Excluding a couple of shorts, it is at this point that the show officially becomes one decade old. I wish that I could say that this show got stale, but it didn’t, really; it already sucked donkey balls back in the ’90s, only it was less reactionary. If Comedy Central had cancelled it back then or shortly afterwards then a few of us could look back at it as a quaint relic, along with AOL and GeoCities domains. But like an Axis holdout in the Philippines, it just soldiers on, barely aware of how much the world has changed.
This brings me to my next point: it is okay for a successful series to bid farewell to its audience. As Bill Watterson said regarding his unpopular choice to discontinue Calvin and Hobbes:
It’s always better to leave the party early. If I had rolled along with the strip’s popularity and repeated myself for another five, ten, or twenty years, the people now “grieving” for Calvin and Hobbes would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I’d be agreeing with them. I think some of the reason Calvin and Hobbes still finds an audience today is because I chose not to run the wheels off it. I’ve never regretted stopping when I did.
Of course, Calvin and Hobbes is vastly more tolerable than South Park (shudder-inducing though it may be to realise that both took some inspiration from Peanuts), but the point here is that this would have been as good a time as ever for the show to exit gracefully from the scene. Nonetheless, the showrunners apparently loved money too much for that, so…
With Apologies to Jesse Jackson: ‘Jesse Jackson is not the emperor of black people!’ I smiled.
I can sympathize with Randy’s recent past constantly coming back to haunt him. It is extremely frustrating when you know that you made a serious mistake but others hang onto their grudges, no matter what you promise or whatever progress that you have made. Still, this story dissatisfies me. The showrunners almost seem to be saying that being stigmatised for spewing a racial slur is similar to being of a stigmatized ethnicity, which is too ridiculous to merit comment.
I feel like I should have despised this episode more than I did, not only for the repeated racial slurs but also for the tedious encounters between Cartman and a short bloke, but the ending was better than I expected: Stan explicitly acknowledged that, as a white, he’ll never truly understand what it feels like to be the target of a particularly infamous racial slur. It’s nothing revolutionary, but at least it reminds us to be humble.
Overall, though, not a good episode. It is easy to imagine somebody else (black or not) constantly facepalming or eye-rolling throughout this, and most of the jokes were boring at best. I am going easy on it for the okay ending, but to be honest I probably shouldn’t.
Cartman Sucks: He sure does!
Lice Capades: The only parts that I enjoyed were the lice dying horribly and getting caught in the hurricane. Also, I have to admit that I was unaware until now that lice travel by means of flies; it is a welcome break when this show is educational. The rest of this episode is filled with tedious stretches of nothing happening… what? Oh all right, there is some drama between classroom students over who had the lice, and the lice have their own story arch, but it was all so uninteresting that it might as well have been nothing.
Basically, everything that this episode did, Osmosis Jones and Antz did better (if only slightly).
The Snuke: There is something mildly charming to me about a Muslim sitting in a Jewish student’s vacant desk. I doubt that the showrunners were aware of the important similarities between Judaism and Islam, but I still appreciate this detail.
I have never seen a single episode of 24, yet within only a couple minutes I could already tell that this was going to be another parody episode. Ugh.
The only part where I got close to laughing was when the Redcoats fired at jet fighters with muskets. The rest of this story is pretty boring, filled with the immaturity that you would expect from this show. I can tell that the showrunners wanted to help normalise Muslims, but most of the time we just see Cartman pestering them and little time seeing them engaged in mundane activities. It is kind of like that The Simpsons episode ‘MyPods and Boomsticks’, only less effective. Overall, you aren’t missing out on much by overlooking this episode.
Fantastic Easter Special: It started off interesting, with a few serious moments and a question about what rabbits and dyeing eggs have to do with Christianity, but then it devolves into generic movie parody nonsense (about The Da Vinci Code, I am presuming). I was mildly amused about the Pope’s hat originally being designed for a rabbit, but the rest of this story was pretty yawn-inducing, and Yoshke’s gory death scene was cringeworthy.
D-Yikes!: No comment.
Night of the Living Homeless: Wow, what a wretched episode. Walmartipedia claims that this is ‘a satire and commentary on how homeless people are often seen as “degenerates to society”’, and while I have not listened to the DVD commentary, I find that hard to believe given the showrunners’ propertarianism and how the climax offers no advice for helping houseless folk. This story depicts them as greedy, ungrateful, mindless, invasive pests who don’t deserve a penny, and there is an implication that they are probably con artists. At least the violence against them was minimal, save for Randy shotgunning someone in the face and Cartman hitting two houseless adults with his skateboard.
If this was indeed intended to be satirical, it is pretty lazy since all that it does is gently exaggerate how anticommies already see the homeless: that the homeless are less than human. It would be so ridiculously easy for militant anticommunists to see this episode as only validating their opinions, and as mocking the homeless for being ‘parasitic’. Anyway, I am giving this pukestain of an episode an F−.
Le Petit Tourette: Tourette’s syndrome? It’s called coprolalia, dipshits. I have a feeling that the writers based their cluelessness on Tourette’s Guy since he was an Internet sensation back in the early 2000s (presumably excessive profanity was a novel concept at the time). Apart from his heterosexist and misogynist moments, some of Tourette’s Guy’s clips are still mildly amusing, but they are not good recordings of his syndrome’s symptoms and it is regrettable that he was many people’s introduction to the disorder.
This story is likewise not going to give anyone a very accurate representation of Tourette’s syndrome, because even if the writers grasped that phenomenon, Tourette’s syndrome symptoms are just not funny. If you have ever seen a documentary on the subject, you would understand. To be fair, the writers balance this slightly by showing us sufferers who do not exhibit coprolalia, but these are likewise just one-dimensional caricatures reduced to their symptoms. The story briefly introduces them as little disclaimers, then forgets about them almost completely.
So this episode is unfunny, but I’ll give it this: the story actually gets more interesting in the later half, because Cartman unexpectedly exhibits a disorder causing him to blurt out awkward truths about his life, thereby disrupting his plans and, surprisingly, Kyle’s own plans. I could call this a passable episode for that reason alone, but the casual ableism is pretty hard to overlook (and don’t get me started on the antisemitism).
More Crap: If for whatever reason you insist on watching this abysmal episode, do yourself a couple favours: first, invert the colours on your monitor or television set. This makes the episode’s visuals less intolerable. Then, make sure that you are lying in a bed or at least a recliner. After that, you’ll be ready to subject yourself to twenty-two minutes of the cringiest dad jokes imaginable. Now here’s an even better idea: avoid this episode like the fucking AIDS.
Imaginationland: NOOOOOOOOOOOOOOOOOOO! Not a three-parter! Fuck!
Okay, okay, here is one thing that I like about the first seven minutes: the Imagination Balloon reminds me of the Ship of the Imagination from Cosmos. Remember Cosmos? It has a massive table of elements in vials, somebody making pie in slow motion, somebody time-travelling on a simple bicycle, great music, beautiful quotes like ‘We are made of starstuff’. It’s just great. I wish that I were rewatching that… but alas…
Oh, somebody suicide-bombs and massacres some imaginary characters. That’s kind of nice. The first part also gets slightly exciting at the end because it ends on a cliffhanger.
The twoth part is likewise very uninteresting, but I want to note that the idea to nuke Imaginationland is awfully similar to the original Doom concept to launch a nuke into Hell… wait a minute, one character explicitly says, ‘So, we’re about to nuke Hell.’ Weird coincidence.
The biggest problem with this three-part special is that the stakes are so low. You have to feel emotionally invested in these characters for the tension to have any effect, and even if you have that emotional connexion, knowing that most of these characters are either replaceable or unlikely to die is going to reduce the tension. An imaginary character dies? Big deal. Just imagine a replacement. Background character dies? Who cares; they got plenty more. Kyle suffocates? As if the showrunners were going to discontinue one of their main characters forever. These factors all reduce any excitement to be had.
There is also the really tedious running joke about Cartman trying to get Kyle to suck his scrotum. This is not only an unfunny joke about sexual harassment, it gets old pretty quickly, too.
The point that the writers made was that fictional characters are important because of how they affect us, which kind of makes them ‘real’. It is an interesting point I suppose, but it would have been more compelling if the delivery were better: there weren’t many clues in the story that that lesson was coming.
The only time that I laughed was when they dropped a nuclear bomb on Imaginationland. Otherwise, sitting through these three episodes was a chore.
Guitar Queer-O: The title alone should tell you everything that you need to know about this episode’s quality, but I am going to elaborate rather than take the easy way out again.
It becomes apparent within the first several minutes that this is going to parody a drama, specifically something in the ‘rock band’ subgenre of dramas, and this makes the story unbearably predictable and anticlimactic. They’re just substituting serious phenomena in the drama with ones that are less serious, so the ‘rock band’ is two guys playing with plastic guitars, a crowd becomes a virtual crowd, ‘getting big’ means scoring a million points, a drug addiction becomes a video game thereabout, and so on. It is one of the laziest scripts that I have ever seen.
I mean, just picture this: a producer wants to hook Stan up with a better player, and the player shows off his skill in public. Since the guitar is plastic and does not actually generate any music, it’s just the sound of somebody clacking a bunch of buttons repeatedly. Ba dum tish!
The only part where I got close to smiling was when Stan switched to playing a driving simulator, complete with its own plastic controller. Overall, this episode is a waste of time. Yes, even more so than Guitar Hero… especially more so than Guitar Hero.
The List: Another parody of a crime drama, only this one has a generic lesson about how looks aren’t everything and that we should not judge others based on physical appearance. Much like the previous episode, roughly 90% of the script would have been easy to fit into a children’s cartoon. Who else here remembers Fillmore!?
What I liked about this season finale is that it gave Wendy a more prominent rôle. She rarely even had any speaking rôles in the last few seasons, so reintroducing her was a welcome break. That being said, I still found most of this episode uninteresting and unfunny.
One laugh. That is the most that I got in the five hours and eight minutes that I watched this: one laugh, specifically when they dropped a nuclear missile on Imaginationland. I am guessing that that was supposed to be a serious moment. The problem was, Imaginationland is so obnoxious and worthless that it is hard to feel any sadness or disappointment when it all vanishes in a snap. It’s almost like when Mecha-Streisand devastated South Park: you are presumably supposed to feel contempt for her because of her wanton destruction, but because South Park is such a worthless town anyway, her havoc has the opposite effect on viewers who loathe this series.
I could maybe say that Imaginationland, Episode III is the best of the worst here for that laugh alone, but the rest of the episode is so uninteresting and annoying that it is perfectly worth skipping entirely. You would be better off reflecting on how South Park Studios invested so much time and effort into that epic three-part special (which they advertised to death back in the day): a fact that is either tragic or unintentionally funny, depending on your point of view.
South Park, the longest running in ‘adult’ animation, operates on a predictable formula that leaves boredom in its wake. Its creators are driven by a terrible sense of humour. When the last celebrity has died, when the last disability has been recorded, when the last bowel movement has been passed, and when modern audiences’ tastes become too sophisticated, then—and only then—shall Trey Parker and Matt Stone realize, too late, that humor is not in bank accounts they have (almost) never been funny. Not on purpose, anyway.
The Holocaust as Colonial Genocide: Hitler’s ‘Indian Wars’ in the ‘Wild East’