Photo by oldTor

Winter colors, frost and sun. Bamboo board. Fluorescence. HDR. Macro

Зимние краски, мороз и солнце. Фрагмент шлифованной бамбуковой доски, пропитанной минеральным маслом, во флуоресценции. Макрофото с объективом Fujinon-EFC 55mm. f/6.0 с макрокольцами. Масштаб съёмки 1,6:1. HDR из 4-х кадров. Освещение УФ-светодиодом 365nm со светофильтром ZWB2.

Winter colors, frost and sun. Fragment of a polished bamboo board impregnated with mineral oil, in fluorescence. Macrofoto with Fujinon-EFC 55mm. f/6.0 lens with macro rings. Scale of 1.6:1. HDR of 4 frames. UF-vedoid light 365nm with ZWB2 light filter (Translation via Firefox)

Photo by 2c.. Seaweed, Surf & Sand.

from the wonderful empty golden beaches of north Donegal.

Photo by Catherine Silks

playground equipment that's been scratched up (and color-altered in processing.)

Main image, Amber Light Etching and Aquatint by Phil Greenwood

Above, Autumn Teasels Linocut, by Angie Lewin

Above, Winter Starlings II linocut, by Niki Bowers

Above, Thicket Linoprint by Claire Curtis

Above, The Elementals (Ladies) Linocut by Kat Flint

Above, Autumn Heath Linocut, by Claire Curtis

Above, Pheasant Circle Linocut, by Rob Barnes

Above, Living Linocut, by Claire Curtis

Above, Winter Copse Etching and Aquatint, by Phil Greenwood

edit, forgot to do the jiggery-pokery that makes 3 of the images pop out when you click on it

Main image, El Cenzontle

Mazatl lives in San Cristobal de las Casas, Mexico where he part takes in several collectives seeking social/political/enviromental justice; his art is inspired by the work individuals and collectives do to shake off the noose around our necks....

Above, Tierra

Above, Extincion2

Above, Extincion3

Above, Extincion4

Above, Extincion5

Above, Extincion6

Above, EZLN

Above, Aurora / Grabado en

Above, Esfinge de la meurte

Above, El Principio

Above, El Final

Above, La Victoria es Nuestra / Grabado

All text and images from his website

Photo by oldTor

Crystals from a solution of salicylic acid in a dark field under a microscope.

Кристаллы из раствора салициловой кислоты в тёмном поле под микроскопом. Микрофото с объективом Mitutoyo M Plan Apo 10x0.28 с Raynox DCR-150 в качестве тубусной линзы на штативе микроскопа МББ-1А. Безлинзовое темнопольное освещение.

(Crystals from a salicylic acid solution in a dark field under a microscope. Microphoto with lens Mitutoy M Plan Apo 10x0.28 with Raynox DCR-150 as a tube lens on the tumage of the microscope MBB-1A. Unlenscary dark-floor lighting.)

Translation via Firefox

Sonnenhyroglyphen (Sun Hyroglyphics) by Guido Kulecki

Wasserspiegelungen im Gegenlicht. (Water reflection in backlight.)

Translations via Firefox

Crossbill, Linocut by Tian Gan

Rhinofly, Linocut by Marisa Liuzzi

What happens when a rhinoceros meets a dragonfly? A Rhinofly is born, a rhinoceros that despite its weight tries to fly, relying on the delicacy and lightness of its dragonfly wings.

Times Square at Night, Woodcut by Matt Brown

Self-Portrait, Linoprint by Roger Peet

Shiro Kasamatsu (1898 - 1991) Japanese Woodblock Print Bird Cage, 1957

All images and text from here

Above, detail

Shiro Kasamatsu - Born in Tokyo, Shiro began studying art at a young age with the painter Kaburagi Kiyokata. He completed his first woodblock designs for Watanabe Shozaburo in 1919 after the publisher saw his paintings on exhibit. Shiro designed shin-hanga prints for Watanabe for many years, becoming well known for his romantic landscapes of famous landmarks and his scenes of traditional Japanese life. From 1952 to 1960, he created more than one hundred woodblock designs for the Kyoto publisher Unsodo. He also experimented with sosaku hanga or creative prints starting in the late 1950s, carving and printing his own designs. Shiro is regarded as one of the top shin-hanga woodblock print artists in Japan.

Above, Reverse of print