Humanities & Cultures

While in recent years many European businesses have taken steps to alter their previously racist product designs, some games, especially board games like the popular Finnish Afrikan tähti (Star of Africa; Kuvataide, 1951), resist this trend. This raises two questions: First, what are the emotional mechanics which allow openly racist games like Afrikan tähti to remain unchanged and celebrated as ‘classics’ today? Secondly, what can our predominantly white board and role-playing game communities do to let go of emotional attachments to white supremacist games and become invested in a more respectful and welcoming games culture?

[...]we speculate on ways to expedite collective grief to help players reach what we term the ‘white acceptance stage’. We speculate that one useful design intervention to help rethink Afrikan tähti might be to classify it as a PEGI 18 game with the descriptor ‘discrimination’. Seen in this new light, the game might find a new purpose as a cultural educational item complementing lessons on Europe’s colonial past and the self-image of (Northern) Europe for older children. This intervention is inspired by the recent introduction of sensitivity warnings by multinational entertainment corporations such as Disney and broadcasting agencies like YLE (Rytsä, 2007). We argue that adopting such labeling practices for popular board games like Afrikan tähti can be a first step towards confronting racist and colonial ludic heritage.

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You may not know the term ‘Gish gallop‘ but you’ve seen it in action if you have watched any Donald Trump performance. It is a firehose of lies and disinformation employed to sow chaos rather than educate. It is dishonorable.

The technique is named for creationist Duane Gish who used it in his debates with biologists [and described in the Scientific American].

His tactic consisted of talking fast and with confidence, bombarding opponents with falsehoods, non-sequiturs and enough cherry-picked factoids to confuse the audience. Scientists debating him faced the challenge of sifting half-truths from outright lies and finding the right evidence to refute them systematically, all within the few minutes allowed in response.

[...]

Nothing that Trump does is in good faith nor does he comport to norms. If that were the case, he would not still be trumpeting lies from eight years ago.

This scenario sounds eerily similiar to how news organizations, “[d]espite eight years and two election cycles,” continue to normalize Trump’s speeches by providing a coherence that is missing from the original.

[...]

It is the news media’s job to point out untruths. Period. Not parrot them or slide them under the rug.

Scientific American calls this integrity. I think of it as ethics. To that end, today’s journalists need to revisit the code of ethics of the Society of Professional Journalists:

Members of the Society of Professional Journalists believe that public enlightenment is the forerunner of justice and the foundation of democracy. Ethical journalism strives to ensure the free exchange of information that is accurate, fair and thorough. An ethical journalist acts with integrity (emphasis added).

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The U.S. has a near-infinite supply of clueless tourists such as myself, much to the dismay of our National Park Service. Yellowstone, our most famous national park thanks to Kevin Costner, welcomes 4.5 million of us each year. Like all of our parks, Yellowstone takes in tourists not only for the revenue but to remind them that the physical country they reside in is a marvel well beyond their comprehension. As such, Yellowstone is set up to accommodate these hordes. And while park officials do their best to keep tourists in line, often literally, my kind still manage to do plenty of tourist shit. We trample plant life. We get shitfaced and pick unwinnable fights with animals ten times our size. And we hurt ourselves. According to NPS data, at least 74 people have died while visiting Yellowstone in the past 15 years. I could have been one of those people. I deserve to be one of those people.

This is why Outside sent me to the park just a few weeks ago, during one of the busiest times of the year. They wanted me to observe our most basic tourists in the wild. Maybe I’d even get to see one die. Or, even better for my editors, maybe I would die while I was there. Maybe I’d look down my nose at the tourists around me only to end up as wolf food myself. Like most other Yellowstone visitors, I was not trained for the outdoors, I relish doing shit that posted signs yell at me not to do, and I often daydream about fighting bears (and winning!). I find danger tempting, which isn’t a good thing given that I can no longer swim a single pool lap without taking a break. Are people like me responsible enough to visit one of our national treasures without breaking it? Do we, as a population, know how to do national parks?

Jazmin Jones knows what she did. "If you're online, there's this idea of trolling," Jones, the director behind Seeking Mavis Beacon, said during a recent panel for her new documentary. "For this project, some things we're taking incredibly seriously ... and other things we're trolling. We're trolling this idea of a detective because we're also, like,ACAB." Her trolling, though, was for a good reason. Jones and fellow filmmaker Olivia Mckayla Ross did it in hopes of finding the woman behind Mavis Beacon Teaches Typing. The popular teaching tool was released in 1987 by The Software Toolworks, a video game and software company based in California that produced educational chess, reading, and math games. Mavis, essentially the "mascot" of the game, is a Black woman donned in professional clothes and a slicked-back bun. Though Mavis Beacon was not an actual person, Jones and Ross say that she is one of the first examples of Black representation they witnessed in tech. Seeking Mavis Beacon, which opened in New York City on August 30 and is rolling out to other cities in September, is their attempt to uncover the story behind the face, which appeared on the tool's packaging and later as part of its interface.

The film shows the duo setting up a detective room, conversing over FaceTime, running up to people on the street, and even tracking down a relative connected to the ever-elusive Mavis. But the journey of their search turned up a different question they didn't initially expect: What are the impacts of sexism, racism, privacy, and exploitation in a world where you can present yourself any way you want to? Using shots from computer screens, deep dives through archival footage, and sit-down interviews, the noir-style documentary reveals that Mavis Beacon is actually Renee L'Esperance, a Black model from Haiti who was paid $500 for her likeness with no royalties, despite the program selling millions of copies. [...]

In a world where anyone can create images of folks of any race, gender, or sexual orientation without having to fully compensate the real people who inspired them, Jones and Ross are working to preserve not only the data behind Mavis Beacon but also the humanity behind the software. On the panel, hosted by Black Girls in Media, Ross stated that the film's social media has a form where users of Mavis Beacon can share what the game has meant to them, for archival purposes. "On some level, Olivia and I are trolling ideas of worlds that we never felt safe in or protected by," Jones said during the panel. "And in other ways, we are honoring this legacy of cyber feminism, historians, and care workers that we are very seriously indebted to."

You can watch the trailer for "Seeking Mavis Beacon" on YouTube.

I had no idea "Mavis Beacon" wasn't a real person until well after graduating college.

Almost 40,000 people died alone in their homes in Japan during the first half of 2024, a report by the country’s police shows.

Of that number, nearly 4,000 people were discovered more than a month after they died, and 130 bodies went unmissed for a year before they were found, according to the National Police Agency.

Japan currently has the world’s oldest population, according to the United Nations.

The agency hopes its report will shed light on the country's growing issue of vast numbers of its aging population who live, and die, alone. Taken from the first half of 2024, the National Police Agency data shows that a total of 37,227 people living alone were found dead at home, with those aged 65 and over accounting for more than 70%.

The 404 Media team wrote about what they learned in their first year of 404 Media, and it’s full of hope.

An instant classic, Daniel Lavery’s How to win the battle against objects shares an extremely healthy strategy based on blaming an inanimate appliance and a person (who isn’t yourself) for anything inconvenient that happens to you. My partner and I have been practicing hard and I’m sorry to say they’re naturally gifted (and I’m naturally infuriated).

This is a surprisingly interesting thinkpiece for its length that ultimately arrives at no conclusion, but it's an important discussion to be having while we still can.

But the thing that excites me most about taking public transit is watching the people who come in at every stop. It is exciting to recognize the middle schooler with the headphones, the young mother with the infant in a stroller, and the construction workers with their hard hats tucked under their arms. They are my neighbors. On public transportation, I am reminded that they are the people I am called to love.

OKLAHOMA CITY (AP) — The latest search for the remains of 1921 Tulsa Race Massacre victims has ended with three more sets containing gunshot wounds, investigators said.

The three are among 11 sets of remains exhumed during the latest excavation in Oaklawn Cemetery, state archaeologist Kary Stackelbeck said Friday.

“Two of those gunshot victims display evidence of munitions from two different weapons,” Stackelbeck said. “The third individual who is a gunshot victim also displays evidence of burning.”

Stories like this underscore the importance of reading history, because (at least here in Missouri) I was never taught about the Tulsa Massacre and didn't learn about it until I read about it myself.

Other things you may want to read about that you may have never heard of: The Battle of Blair Mountain, Haymarket Square, or the Great Rail Strike of 1877.

Shielding of lights is an important aspect. Instead of having an open light, flat lights or shielded lights that prevent spill upward are crucial. They direct light to the ground, and not up into the sky.

In Canberra, the Australian Capital Territory government and light operator Omexom have been changing streetlights to do exactly this – no upward spill, and controllable lights.

In doing so, Canberra has reduced its light pollution by about 30% in only a few years, as my colleagues and I report in a forthcoming paper.

Our new research, published in the journal Communication Research, suggests that’s the case. In two studies, we found that people generally trust journalists when they confirm claims to be true but are more distrusting when journalists correct false claims.

Some linguistics and social science theories suggest that people intuitively understand social expectations not to be negative. Being disagreeable, like when pointing out someone else’s lie or error, carries with it a risk of backlash.

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To bolster its claims of rampant Russophobia in the West, the Kremlin not only cites sanctions imposed for the war against Ukraine, but also perceived attacks on Russian culture and identity.

Canceling everything Russian because it could potentially be weaponized is anathema to the liberal traditions of Western countries. Russian propagandists and the special services take full advantage of this. Since the annexation of Crimea in Ukraine, investigations have revealed that Russian cultural centers across the world have been used to spread disinformation not to mention their use as “umbrellas” for spy agencies SVR and GRU operations.