In folklore, a werewolf[a] (from Old English werwulf 'man-wolf'), or occasionally lycanthrope[b] (from Ancient Greek λυκάνθρωπος 'wolf-human'), is an individual who can shapeshift into a wolf or therianthropic hybrid wolf–humanlike creature, either voluntarily or involuntarily due to a curse or other affliction. In modern fiction, especially film, transformations are often depicted as triggered by the full moon and transmitted by a bite or scratch from another werewolf. Early sources for belief in this ability or affliction, called lycanthropy, are Petronius (27–66) and Gervase of Tilbury (1150–1228).

The werewolf is a widespread concept in European folklore, existing in many variants, which are related by a common development of a Christian interpretation of underlying European folklore developed during the Middle Ages. From the early modern period, werewolf beliefs spread to the Western Hemisphere with colonialism. Belief in werewolves developed in parallel with the belief in witches during the late Middle Ages and the early modern period. Like the witchcraft trials as a whole, the trial of supposed werewolves emerged in what is now Switzerland, especially the Valais and Vaud, in the early 15th century and spread throughout Europe in the 16th, peaking in the 17th and subsiding by the 18th century.

The persecution of werewolves and the associated folklore is an integral part of the "witch-hunt" phenomenon, albeit a marginal one, with accusations of lycanthropy being involved in only a small fraction of witchcraft trials. During the early period, accusations of lycanthropy (transformation into a wolf) were mixed with accusations of wolf-riding or wolf-charming. The case of Peter Stumpp (1589) led to a significant peak in both interest in and persecution of supposed werewolves, primarily in French-speaking and German-speaking Europe. The phenomenon persisted longest in Bavaria and Austria, with the persecution of wolf-charmers recorded until well after 1650, the final cases taking place in the early 18th century in Carinthia and Styria.

After the end of the witch trials, the werewolf became of interest in folklore studies and in the emerging Gothic horror genre. Werewolf fiction as a genre has premodern precedents in medieval romances (e.g., Bisclavret and Guillaume de Palerme) and developed in the 18th century out of the "semi-fictional" chapbook tradition. The trappings of horror literature in the 20th century became part of the horror and fantasy genre of modern popular culture.

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[–] 5 points 6 hours ago (1 child)

I saw You Can See Everything. Would recommend, actually didnt mind seeing it in theatres vrs waiting for streaming or home release

spoilerFielder is still playing his dopey character schtick but I do think he started to develop feelings for Holmes, and I think partially because he wanted to see how she was able to dupe people so he let her?

I was shocked by the number of people in the after movie crowd talking about feeling for Holmes. I get it, she definitely was taken advantage of one time (I wont go into it but its a very bad thing to happen to someone). She's a jackal, a viper, a fraudster and thief, a manipulator. Her rictus grin plastered on her face constantly was scarier than it was charming or disarming.

Part of it is I have a PhD in her kind of manipulation, and Billy's, because its exactly how my dad manipulates. Like to a tee. Some of those interviews reminded so much of being 11 and confused and terrified. She just had the more feminine aspect of it.

I aint buying this narrative that "oh shes like some ND ingenue taken in by rich and powerful men and really believed in Theranos" no she knew what she was doing, she was in charge, she knew her tech didnt work and she knew it would be bad for patients and put it out there in the world despite that. All the tears (on command!) didnt fool me - she was sad she had to face a modicum of justice with jail time and lucky it was just for defrauding investors.

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