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submitted 7 hours ago by [email protected] to c/[email protected]

When I was a teen I loved psychedelic rock.

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submitted 2 days ago by [email protected] to c/[email protected]

Which synthesizer have you seen or seen depictions of that look breath-taking? Bonus if it sounds amazing too.

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submitted 2 days ago by [email protected] to c/[email protected]

Sure, most people like music but do you remember your earliest when and why?

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GLOW-on-the-horizon (www.youtube.com)
submitted 1 week ago* (last edited 1 week ago) by [email protected] to c/[email protected]

the lights from project glow are shining into my windows theyre so bright lol

This session is too long to host on my instance or bluesky, im open to suggestions for video hosting.

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submitted 2 weeks ago* (last edited 2 weeks ago) by [email protected] to c/[email protected]

Here's a my session of a droneday.org drone on a Spice with Edge on percussion. Yah, I know percussion on a drone.

If you're avoiding YouTube then try this Bluesky link.

https://bsky.app/profile/thejoyo.com/post/3lpxggfxm6s2k

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submitted 2 weeks ago by [email protected] to c/[email protected]
  • https://en.wikipedia.org/wiki/Man_with_a_Movie_Camera_(The_Cinematic_Orchestra_album)
  • https://en.wikipedia.org/wiki/Man_with_a_Movie_Camera

    Man with a Movie Camera is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the titular Man.

    Vertov's feature film, produced by the film studio All-Ukrainian Photo Cinema Administration (VUFKU), presents urban life in Moscow, Kiev and Odessa during the late 1920s. It has no actors. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film.

  • Full 67 minute film with TCO soundtrack: https://www.youtube.com/watch?v=3GyNB4-eN1E
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submitted 2 weeks ago by [email protected] to c/[email protected]

nice to see mclusky back

the best songs are about things without being precisely about them. mclusky endorse this sentiment. they positively insist on it.

https://ipecac.com/artists/mclusky
https://en.wikipedia.org/wiki/Mclusky

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submitted 3 weeks ago by [email protected] to c/[email protected]
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submitted 3 weeks ago by [email protected] to c/[email protected]
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submitted 3 weeks ago by [email protected] to c/[email protected]
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bANDiSTA — Filistin Oleyi (music.youtube.com)
submitted 3 weeks ago* (last edited 3 weeks ago) by [email protected] to c/[email protected]
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submitted 1 month ago by [email protected] to c/[email protected]
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submitted 1 month ago by [email protected] to c/[email protected]
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submitted 2 months ago by [email protected] to c/[email protected]
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submitted 2 months ago by [email protected] to c/[email protected]

The international party line and online music broadcaster Boiler Room, one of the most prominent and influential platforms in the nightlife scene, has deleted all the DJ sets held in Israel from its official website and YouTube channel.

Boiler Room, founded in London, has been operating for about 15 years as a party series that hosts DJs from around the world, recording and livestreaming their sets. Over the years, the brand has become one of the most recognized names in global club culture, with parties held in over 100 cities and billions of views across social media platforms.

In a press statement issued about two weeks ago, Boiler Room said: "Boiler Room has been through various changes in control, investors, boards, and ownership, and through this our commitment to editorial independence and Palestine has never wavered. No investor, past or present, has ever influenced our output, this will never change. ⁠

We will always remain unapologetically pro-Palestine. We continue to adhere to BDS and PACBI guidelines regarding artist programming and brand partnerships and engage with Palestinian artists and organisers in order to formalise our internal policies in line with this commitment. We uphold international law and human rights for all, regardless of identity."⁠

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submitted 2 months ago by [email protected] to c/[email protected]

cross-posted from: https://lemmy.ml/post/28205953

Short but sweet clip that shows the bowing on this tune pretty clearly.

More complete track on Powell's time again album

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submitted 2 months ago by [email protected] to c/[email protected]
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銀杏BOYZ - 生きたい (www.youtube.com)
submitted 2 months ago by [email protected] to c/[email protected]
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submitted 2 months ago by [email protected] to c/[email protected]
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submitted 2 months ago by [email protected] to c/[email protected]
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submitted 2 months ago* (last edited 2 months ago) by [email protected] to c/[email protected]
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