I wasn’t introduced to Ntozake Shange’s work and didn’t learn about the political and cultural significance of for colored girls who have considered suicide/when the rainbow is enuf until I was a graduate student and had the opportunity to read her 1975 choreopoem. for colored girls is a Black girl’s song, an ancient yet contemporary tune that allows a Black girl like me to begin to know herself, see herself. It allows Black girls to become familiar with their own voices, souls, and genders.
Shange’s work enlightened me to the complexities of living within the intersection of gender and race, and how those complexities related to the life chances and choices for me as a Black lesbian woman. Although I had been living within this identity all of my life, I had not yet thought about my existence theoretically: how my reality was interconnected with those who came before me and with those who would come after me.
Shange’s work showed me how my sociopolitical embodiment directly affected my ability to even dream about something as universal as love. Like Shange’s characters, I would have to navigate a racist, homophobic, and sexist world that chose not to recognize my humanity, nor my fragility as a sentient being in ways it did for others. Through its words I realized that I wasn’t the only Black girl, now woman, grappling with these realities.
Each color of the rainbow was intended to represent the diversity and solidarity of our communities, visually capturing our nuances, our differences and sameness, and our complex identities. The flag was created as a symbol to not only spread love and inclusivity but also to counter sexual and gendered regulation within mainstream society. Leaders, community change makers, and inclusive businesses display the flag in stores, offices, and schools as a symbol of solidarity with LGBTQ+ folks and to express their support and welcome of people belonging to such communities.
However, throughout time, some of the most vulnerable yet resilient people within our communities have not found the rainbow marker to symbolize diversity, inclusion, or solidarity. For many, it has symbolized terror—racialized and gendered terror to be specific—causing many to disidentify from the flag’s symbolism, use, and consumption.
For example, in 1973 when Sylvia Rivera took the stage at one of the first gay Pride parades and celebrations in New York, she was booed, told to “shut up,” misgendered, and subjected to objects being thrown at her by the mostly white, mostly cis, and strikingly racist audience. She repeatedly stated, “Y’all better quiet down.”