If true, thats interesting pedagogy. Defend the indefensible in a system that could literally cost a teacher their job for defending anything other than capitalism.
Free Palestine
I would really hate it if something really really bad happened to Shane Gillis. I'd be so sad if something awful and terrible happened to him. If his career was ruined, I would never recover. If he was publicly humiliated and reviled, it would bring me no peace. If his incredible shame became a joke and a threat, if his name became associated with disgusting, putrid filth, it would make me so, so depressed.
I hope nobody avoids and shuns him, and that his pets never shit directly on his feet 5 times per day, and his car never gets destroyed by an angry mob, and he keeps all his friends, and his hair, and his bladder and bowel control, forever
This, except the the lever doesn't actually control which track the trolley goes down, that is controlled by the trolley corporation. The third track is being built by people who understand this, in order to connect it with the other tracks so that noone has to be run over, but the person pulling the lever thinks they are pulling the track-switch.
The trolley corporation rigged it so that when the person pulls the lever, it actually bombs the other track, so that it won't connect to the rest of the tracks, killing a few track builders in the process. The lever puller is told by the trolley corporation that the track would have switched except the track builders are terrorists who blew up the switching mechanism because they hate freedom. But not to worry, keep pulling the switch because it is actually individual switch pullers, not trolley corporations, and definitely not track-building "terrorists," who make all the decisions, and that switch pulling is a sign of a healthy and civil society.
Who cares? There's no categorical imperative, only class war
Slop PFP?
Oh wow I'm getting demolished lol. Doesn't change the fact
Eugenics apologia.
Thats a pretty fun game! I guess I meant with people, landscapes and scenes are harder to suss out I think. Or maybe I'm just full of shit, idk.
Maybe it's color sensitivity that I developed over Years of art training and color matching, and I know a lot of guys are like color blind, but can people just not "see" that something is AI?
To me, it stands out like a sore thumb. I can get mixed up if its an AI picture of something hazy or foggy, or a neutral tone. But I can identify AI pictures or videos immediately. I've taken tests, and I'm like really good at it. AI pics and videos has a particular "glow" that is unmistakable. Even the picture above, a picture of a picture of a picture, its still very clear
My wife and I watched that Claire Danes show The Beast in Me, and it was crazy because you can like see the emotions on her face, and its startling because you usually can't see actresses over 40 emote because of botulism. And it's incredible, she fucking kills it.
We also watched Scarpetta which ended up being pretty bad, but there's a clear difference between Jamie Lee Curtis, who can emote and does a really excellent performance, and Nicole Kidman who delivers her lines like Moira Rose in Schmitt's Creek because she can't even purse her lips.
Like, I'm not judging, it must be hell to be a famous actress, the pressures to look young well into your 50's just to be able to practice your craft are not something I would wish upon anyone. But the difference is stark, and its cool to see women embracing aging so they can perform their craft at the highest level. Imagine a guitarist or something, where the older they become, in order to keep working, they have to immobilize a finger every 5 years over the age of 30. And then some players come along and just won't immobilize themselves, being able to use the full range of their talent that they've honed over decades
I def have a similar concern but I'm a critical pedagogist which means the students are, amomg other things, there to learn about the death of the billionaire class from one of its nastiest defenders. She may be teaching writing but not as an authority
