In folklore, a werewolf[a] (from Old English werwulf 'man-wolf'), or occasionally lycanthrope[b] (from Ancient Greek λυκάνθρωπος 'wolf-human'), is an individual who can shapeshift into a wolf or therianthropic hybrid wolf–humanlike creature, either voluntarily or involuntarily due to a curse or other affliction. In modern fiction, especially film, transformations are often depicted as triggered by the full moon and transmitted by a bite or scratch from another werewolf. Early sources for belief in this ability or affliction, called lycanthropy, are Petronius (27–66) and Gervase of Tilbury (1150–1228).

The werewolf is a widespread concept in European folklore, existing in many variants, which are related by a common development of a Christian interpretation of underlying European folklore developed during the Middle Ages. From the early modern period, werewolf beliefs spread to the Western Hemisphere with colonialism. Belief in werewolves developed in parallel with the belief in witches during the late Middle Ages and the early modern period. Like the witchcraft trials as a whole, the trial of supposed werewolves emerged in what is now Switzerland, especially the Valais and Vaud, in the early 15th century and spread throughout Europe in the 16th, peaking in the 17th and subsiding by the 18th century.

The persecution of werewolves and the associated folklore is an integral part of the "witch-hunt" phenomenon, albeit a marginal one, with accusations of lycanthropy being involved in only a small fraction of witchcraft trials. During the early period, accusations of lycanthropy (transformation into a wolf) were mixed with accusations of wolf-riding or wolf-charming. The case of Peter Stumpp (1589) led to a significant peak in both interest in and persecution of supposed werewolves, primarily in French-speaking and German-speaking Europe. The phenomenon persisted longest in Bavaria and Austria, with the persecution of wolf-charmers recorded until well after 1650, the final cases taking place in the early 18th century in Carinthia and Styria.

After the end of the witch trials, the werewolf became of interest in folklore studies and in the emerging Gothic horror genre. Werewolf fiction as a genre has premodern precedents in medieval romances (e.g., Bisclavret and Guillaume de Palerme) and developed in the 18th century out of the "semi-fictional" chapbook tradition. The trappings of horror literature in the 20th century became part of the horror and fantasy genre of modern popular culture.

Megathreads and spaces to hang out:

reminders:

  • 💚 You nerds can join specific comms to see posts about all sorts of topics
  • 💙 Hexbear’s algorithm prioritizes comments over upbears
  • 💜 Sorting by new you nerd
  • 🐶 Join the unofficial Hexbear-adjacent Mastodon instance toots.matapacos.dog

Links To Resources (Aid and Theory):

Aid:

Theory:

Financial Support to the Bearsite

Werewolfs
you are viewing a single comment's thread
view the rest of the comments
[–] 9 points 5 days ago (2 children)

So Avatar: Seven Havens is coming out. I was very cautious going in, I thought the writers shit the bed fairly often with Korra and especially the comics. But Seven Havens is an absolute banger imo, so far its the best first season of any Avatar show, even better than the Last Airbender. I fucking love it, I love Pavi so much, she's so cute. The writers are doing really, really interesting things with the world rather than just making it the real world + bending. Every batch of episodes just raises more questions and mysteries and pushes the status quo in an interesting new direction. If this continues, it could easily be on par with ATLA, which is my favourite show. I'm surprised by how much I genuinely love everything I've seen in Seven Havens so far.

Like not everything is great, the jokes have about a 50/50 hit rate, some people think the animation isn't great but imo it never drops to bad quality, and it can look great. Its not as well animated as Korra, but that's a very high standard. There are two characters, the White Lotus firebender and earthbender, who's entire personality is one lame joke each. But ATLA has plenty of problems too that I don't care about, its still a 10/10 for me. So far I am very impressed with Seven Havens and the negatives really don't weigh it down.

  • source
  • hideshow 2 child comments
  • [–] 4 points 4 days ago (1 child)

    i dont think its possible for them to get more lib than korra so i have small hopes (and maybe they can even be less lib than atla but we'll see)

    i dislike that they voltron-ified the artstyle but i can live with it

  • source
  • parent
  • hideshow 1 child comment
  • [–] 2 points 3 days ago

    The writers for nearly every episode seem to be different from the writers for Korra, which is a good sign. Korra's politics were utterly terrible liberalism, but the comics were even worse, basically just fascist apologia. So its a good sign that the original writers seem to be somewhat distant from the actual writing of individual episodes.

    The art style change is notable, but there's never been a consistent art style for Avatar. I quite like the new art style

  • source
  • parent