I reference this particular moment in our national culture—I won't say often, but with some regularity—and very few people ever indicate recognition. Either they don't know/remember it, or a response is beneath them (which is probably true).
rob64
And even then, I'm fine to browse a menu on a mobile-friendly site (as long as the restaurant is diligent about providing reliable wifi for anyone who might not have great signal). But when the code has me download a PDF, they can fuck right off. First of all, I don't need the menu sitting in my cache or download folder. And when the PDF was clearly formatted for physical printing... Good lord. I'm not pinching and zooming this shit.
Concurring with my argument by citing one of my favorite authors. 😊
Did we just become Lemmy-friends?
I write in cursive about half the time, because it's satisfying. But I always switch to print for acronyms and initialisms, because I think multiple consecutive uppercase cursive letters looks dumb.
It's worth noting though that the shitty music of yesteryear doesn't persist in the public consciousness. When we think of music from previous generations, we're thinking about the stuff that was good enough to last (or bad enough, I suppose, if it's notably bad). So the popular music of today may seem to be dominated by shit, but you'd have to examine what else was on the airwaves of a given era to really make a good comparison.
I also think there's two major factors brought on by technological advancement and they both have a positive side. There are a lot more avenues to discover music than there have ever been. Musicians no longer have to be extremely talented and have broad appeal to reach an audience. From the listener's point of view, it's much easier to find good music that fits your particular tastes. And I think that in turn leaves more room in the mainstream avenues for lower quality but broadly appealing music.
The other factor is the accessibility of the technology to make and share music, which I think makes it easier for both "good" and "bad" music to find it's way outside of the artist's bedroom, so to speak.
And that sounds like a line from Lower Decks (just sub "Starfleet" for "Trek"), which is why I love that show so.
Makes me think of that series Heimat. In the beginning their minds are being blown by radio; by the end they're flying on commercial jets.
Now that I think about it, what makes the fan service work on LD is that they don't try to cloak it in some sort of wink and nod bullshit. Like Sulu in ST 2009 with the sword. Again, some of that is the prerogative of a comedy.
It's like people overcorrecting and using "whom" when "who" really would be correct. Ditto "you and I" vs "you and me". People get corrected enough times to be embarrassed, but still don't have any interest in correct usage, so they just blanket apply what they think is the rule rather than trying to actually learn any of its nuances. It's not a perfect analogy, but I can imagine people just reverting to "African-American" as a no-thought safe bet when referring to brown people.
It's either that, or these specific groups are opening up their parameters and trying to reach/convert outside their base. Which sounds about right for religious groups.
I was just thinking yesterday I hadn't heard that phrase in a while...
Using "so"instead of "that". This guy germans.