I do have to agree. The setting may be the best part of later seasons of DISCO, even if they (in my personal opinion) frequently squandered it.
Like, I felt like they didn’t need to make up the DMA - they had practically seasons worth of material written for them just from the inherent realities of the setting.
Say what you will about Disco, but honestly, Rainn Wilson Harry Mudd is better than the original.
Though honestly, it helps that this Mudd wasn't in an episode where he did human trafficking and Starfleet did nothing except validate 1950s gender roles for some reason.
I like OpenStreetMaps's solution. (Though you'll have to dig a little - they don't show names for large bodies of water like that by default.)
I agree in some senses with the stand-alone part, but not necessarily the animated part. I feel like it would just need to be marketed right. Executives are convinced for the most part that animation is either only for kids or for irreverent adult comedies, when it really should be viewed as a general medium.
I think Infinity Train is the best evidence of my point (look it up if you don't know); it really transcends the typical bounds assigned to animation. Book 3 especially is truly just a great fantasy/sci-fi drama. However, it was basically killed by executives who wanted a tax write-off and couldn't see its potential outside a "kids show". Now some of the series is purchasable on various online storefronts, but the only way to watch all of Book 3 is to pirate it.
If executives and people alike would liberate themselves from the stigma of animation, I feel like you could pull off high-quality, TNG-length seasons that allow less rushed charater development for a reasonable budget compared to an expensive live action streaming show. In some ways, Prodigy was an example of this - I felt like I got more time with the characters than almost any other modern Trek (granted SNW is still going on).
I've never met a person where I mentioned Star Trek and they went, "Ew, Discovery. I'm never watching any Star Trek ever again"; I think Discovery had its flaws (and strengths), but it made little impact on franchise popularity.
Usually (which you touch on), it's more like they're just bamboozled by the cannon. Like, I was watching DS9 once, and my roommate asked if it was the original, which then brought a long and complicated explanation from me. I think you're right that it'd be very nice to have a Star Trek show that one could show to people where when old lore is brought in, it's delivered in such a way that people can pick it up as they go.
They Might Be Giants (the band)
As much as I think this post is on point, it's incredibly ironic that it's on Twitter. 😆
Funny, but the truth is most warp cores from 2375 have secretly been powered by the suffering of transporter clones of Miles O'Brien made without his knowledge while he taught at the academy. Eventually, when people found out what actually powered ships sometime before the 31st century, O'Brien warp propulsion was retired and dilithium was brought back into use.
Miles O’Brien in the chair after a field commission to captain on an engineering vessel: “Time to suffer, I guess.”
(Personally, though, I head cannon that O’Brien eventually gets the nickname “Non-com Admiral”.)
I think it depends. If a school has a laptop for each student, it is most certainly a Chromebook. However, a lot of schools also have a mix of systems. In elementary school, I was taught to use Microsoft Office on Windows, for instance. At my high school, all the students had Chromebooks, but there were also some labs with Windows machines; graphic design, photography, and film classes had labs full of 5K iMacs.
I've been enjoying my Thinkpad E16 that I got brand new from Best Buy. https://startrek.website/post/13283869
Have you tried CoreCtrl? That has made life on my new Thinkpad much easier.
I hope we can yeat Saru in somewhere else - at least the occasional appearance on STA. Let's hope that Robert Picardo claiming "he'll be deeper" means he'll be 99% comic relief like when he said he'd be "more than comic relief" in Prodigy, meaning the show will be a banger rather than a melodramatic despair-fest with the occasional redeeming quality.
Either that or throw him through a portal to another era and call it temporal causality, although I guess the only currently running show they could throw him in is SNW, which wouldn't make sense for obvious reasons. Now if Prodigy got its (unfortunately improbable) season 3 and he somehow managed to appear and they made a good plot out of it, I might not mind.