AmericaDeserved711

joined 3 months ago
[–] [email protected] 5 points 2 days ago (1 children)

I have COVID. that's not a costume I just have COVID

if I have a social life next year I'll go as agender Harley Quinn, I've got some ideas

 

well, other than the fact that he's a huge piece of shit and probably a terrible actor... but on a purely physical level? I've never seen a person who looked more like the comic book Joker in my entire life

(I don't actually want this to happen I'm just saying)

[–] [email protected] 12 points 3 days ago (1 children)

gonna end all my posts from now on with "But I'm the 'fucking stupid' one. Okay."

[–] [email protected] 21 points 3 days ago (1 children)

Trump poses an existential threat to democracy... anyway I just gave $80K to one of his biggest donors

[–] [email protected] 15 points 4 days ago (1 children)

just watched it and still have no idea how to feel about it, but damn that was a bold swing and I gotta respect that. props to Mr. Hangover for making something that strange, experimental and risky for a major studio film. I agree, people should see the movie for themselves before judging it. a lot of people will jump on the hate train just because they see a low rotten tomatoes score and that's sad

[–] [email protected] 14 points 4 days ago* (last edited 4 days ago) (1 children)

this idea that the movie was specifically made to piss off the people who liked the first one

yeah I don't really buy this either. in fact the whole idea that Joker (2019) has some horrible fanbase is entirely socially constructed and not based in reality. the narrative that the movie was for "incels" was created before the film even came out and persists to this day, even though Arthur Fleck never actually did become a symbol that incels rallied around. the fact is that all sorts of people liked the movie for all sorts of reasons (and plenty of people disliked it too)

there's no way Todd Phillips hates everyone who liked Joker. he probably likes it himself, having directed the film. he made Joker 2 for the people who enjoyed the first film as a character study of a broken man let down by the system and how alienation can lead to senseless violence. he very explicitly did not make it for the people who wanted Joker 2: Joker vs Batman, which is what Quentin is getting at here.

[–] [email protected] 35 points 4 days ago (1 children)

the worst film of the year

it can't be worse than Borderlands

[–] [email protected] 3 points 4 days ago (1 children)

without blue light we wouldn't have so many other wonderful colors. for example, cyan and magenta

there are 2 different gay movies called Blue, both very good:

  • Blue (1993), an experimental film by Derek Jarman released months before his death from AIDS
  • Blue (2002), a Japanese sapphic coming-of-age story

and of course, blue-haired SJWs

[–] [email protected] 14 points 5 days ago

it's called apple intelligence because it possesses the same level of intelligence as an apple

[–] [email protected] 4 points 5 days ago (1 children)

apparently he just released an album a few months ago, I didn't know that. and it's the soundtrack to a movie he's directing. he's also an actor and TV show creator, so the guy's been busy

[–] [email protected] 10 points 6 days ago

so it's basically poutine but with peas instead of cheese curds. I hope it's called peatine

[–] [email protected] 5 points 6 days ago

it started as a sycophantic celebrity worship thing so you're better off

and I guess now Kamala fans are using it to pat themselves on the back for voting for a genocidal cop, which is even worse

22
submitted 4 weeks ago* (last edited 4 weeks ago) by [email protected] to c/[email protected]
 

I'm a big horror fan and I like anthologies though they can be very hit-and-miss

never seen a single V/H/S movie because the reviews for them are fairly mid, but are there any genuinely good segments that make these worth watching?

damn there's like 7 of these things now

 

I know there's some SOPHIE fans here so I'm wondering what you all think of the new posthumous release, which seems to be quite polarizing.

Personally I really enjoyed it for what it is, which is an unfinished album, sadly. The production and composition is stellar but there are some issues with the mix and mastering on some tracks that makes them feels a bit lacking in sauce. Sorry to say but there's a leaked version of Reason Why that blows the album version out of the water.

Criticisms aside I'm glad this album was released because it's still really great, I love the way it starts out darker and more abstract / experimental and gradually becomes poppier and more accessible and then gets weird again at the end, but there's a mix of both throughout. It's not just a collection of tracks, it really flows like a story in the way it continually builds and releases tension. The whole second half is good and has some of SOPHIE's greatest bangers which I'm very grateful have gotten an official release.

My Highlights: "Why Lies", "Berlin Nightmare", "Exhilarate", "Always and Forever", "My Forever", "Love Me off Earth"

PS I recommend finding a flac on soulseek or something, YouTube is pretty bad with audio

 

Recently it has come out that Coppola has inappropriately touched and kissed extras without their consent on the set of his latest film. This is obviously reason enough not to support the film, but if you know anything about Coppola's history with abusers, this should come as no surprise.

In 1989, Francis Ford Coppola's protégé, Victor Salva, sexually assaulted a child actor, a 12 year-old named Nathan Forrest Winters, on the set of a film that Coppola produced.

Coppola defended and protected Salva, hooked him up with expensive lawyers, resulting in a reduced prison sentence of only 15 months, most of which was spent in a cushy rehabilitation center for sex criminals. Coppola remained friends with Salva and visited him in jail. After his release, Salva returned to Hollywood with the help of Coppola, who would continue to produce several of his films.

After Salva's arrest, Winters was forced to complete ADR on the film he was abused on, in Coppola's own home. Coppola, one of the wealthiest and most powerful men in Hollywood, threatened to sue 12 year-old Winters for breach of contract for trying to leave the project. Coppola told Winters he'd never work in Hollywood again, and he didn't.

In 2006, Coppola said,

"You have to remember, while this was a tragedy, that the difference in age between Victor and the boy was very small — Victor was practically a child himself."

Salva was 29 at the time while Winters was 12. In fact, Salva had been grooming and sexually abusing Winters from the age of 6.

To hear Winters tell his story: www.youtube.com/watch?v=1M9ATFAYsEk

 

these guys sure spend a lot of time holding an incredibly phallic object real close to their mouths. idk, seems pretty gay to me bro

 

I don't mean to be all "woe is me" but damn it really drives home the loneliness when literally the only texts I ever get are trying to get me to vote for some shit. or like, texts from my cell carrier trying to get me to upgrade my phone

and the only texts I ever send are just "STOP" lmao

 

yesterday I made a post in c/chat lightly making fun of ICP, because I heard about this movie. ended up watching it last night and it honestly fucking blew me away

it's genuinely sincere and heartfelt while also being funny as fuck, like several parts got an audible laugh from me, and I watched it alone. it does get super dark towards the end and there's some gross, disturbing stuff that might not be for everyone, but it's never mean-spirited or cynical and knows just when to pull back and ease the tension with comic relief

it's also very ACAB, as the plot revolves around our two protagonists getting hassled by small-town cops on their way to the Gathering. I don't want to say too much more other than that you should watch it. my only regret was not grabbing a bottle of Faygo first

WHOOP WHOOP!

 

I love the idea of dressing up like a scary clown and hanging out in a big field with a bunch of other scary clowns, getting high and listening to music... just not that music

 

for example, Talk To Me (2022) first premiered at the Adelaide film festival in October 2022 and therefore it's considered a 2022 film, even though it didn't get a wide release until 2023. It was one of my favorite movies of last year but you won't see it on many "best of" lists for 2023 because it's technically from 2022. but you won't see it on any lists from 2022 either because practically nobody saw it that year except a few Australians

the same thing is now happening with Strange Darling (2023) which was just recently released in theaters, well into 2024

this happens with a lot of smaller "indie" type movies because it takes time to get distribution after hitting the festival circuit

IMO the official release year for a movie should be based on when normal people can see it and not just a couple hundred film bros and industry people who attended some festival

 
  1. the IDF has W rizz
  2. Hamas is in its flop era 💀
  3. still being a Zionist in 2024? that's brat af
  4. Gaza is not the vibe y'all...
  5. campus protesters are giving the ick
  6. settler colonialism is goated
  7. "from the river to the sea" is cheugy

share this with all your besties and remember - Gen Z stands for Generation Zionism!

 

haven't seen it yet but I'm shocked that it's supposedly good. anyone seen it and can confirm?

I'm pretty hesitant to watch anything by a wealthy aging comedian at this point, but it would seem he's at least avoided going down the anti-woke path or doing political comedy at all, although he's friends with Rob Schneider and had terrible politics in the 00s...

Sandler has not publicly discussed his political leanings. It has been reported that he is registered to vote as a Republican. He performed at the 2004 Republican National Convention, and he contributed $2,100 to Rudy Giuliani's 2008 presidential campaign (the maximum amount allowed at the time).

 

I don't recommend doing this

actually had no idea this show even existed until I saw it on Netflix and put it on out of morbid curiosity and self-punishment and needless to say, it's not good

why did they think a rehash of the most boring events of 2016 would make for a compelling TV drama? they're trying to go for the tone of House of Cards (they even got that one guy!) but it feels more like a bad soap opera

like, I shit you not, there's literally a shot of two Russians, vodka flasks in hand, toasting to rigging the US election

also Michael Flynn meets Putin and Putin's all "I can't wait to have you at my dinner, you're gonna be seated next to Jill Stein" lmao

I just got to the election results so I'm looking forward to seeing Brendan Gleeson in grotesque Trump prosthetics

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