This is as lazy of content.
Comic Strips
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Web of links
- !linuxmemes@lemmy.world: "I use Arch btw"
- !memes@lemmy.world: memes (you don't say!)
I like the tech and I want it implemented in an ethical way by someone who cares. I got into technology because I love it, I want to see humanity reach ever greater feats of knowledge and have the benefits accessible to as many people as possible. I think LLMs and image generation have enormous potential and it'd be a shame to not it see so much of it fulfilled in my lifetime.
That said, god, I hate the absolutely insane arguments used by AI fans. Look at this comment section. It's just the worst, most nonsensical comparisons, over and over again. Use the fill tool in paint but don't like it when someone compares a fill algorithm with massive art theft by corporations enriching billionaires? Hypocrite. Use anything you've ever seen as reference but don't think software and human beings are comparable? Hypocrite. Take pictures with a camera? Believe it or not, hypocrite.
Can't we agree that Sam Altman and his friends don't have our best interests in mind? That what has been done to artists, authors, journalists, and all sorts of creators, is immoral and shouldn't be ignored? Shit, they're the only reason the tech is even possible! We would not enjoy such powerful image generation if not for the decades of material they've provided humanity and AI companies have taken without permission.
Why are you so cruel to those who made it all possible? To frame the shoulders you stand upon, those of creators whose work was stolen and whose livelihoods are at risk, as of Luddites and elitists, then claim their protests should be ignored, is beyond disrespectful.
Angry and scared people often lash out, and nobody likes being on the receiving end of that, I get it. I would also like it if we could talk this out calmly... But they're the ones being kicked down. I think a bit of anger is to be expected, it's understandable. What it isn't, is an excuse to keep trampling over humanity's creative workers because someone was mean to you.
People who unironically call themselves "AI Artists" are easy targets.
Me: "Oh? Show me some of your original art."
Artist: "ONE ART PLEASE! ONE ART PLEASE! ONE ART PLEASE! ONE ART PLEASE!"
Me: "What... what are you doing?"
Artist: "Sorry, my artistic tools aren't working properly. Let me try refining my prompts."
Machine learning is a tool amongst many. That being said, most good art requires more than a single tool, tools should be used with care. If you use enough AI that it becomes part of your artistic identity, it's unlikely that your work will be impactful.
I'm still waiting for someone to make art that requires machine learning and is obviously creative by our standards, instead of using AI to recreate old art. I know it's possible to use this tool in a way that's revolutionary, but the users and developers seem to have little interest in pushing art beyond replacing the artists.
I want to see someone develop an original ML model with an original training set that can generate something impossible by any other method. I have a feeling this kind of art would barely reach the mainstream, but it would outlast the slop.
Brian Eno, Terry Riley, and John Cage are names that come close to doing what you are describing. The idea of “generative” or “stochastic” or “aleotoric” music has been around for longer than this current AI boom has.
I also found this fascinating bit of music on wiki:
There are possibilities, but there are 99 lazy and uncreative people who just want to press the “make music now” button for every 1 person that wants to spend hours building and training their own models/sequences. (Those 99 have absolutely ruined the lofi/study beats on YouTube…)
I want to see someone develop an original ML model with an original training set that can generate something impossible by any other method.
That Machine Learning model will learn... from what?
The training data could be the same as it is today, but maybe something novel could be produced by changing the objective function?
Good take.
Don't hate the tools, hate what capitalism turns them into and uses them for.
Reminds me of the old panic that photography would be the death of painters. It was shortly followed by an all time boom in art and creativity as painters tried new things and moved on from photorealism.
There's still so much room left for human art and artists even in a post-AI world, as long as we keep rejecting the slop and supporting actual artists. Then maybe new art forms will emerge. Who knows!
Oops, just wanted to write a quick comment but it evolved into me giving some of my thoughts on AI gen as a means of artistry. Oh well, not deleting this now.
I’m still waiting for someone to make art that requires machine learning and is obviously creative by our standards, instead of using AI to recreate old art.
Most self proclaimed AI artists just type a prompt, maybe do a bit of "prompt engineering" (Read: putting the name of a good artist on the prompt) and then in-paint (Read: re-prompting, but only affects a specific area). That does not give you enough control over the drawing to do anything interesting.
I say this from personal experience. Even small differences is facial expressions, too small to be described with words, can make a big impact. The no. reason artists don't use AI and dislike it is because it doesn't given enough control over the final image, because it does not let them put in details which cannot be described through words. You might say we might someday have an AI that (somehow) gives you more control, but that would nullify the whole "advantage" of AI: Not having to spend time worrying about the details. If you are going to spend 4 hours prompting in details... you could have just gotten a better result by just drawing it yourself.
Think of it like making a level in Mario Maker VS making a game in a game engine. Sure, making things in Mario Maker is faster than making a game yourself, but it doesn't give you the same fine grain control that making a game from scratch would. (But even this is not a perfect analogy has, in Mario Maker you actually get to choose where the blocks go, instead of with AI, where you can only describe how the blocks go and hope the AI gets it right with little hope of editing it yourself.)
Actually, about that "editing it yourself". In this hypothetical AI Mario Maker scenario, you could go into Mario Maker's editor mode and edit the level with the same amount of detail a normal, handcrafted, Mario Maker level would, but with AI image gen, you get the image and... Ya, about has useful as any other downloaded image. Artists typically create layers to do their art thing, but AI output puts everything in one layer, making hard to edit. I could go on this, but I don't have all the time in the world to write this. Someone posted this video on !fuck_ai@lemmy.world , where an AI "artists" quit AI because of these problems of lack of control. (Don't judge me based on the video, I found it on the aforementioned community here (lemmy.ml link))
I know it’s possible to use this tool in a way that’s revolutionary, but the users and developers seem to have little interest in pushing art beyond replacing the artists.
That's the multi billion dollar the AI companies are trying to solve, having to pay wages. The far right loves this as they feel like those who worked hard to develop artistic skills are below them somehow. Part of the conservative rhetoric. AI: The New Aesthetics of Fascism by Gareth Watkins.
I want to see someone develop an original ML model with an original training set that can generate something impossible by any other method.
I feel like people who want talk and argue about AI should know how the training works at a mathematical level. I swear the number of people who act like it's magic is way too much. I say this because it would give you a really good idea of how specialized training won't solve the lack of originality problem. I haven't had a refresher on this so I might be misremembering some things... Any who, this playlist is pretty good I think.
Check out the youtuber "Neural Viz". Using multiple AI tools, he has built an incredible universe of consistent characters. As @tjsauce pointed out, it ultimately comes down to how much you care about what you publish. You can spend hours trying to get AI systems to produce the exact effect you're aiming for—but few people are truly searching for something specific. That’s where the artist becomes a designer: someone who not only creates, but curates with intention. Most people aren’t thinking that way.
Using multiple AI tools, he has built an incredible universe of consistent characters.
He hasn't, though. He's done some rudimentary work and then turned the lion's share of the design/development over to an algorithm that supplants his designs with work harvested from other professionals.
You can spend hours trying to get AI systems to produce the exact effect you’re aiming for—but few people are truly searching for something specific.
I think part of the problem with the "AI is Art, aktuly" discourse is that people who aren't professional artists really believe art is a commodity and meeting volumetric need is the artist's end goal. This isn't about an individual synthesizing personal memories, ideas, and technique to produce an experience for an audience. This is about individuals within an audience stating their desires, and some random assortment of artists throwing out tropes that fall somewhere in between their collective demands.
There is no concept of originalization. Everything is just a commercialized composite of prior works, created first and foremost to meet an immediate stated economic demand. Execs barking "I want a guy who looks like the Halo guy, but with long hair and a sword instead of a rifle" instead of some guy with family in the military and a talent for 3D rendering envisioning what a futuristic commando would look like.
It’s true. AI images ain’t art. It’s a best guess amalgamation by a computer, made with the stolen remnants of actual art created by actual artists, while not compensating them at all.
It runs on a platform none of us can even afford to run. Cost prohibitive and limits who has access to it.
It’s made by capitalists striving for profit and nothing else. So it’s built with the wrong intentions in mind. Intentions that are immediately at odds with what art is. Yet another limitation of who can participate in it.
Its current state can’t exist without the theft of tons of other actual art to try and imitate, while having no actual context or idea what anything is.
It’s not producing art; it’s producing a way for capitalists to fire and not hire artists so that they can pocket the extra money for their yachts and summer homes.
It’s absolutely everything art isn’t nor ever will be. Art is for everyone. AI is for rich, talentless corporate ghouls.
If I ask Taylor Swift to make a song about a chicken eating marshmallows and she does, all the lyrics, music, production, and voice, are me and not Taylor. I made it. Me. That's how AI art works. Even if Taylor was also just copying other artists. All me. I'm so talented my words can only be appreciated in prompts to Taylor. You wouldn't understand. Buy my marshmallow song.
Real :3