies ahead”...

Nick Frost both writes and stars in the folk horror comedy Get Away – a movie originally going by the name Svalta. The synopsis reads as follows:

"Looking forward to a vacation on the small Swedish island of Svälta, the Smith family is unsettled by the unfriendly mainlanders who advise them to avoid the island at all costs, especially during the Karantan festival. But the 4-member family is in deep need of some time away & stubbornly decides to take the ferry anyway. On the island, the locals are rather rude & unwelcoming, and their behavior suggests that some big event is about to happen. Is it a cult? Is there a sacrifice in the works? Seemingly unbothered by so much discourtesy and drama, the family enjoys a swim in the sea, treks in the woods, and, oh, the silent isolation… which turns out to be a pretty perfect situation for the Smiths, who have special plans of their own."

Get Away will be available to watch on Sky Cinema from the 10th January.

Watch the trailer...

... A truism of combat is that whoever shoots first wins, and having a drone wait while a human makes a decision can cede the initiative to the enemy. Warfare at its core is a competition—one with dire consequences for the losers. This makes walking away from any advantage difficult.

Experts believe the “man in the loop” is indispensable, now and for the foreseeable future, as a means of avoiding tragedy, says Zach Kallenborn, an expert on killer robots, weapons of mass destruction, and drone swarms with the Schar School of Policy and Government. “Current machine vision systems are prone to making unpredictable and easy mistakes.”

Mistakes could have major implications, such as spiraling a conflict out of control, causing accidental deaths and escalation of violence. “Imagine the autonomous weapon shoots a soldier not party to the conflict. The soldier’s death might draw his or her country into the conflict,” Kallenborn says. Or the autonomous weapon may cause an unintentional level of harm, especially if autonomous nuclear weapons are involved, he adds.

While physical courage may not be necessary to take lives, Kallenborn notes that the human factor retains one last form of courage in the act of killing: moral courage. That humans should have ultimate responsibility for taking a life is an old argument. “During the Civil War folks objected to the use of landmines because it was a dishonorable way of waging war. If you’re going to kill a man, have the decency to pull the trigger yourself.” Removing the human component leaves only the cold logic of an artificial intelligence…and whatever errors may be hidden in that programmed logic.

If autonomous weapons authorized to open fire on humans is an inevitable future, as some armies and experts think it is, will AI ever become as proficient as humans in discerning enemy combatants from innocent bystanders? Will the armies of the future simply accept civilian casualties as the price of a quicker end to the war? These questions remain unanswered for now. And humanity may not have much time to wrestle with these questions before the future arrives by force...

Folk horror is one of the richest and most intriguing horror subgenres, having a rich history. Focusing on elements such as themes of mythology, cultural clashes and cults, folk horror is fertile ground for disturbing psychological horror. Additionally, folk horror films frequently take place in remote locations in order to emphasize the isolation and danger that their protagonists find themselves in, leading to beautiful visuals and unique settings.

From its cinematic origins in the 1960s and 1970s, folk horror films have been frightening and fascinating audiences for generations. In order to truly stand the test of time, the best folk horror films involve rich mythology and lore, great acting and compelling mysteries, keeping viewers hooked with their eerie atmospheres from beginning to end. With this in mind, these are 10 folk horror films that are almost perfect...

• 'The White Reindeer' (1952)
• 'The Ritual' (2017)
• 'A Field in England' (2013)
• 'Lamb' (2021)
• 'The Devil’s Bath' (2024)
• 'Impetigore' (2019)
• 'The Wailing' (2016)
• 'Kill List' (2011)
• 'Midsommar' (2019)
• 'The Wicker Man' (1973)

In Irish folklore and literature dating back to the 1500s, writers from the island nation have written about mythical beings known as “Fetches” that haunt people whose days are numbered. According to legend, Fetches take on the physical form of the humans they visit — and if your own creepy doppelganger visits you in the evening, it means your death is imminent. But if they visit you in the morning, you can prepare yourself for a long life ahead of you.

That mythology is set to come to life in “The Fetch,” a new horror movie debuting at the Austin Film Festival that promises to fuse Irish folklore with modern day scares. According to an official synopsis, the film follows a grieving father who finds himself haunted by the Fetch as he mourns the death of his only son...

Members Club may be the rarest type of comedy horror movie. The plot follows a group of middle aged men who work together in a strip group known as Wet Dreams. Business is not as strong as it once and their manager soon announces he will be selling the company. Just when things are at their worst, the friends are offered a lucrative gig. They soon learn they are part of a bloody scheme to resurrect a centuries old witch.

Folk horror can be difficult to define. It is not as in your face as a slasher or as obvious as a haunted house story. Since it is based in folklore, this makes the definition very broad. It is one of those cases of “I know it when I see it.” However, most people will agree there are not many folk horror comedy movies. (Unless you count ghost stories as folk horror, in which case there are a large number of films that mix folk horror and comedy.)

There are no ghosts in Members Club, but there are witches, books of magic, rituals, sacrifices, and a number of mystical symbols. The creature design is great with the witch being of the old hag variety. She looks suitably disgusting. There are also some great special effects involving missing eyes, body parts being removed, and some gruesome deaths...

The Folk Horror genre has become one of the most popular forms of horror in recent years, with the rise of cult and ancestral narratives pervasive throughout all horror films. Folk horror's best films are known for using elements of folklore, rituals, and ancient traditions to provide the backdrop for the thrilling and horrifying stories told that reveal the darker sides of our nature and humanity. It has become so popular as it mixes the realistic with the spiritually sinister and creates a crossover that has a feel all too real of 'this could happen to me'.

The most impactful of the folk genre throughout cinema history and into recent years have focused on cults, voodoo, paganism, and superstition. Films like the critically acclaimed Hereditary with surprise endings, which puts a legitimately terrifying, modern spin on the occult, or Midsommar, that brings violent cults and the psychological forces within to the fore. Every film places the onus on the viewer that what they are watching isn't something too far outside the realm of possibility, and that realization is what makes this genre one of the most fear-inducing horror themes and why the films themselves are so haunting...

• The Blair Witch Project (1999)
• The Blood On Satan’s Claw (1971)
• Apostle (2018)
• La Llorona (2019)
• Kill List (2011)
• Midsommar (2019)
• The Wailing (2016)
• The Wicker Man (1973)
• The Witch (2015)
• Hereditary (2018)