An early version of this comic:
Great for kids or when you're drunk:
For accessibility, and to make it easy to find later. The original page has the caption as regular text and I add it to the image, so it's easy to include it
Neat, that page references this comic:
He was featured in the syndicated comic strip The Far Side, which showed him as a clumsy person who spilled things in various stages of his life; as a baby (his cup), teenager (pen ink in his shirt pocket), and ultimately as an adult, driving into a water tower.
For better or worse, PBF tends towards subtle humor that makes you look back and forth at the panels a few times
This is one of the weirder ones, since it was the holidays at the time:
Epilogue:
Alt text
The err herr herrr baton is passed
Title text
Self Pity Date
An early version of this comic, from Gary Larson's pre-The Far Side strip called Nature's Way:
John Brown was a famous abolitionist. He was executed, and there was a question of what do with with his remains. "John Brown's body" then became kind of a meme and was turned into a song:
As an aside, interesting note in the Wikipedia article about him:
Brown was the leading exponent of violence in the American abolitionist movement, believing it was necessary to end slavery after decades of peaceful efforts had failed.
Some background on this comic:
Transcript:
Because The Far Side is a vertical, single-panel cartoon, I've rarely had the luxury of being able to draw long things (like whales, snakes, ships, etc.) in an accommodating shape. In general, the perspective has to be from front to rear, as opposed to side to side. (Sunday cartoons, which I started not long ago, and modified dailies are the only exceptions.)
In cartoon strips, you frequently see the latter approach—because the strip lends itself well to horizontal images. In The Far Side, as the examples on this page indicate, ships come at you head on, classrooms are view from either the front of the back, and riding in the car is often seen from the perspective of the backseat looking forward or from the windshield looking inward. I just can't draw a '59 Cadillac in profile.
I'm saying this because I drew The Far Side for years without truly being cognizant of why I approached it this way. I was just trying to figure out ways to cram things into a little rectangle. It was a friend of mine (also a cartoonist) who pointed out that I had inadvertently developed one or two drawing skills in the process.
The limitation of space I fought in the beginning ended up being the best drawing instructor I ever had.
m_f
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