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submitted 1 month ago* (last edited 1 month ago) by SnokenKeekaGuard@lemmy.dbzer0.com to c/visualarts@lemmy.dbzer0.com

Painted the year Zeng graduated in Wuhan, the triptych borrows from the format of a Christian altarpiece to frame a hospital ward as sacred space. Patients and doctors share the same distorted faces, oversized hands reaching across a claustrophobic composition where healer and sufferer are equally exposed.

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this post was submitted on 20 Jun 2026
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Art

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