SISTER OF THE REVOLUTION WISHES TO CLARIFY THAT SHE IS AWARE THAT THE USE OF THE PASSIVE VOICE AND LANGUAGE WITH FORCEFUL OR MASCULINE CONNOTATIONS IN THE TITLE OF HER SELF-DIRECTED PASSION PROJECT PRESENTS HERSELF AS A SUBORDINATED RECIPIENT OR OBJECT IN AN UNBALANCED AND IN SOME SENSE VIOLENT RELATIONSHIP WITH A FIRST-PERSON NARRATIVE VOICE PRESUMED TO BE THAT OF A MAN; THIS WAS IN FACT A DELIBERATE ARTISTIC CHOICE ON HER PART, AS SHE WOULD LIKE VIEWERS AT HOME TO CONSIDER THE APPARENT CONTRADICTION BETWEEN THE FORMS OF THE NEW REVOLUTIONARY ERA BEING INTERTWINED WITH THE FORMS OF PRE-REVOLUTIONARY BOURGEOIS-PATRIARCHAL INTERNET PORNOGRAPHY IN HER FILM, AND PLACE THIS CONTRADICTION OF FORMS OF OPPRESSION VS LIBERATION IN THE CONTEXT OF THE TRANSITIONAL NATURE OF THE ONGOING PROLETARIAN SEXUAL REVOLUTION.

SISTER OF THE REVOLUTION HAS A FIRM UNDERSTANDING THAT THE PROLETARIAN SEXUAL REVOLUTION, LIKE ALL OTHER ASPECTS OF PROLETARIAN REVOLUTION, MUST BE FOUGHT INTERNATIONALLY, AND INVOLVE ALL WORKING-CLASS SUBJECTS OF THE BOURGEOIS-PATRIARCHAL INSTITUTION OF SEX STRIVING IN THEIR DAILY LIVES REGARDLESS OF ABILITY. SHE IS A STRONG PROPONENT OF MUTHAFUCKIN ＡＣＣＥＳＳＩＢＩＬＩＴＹ ON ALL FRONTS, AS MEASURES TO INCLUDE PEOPLE WITH DISABILITIES GREATLY INCREASES THEIR FREEDOM, HEALTH, AND HAPPINESS BY ALLOWING THEM TO PARTICIPATE IN ALL ASPECTS OF SOCIETY WITHOUT BARRIERS!!!