I found the Wesley hate cringe when TNG was in first run.
And now I am a parent I find it mean and cringe.
It’s old and tiresome.
I found the Wesley hate cringe when TNG was in first run.
And now I am a parent I find it mean and cringe.
It’s old and tiresome.
What about the option of the original black and white recording of ‘The Cage’ with the colour portions from ‘The Menagerie’ spliced in, as released to videotape in thr 80s?
That was the real Star Trek. Roddenberry even took it to cons in the 70s and 80s to let fans know what he really wanted to put on the air.
No joke, and the story has legs internationally regrettably.
This isn’t 10 or 15 years ago when global stock video clips were just taking off standard resource in ad company toolboxes.
I’m not unhappy that Starfleet Academy has been holding back on callbacks of Discovery legacy characters.
As we saw with DS9, sometimes it’s better to let the new characters have some time to establish themselves and settle down before confronting them with former main cast legacies. Otherwise, what’s intended to help a new show get established can sometimes do the opposite.
Can anyone really cite a first season major legacy character appearance that boosted a new show and is considered a strong entry in hindsight?
The only one that comes to mind for me is Riker and Troi’s appearance in ‘Nepenthe’ in season one of Picard.
I bought season two of Prodigy in Canada from AppleTV, but am super frustrated.
Season one continues to be available in the CTV app for CTV Sci-fi subscribers, but I am really wondering about what the value of that subscription is.
There still are a few new shows (SurrealEstate, The Ark, SNW) that I watch, but they remove some new shows from the app super quickly. We have to record them in the PVR or by physical media as soon as it’s out.
For anyone who is a Trek fan, I strongly recommend MGM’s Forbidden Planet as ‘must see’ viewing.
It was the most expensive movie ever made in its time in the mid 1950s, and Roddenberry cited it as the kind of science fiction he wanted to bring to television in tone and high production values (for the time).
There’s a clear throughline to ‘The Cage.’
Also, you’ll see that George Lucas borrowed a few visual ideas for his Star Wars as well.
“It looks like mine!” he adds.
The costuming is from the same design language and it was lame for the 1980s if passable in the 70s.
It was a recycle two—for-one: The costuming overlapped on that one, the plot recycling was saved for the equally eye-rolling ‘Angel One’ where
In this episode, an away team visits a world dominated by women to search for survivors of a downed freighter, while the crew of the Enterprise suffer from the effects of a debilitating virus.
Sorry, it really looked and played too much like the scenario in Roddenberry’s 2nd failed ‘Dylan Hunt’ pilot ‘Planet Earth’ (1974).
Roddenberry never left any idea unrecycled, but John Saxon looked better as eye candy.
Diana Muldaur looked better in the X-cross get-up too.
It’s pretty odd that an NBCUniversal event is bringing two Paramount Global fandoms (D&D, Star Trek).