As Antonio Gramsci argued, ruling groups maintain power partly by making their ideas seem like common sense. This helps explain the political significance of Metallica’s call for disengagement at a time when Israel’s genocide in Palestine demands urgent international attention. Hetfield’s vague agenda of “love, energy and heavy music” ultimately amounts to a refusal to stand for anything meaningful. And that refusal is itself deeply political.

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[–] 11 points 9 hours ago* (last edited 8 hours ago) (9 children)

Personally, this situation would fall into issues I have with other bands/authors/popular figures and how I handle their material. If I own copies of their media, whether on CD or downloaded files or physical books, I will continue to listen to or read it if I do enjoy it. I will no longer purchase anything new, stream on any platform, or borrow anything from the library as a way to show my non-support.

An example: I loved Coraline by Gaiman. That guy is a gross creep, but I already own a copy of the book and the Blu-ray, so I keep my copies and do not purchase anything I do not already own.

Edit: fixed some grammar because I’m a dork

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  • [–] 1 point 1 hour ago* (1 child)

    Is it actually true about gaiman though? Such a bummer if so. I love his writing.

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  • [–] 1 point 1 hour ago*

    The accounts about Gaiman are truly reprehensible. Nauseating, even. Dude's a rapist hiding behind kink and non-traditional relationships. (Amanda Palmer is also revealed to be a predatory sociopath at best)

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  • [–] 7 points 8 hours ago (1 child)

    Gaiman didn't do any of the real work on teh film, so feel free to enjoy it

    The Sandman is what hurts me, but again, he just wrote the words and made the story. There were lots of other people involved and they arn't creepy assholes

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  • [–] 3 points 7 hours ago (4 children)

    I still have disturbed on my lifting playlist, but I’ve dumped gaiman and die antwoord. Regardless, it was pirated anyways

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