this post was submitted on 11 Dec 2023
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Technology

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[–] [email protected] 3 points 9 months ago (12 children)

Some countries have a blank media fee on writable casettes, discs and hard drives that are paid to music and movie studios for this purpose.

[–] [email protected] 5 points 9 months ago (11 children)

And yet: Netflix prevents me from recording any of their shows and sharing the recording with my friends and family.

[–] [email protected] 4 points 9 months ago (10 children)

I get that the economy we're in means a bunch of people, like yourself, feel justified in entertaining themselves using whatever means they can afford. I'd be lying if I said I never pirated music when I was a broke highschooler.

But the reality is, if the funding isn't there, it doesn't happen. I don't think DRM is the ethical way to squeeze money out of your audience, nor do I think not compensating people who worked hard to create something you enjoy is the ethical way to consume media.

If you liked it, and you can afford it, pay them a fair price for your experience. Artists are already starving without society having a "copying isn't stealing" mentality. It doesn't matter if it's Netflix, or a busker; you're not paying them for a physical thing that they hand you, you're paying them for the effort they went to craft an experience for you.

[–] [email protected] 1 points 9 months ago* (last edited 9 months ago)

You make a decent point, but the disconnect between people paying for content and the money going to the people who contributed effort to it is getting wider and wider.

Popular shows that people subscribed for get axed after 1 season or moved to another service. All the work people did for Warner Brothers' Batgirl gets thrown in the trash so that WB can get a tax write-off, before any movie watcher can even give a cent to them in support.

The point is big studios make so much year after year that pirating their stuff doesn't make a dent in whether the people they hire get paid accordingly.

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