StillPaisleyCat

joined 1 year ago
[–] [email protected] 2 points 3 months ago (3 children)

It’s pretty odd that an NBCUniversal event is bringing two Paramount Global fandoms (D&D, Star Trek).

[–] [email protected] -1 points 3 months ago (3 children)

I found the Wesley hate cringe when TNG was in first run.

And now I am a parent I find it mean and cringe.

It’s old and tiresome.

[–] [email protected] 7 points 3 months ago (1 children)

What about the option of the original black and white recording of ‘The Cage’ with the colour portions from ‘The Menagerie’ spliced in, as released to videotape in thr 80s?

That was the real Star Trek. Roddenberry even took it to cons in the 70s and 80s to let fans know what he really wanted to put on the air.

[–] [email protected] 14 points 3 months ago

The Backlash as Canada conservatives’ ‘our home’ video features other countries Party deletes video after viewers list gaffes, including scenes of US, Serbia and Slovenia – plus Russian jets

No joke, and the story has legs internationally regrettably.

This isn’t 10 or 15 years ago when global stock video clips were just taking off standard resource in ad company toolboxes.

[–] [email protected] 9 points 3 months ago (7 children)

I’m not unhappy that Starfleet Academy has been holding back on callbacks of Discovery legacy characters.

As we saw with DS9, sometimes it’s better to let the new characters have some time to establish themselves and settle down before confronting them with former main cast legacies. Otherwise, what’s intended to help a new show get established can sometimes do the opposite.

Can anyone really cite a first season major legacy character appearance that boosted a new show and is considered a strong entry in hindsight?

The only one that comes to mind for me is Riker and Troi’s appearance in ‘Nepenthe’ in season one of Picard.

[–] [email protected] 2 points 3 months ago (1 children)

I bought season two of Prodigy in Canada from AppleTV, but am super frustrated.

Season one continues to be available in the CTV app for CTV Sci-fi subscribers, but I am really wondering about what the value of that subscription is.

There still are a few new shows (SurrealEstate, The Ark, SNW) that I watch, but they remove some new shows from the app super quickly. We have to record them in the PVR or by physical media as soon as it’s out.

[–] [email protected] 11 points 3 months ago

For anyone who is a Trek fan, I strongly recommend MGM’s Forbidden Planet as ‘must see’ viewing.

It was the most expensive movie ever made in its time in the mid 1950s, and Roddenberry cited it as the kind of science fiction he wanted to bring to television in tone and high production values (for the time).

There’s a clear throughline to ‘The Cage.’

Also, you’ll see that George Lucas borrowed a few visual ideas for his Star Wars as well.

[–] [email protected] 13 points 3 months ago (2 children)

“It looks like mine!” he adds.

[–] [email protected] 3 points 3 months ago (1 children)

The costuming is from the same design language and it was lame for the 1980s if passable in the 70s.

[–] [email protected] 2 points 3 months ago (3 children)

It was a recycle two—for-one: The costuming overlapped on that one, the plot recycling was saved for the equally eye-rolling ‘Angel One’ where

In this episode, an away team visits a world dominated by women to search for survivors of a downed freighter, while the crew of the Enterprise suffer from the effects of a debilitating virus.

[–] [email protected] 4 points 3 months ago (7 children)

Sorry, it really looked and played too much like the scenario in Roddenberry’s 2nd failed ‘Dylan Hunt’ pilot ‘Planet Earth’ (1974).

Roddenberry never left any idea unrecycled, but John Saxon looked better as eye candy.

Diana Muldaur looked better in the X-cross get-up too.

 

Season-long prerelease reviews are an exception to this community’s rules about posting reviews. (The mods prefer our members to prefer to post their own episode reviews here.)

It seems that today’s the day that Paramount’s embargo on ‘spoiler free’ (in theory) season reviews for Lower Decks season 4 comes off, and the first pro reviews are now posted by some who have seen the screeners.

From Inverse:

  • each one of these 30-minute episodes is nearly perfect. Just as the USS Cerritos presents the workhorse of Starfleet, with Season 4, Lower Decks again proves it is the workhorse of the entire Star Trek franchise.

From SlashFilm - view with caution, a bit more spoilery

  • /Film Rating: 9 out of

Any to add to the list?

 

@[email protected] spotted Murf in the poster in the promotional announcement for Star Trek Day.

Nmyownworld’s mention on the Star Trek Day thread was great, but I thought it would be great to amplify it. So here is the image with the colour intensity dialed up a bit and Murf circled to be easier to spot.

StarTrek Prodigy Lives!!!

 

This is good news for assuring that SNW’s 3rd season production will move ahead after the strike.

Greenlighting a couple of extra episodes and a 4th season would make strategic sense, but I’m just not willing to give Paramount the benefit of the doubt on that.

 

For those not already aware, Michele Stokes a fan in the UK raised over $US 1200 through a GoFundMe to pay for a skywriter with a #SAVESTARTREKPRODIGY banner.

It flew midday today in LA. The ScreenRant article captures much of the social media including a few videos, and the reactions of the Hageman Brothers and @[email protected].

Michele Stokes is also the fan who started the change.org petition to Save Star Trek Prodigy. It’s been progressing slowly since it surpassed 30k signatures during SDCC, and is very close to 33k now. If you haven’t signed and are willing to deal with the platform (which is now monetized), Prodigy could still benefit from your support.

 

Working from the oral history in The Five Year Mission: The next 25 years, this is a fascinating deep dive that answers the question “How did a recycled cover of a 1998 song written for Rod Stewart, ‘Where My Heart Will Take Me’ aka ‘Faith of the Heart’ become the title music for Enterprise?”

Also, after resisting melodic scoring in all the 90s shows, it turns out this was the music Rick Berman liked?!!

“…I, for one, can tell you that I thought it was a great opening and I'm not alone in that. I don't think I'm in the majority, but I'm not alone."

And it seems the song does have its own subniche of supporters who share Berman’s view. (But not I.)

 

@[email protected] has shared the news on Mastodon.

The GoFundMe has exceeded its goal. The organizer described it as follows:

The plan is to hire either a skywriter or sky banner to make passes over the offices of potential new homes for Star Trek Prodigy, namely Amazon, Netflix, etc. The more we're able to raise, the more streamers we'll be able to lobby and the louder we'll be able to shout about what an amazing show Star Trek Prodigy is - for fans of all ages.

 

cross-posted from: https://startrek.website/post/1026553

Here’s something to fill some gaps in your viewing schedule. While not science fiction, this show could appeal to SNW fans and deserves a bigger audience.

SurrealEstate is a Canadian live-action supernatural drama with a light leavening of horror, produced for CTV Sci-Fi Channel, and picked up Syfy. The first season also ran on Hulu in the US after its linear run. It was canceled by Syfy US, then uncanceled when it got picked up by the Syfy channels in Europe.

It’s quirky, full of gentle ironic humour, in the way Canadian shows can be. Tim Rozon of Wynonna Earp stars along with Sarah Levy of Schitt’s Creek. Melanie Srofano (Captain Betel in SNW) directed two episodes in the first season and was reportedly back to do more.

Similar to SNW, SurrealEstate mainly episodic with light serialization coming from character arcs. It has a generally positive vibe, with a team of intriguing and diverse characters solving mysteries and clearing houses of supernatural detractions so that they can ‘achieve their true market value.’

From the season one promotional listing:

Real estate agent Luke Roman is the owner of The Roman Agency, a boutique residential real estate brokerage specializing in "metaphysically engaged" properties, also known as haunted houses. Luke has a special connection to the spiritual realm; he can not only sense the presence that might inhabit a client's house, he can often communicate and negotiate with it. Along with his team, Luke takes on the houses nobody else can or will.

If you haven’t seen season one, I firmly recommend catching it on demand on CTV (which is offering it currently offering it free to non-subscribers), on the Syfy app or on Hulu.

 

What can I say, all that pink and purple just seems to be meant to be together.

Credit again to Trek Core for their excellent TAS BlueRay screencap library.

Editing to add: love Barbie, pleased to see the movie out earning most of the comic heroes, always glad that TAS and Prodigy make themselves appealing across genders.

 

Looking forward to this ‘Picard’ tie-in novel telling the backstory of how Seven joined the Fenris Rangers.

Mack says he’s submitted front matter with starcharts. I love that kind of stuff.

 

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

In the midst of Barbie-pink dominance, TAS would like a word.

Star Trek’s own home of pink, purple and lime green has something to say.

 

This is a great interview with some significant behind the scenes perspective, and affirmation that fan advocacy is having an impact.

KEVIN: When interested parties with offers come forward, we’re going to be a part of that conversation. . . All we know at our level right now is that there’s active talks happening, right now. . .

** TREKCORE: What can Prodigy fans do to support the efforts that might be happening behind the scenes?**

DAN: I think they’re doing exactly what they —

KEVIN: They’re doing more!

DAN: More than we ever asked for, or expected.

KEVIN: All the noise they’re making out there is fantastic. I don’t think that telling Paramount+ to pick us back up again is going to happen; I think they’ve made their choice. Now it’s about telling Amazon, Netflix, Hulu, or whoever that “Hey, here’s a great freaking show!”

DAN: Just tell people about the show! Because I think Prodigy looks like one thing from an outsider’s perspective — it could look like a young show, or a show that someone might not be into. But when people say “There’s some great storytelling in there!” or “You don’t even need to have children to enjoy Prodigy…”

KEVIN: Spread the word, it’s an all-ages show.

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