this post was submitted on 22 Sep 2023
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I've generally been against giving AI works copyright, but this article presented what I felt were compelling arguments for why I might be wrong. What do you think?

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[–] [email protected] 1 points 1 year ago

There is an error that many in the dispute are making...

Imagine that BORG-AI is an ai that was trained ONLY on GPL2 program-code...

Imagine that you use it to fill-in some functions in your codebase...

What sort of copyright-status should be on those??

I say they should be GPL2, and they should be considered derivative of the ENTIRE training-data-set.

That doesn't mean I think that the BORG-AI should be a copyright holder, though!

I'm saying that there should be a NEW category, between uncopyrighted & copyrighted, and that the training-sets need to be segregated by license, so that derivatives CAN know what their legal licensing-status is.

GPL2, GPL3, BSD, LGPL2, whatever... it needs to be consistent within the training-data-set, so that the derivative of THAT module/expert can be having the same license, see?

[–] [email protected] 1 points 1 year ago

🤖 I'm a bot that provides automatic summaries for articles:

Click here to see the summaryThe ruling raised an important question: Was the issue just that Thaler should have listed himself, rather than his AI system, as the image's creator?

Then on September 5, the office rejected the copyright for Théâtre D'opéra Spatial, holding that it “was not the product of human authorship” because it had been created by the AI software Midjourney.

The nation’s highest court acknowledged that “ordinary” photographs may not merit copyright protection because they may be a “mere mechanical reproduction” of some scene.

So even though a mechanical process captured the image, it nevertheless reflected creative choices by the photographer, and therefore deserved copyright protection.

Or consider the time an Associated Press photographer, Mannie Garcia, snapped a photo of then-Sen. Barack Obama listening to George Clooney during a 2006 panel discussion.

Two years later, artist Shepard Fairey used Garcia’s photo as the basis for an illustration called “Obama Hope” that was ubiquitous during the 2008 presidential campaign.


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