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Archived version: https://archive.li/FbJx6

In space, everyone can hear you sing. That’s the premise of this week’s special musical episode of the Star Trek prequel Strange New Worlds, which swaps photon torpedoes for jaunty flashmobs as the crew of the starship Enterprise find themselves inexplicably bursting into song – much to their bemusement. It’s an oddball delight, even if the science behind it seems a little fuzzy.

When a classic recording of the Cole Porter musical number Anything Goes somehow creates a harmonic quantum field (we know), characters are compelled to reveal their deepest emotional secrets via belt-’em-out Broadway-ready numbers. The crew are pleasingly aware of how daft the situation is even as they strive to resolve being made to sing original songs by Kay Hanley and Tom Polce from 1990s alt-rockers Letters to Cleo. It is slightly cheesy, very self-indulgent and clearly designed to boldly launch a thousand memes of Mr Spock singing his Vulcan heart out. But it is also heartfelt, in keeping with the show’s unfashionably optimistic outlook.

There is an eccentric tradition of US TV series’ embracing their inner glee-club kid by staging a musical episode, from high-kicking fantasies Buffy the Vampire Slayer and Xena: Warrior Princess to postmodern sitcoms such as Scrubs and Community. These interludes tend to occur in later seasons, when shows have found such a familiar groove that hard-pressed writers are either looking for a fun way to keep things fresh – or are just running out of ideas.

That doesn’t apply to Strange New Worlds, which is only in its second season. This week’s barrage of show tunes kind of makes sense, given that this is a series that, Mr Benn-style, has been trying on a different genre every week. Being set on the classic USS Enterprise and featuring younger versions of recognisable characters such as Spock and language savant Uhura (lady-killer James T Kirk is also floating around in the background, although yet to graduate to captain) seems to have given Strange New Worlds the confidence to experiment. A ship-wide outbreak of full-throated singing is not even the strangest thing the show has attempted in the last fortnight.

A recent crossover episode with Star Trek: Lower Decks – the ribald cartoon spin-off overseen by the former Rick and Morty writer and producer Mike McMahan – brought cartoon characters (voiced by The Boys’ Jack Quaid and Space Force’s Tawny Newsome) on to the Enterprise. The interpolation of animated sequences and live-action (explained by the classic Trek plot device of a time portal) created a fizzy, frantic romp.

Spock – one of Star Trek’s most highly regarded, serious characters, played here by Ethan Peck – is frequently placed into farcical situations more suited to Frank Spencer. A season one episode channelled Freaky Friday by trapping Spock and his Vulcan fiancee in each other’s bodies, forcing them to vamp their way through crucial missions. This season, his pointy ears and sharply symmetrical haircut vanished when a shuttle accident transformed him into the pouting, impulsive equivalent of a hormonal teenage boy. Somewhere up there, Leonard Nimoy – who directed the 1980s comedy romp Three Men and A Baby – is raising a Spock-like eyebrow in approval.

But the phasers are not always set to fun. There has been a terrifying riff on Ridley Scott’s Alien, with chest-bursting xenomorphs hunting harried crew members on a stranded ghost ship, plus an impassioned, episode-long courtroom drama exploring alien rights and even a Trek spin on Richard Linklater’s romance Before Sunrise, with two Starfleet officers from different timelines bickering and bonding on a mission to present-day Toronto.

This hopscotching is an antidote to the recent wave of ambitious small-screen sci-fi that leans heavily on serialised storytelling, from Prime Video’s hardscrabble asteroid belt drama The Expanse to Apple TV+’s densely plotted, millennia-spanning Foundation. Even Star Trek: Discovery, the series that relaunched the franchise on TV in 2017, has leaned into epic, season-long stories that skew to the dark and brooding. The pick ’n’ mix approach of Strange New Worlds is a welcome palate cleanser, even if it means any overarching story arcs seem rather secondary (the second season wraps up next week and you would be hard-pushed to identify a unifying theme). It all chimes with the highly episodic spirit of the original series, when audiences of the late 1960s were presumably never sure what the next week’s instalment would bring. As Cole Porter said: anything goes.

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I worked hard at imitating the Leonard Nimoy Spock's raised eyebrow for quite a while. I don't regret the time spent practicing that in front of a mirror. I never mastered a fully raised eyebrow, but I can do a slight eyebrow raise.

Whenever someone is being greedy or acting a fool, I say, "hoo-man," in a bad Ferengi accent.

Jean-Luc Picard's "make it so" is a go to phrase for me.

My first sip of coffee for the day is always my Janeway moment.

When someone says something far fetched, I say "really." I think I'm channeling Benjamin Sisko. No one else sees it that way.

I say "p'takh" a bit too often. Not to anyone who understands Klingon. Not yet, anyway.

Any Star Trek mannerism or phrase you've incorporated into your life?

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LoglineAn accident with an experimental quantum probability field causes everyone on the USS Enterprise to break uncontrollably into song, but the real danger is that the field is expanding and beginning to impact other ships—allies and enemies alike.


Written by Dana Horgan & Bill Wolkoff

Directed by Dermott Downs

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• “Under the Cloak of War”. The flashbacks in this episode are set during the Federation-Klingon War seen during DIS season one, and a large part of that conflict was the new Klingon cloaking devices that T’Kuvma, and then Kol installed on their various ships. Get it? Yeah, you get it.

• This episode was written by Davy Perez, who also wrote “All Those Who Wander” and co-wrote “Memento Mori” and “Among the Lotus Eaters”.

• Jeff Byrd directed the episode; he also directed the DIS episode, “Rosetta”.

• Pike gives us the stardate 1875.4 in his captain’s log. M’Benga’s CMO’s log records the stardate as 1875.8.

Episode Stardate
“The Broken Circle” 2369.2
“Ad Astra per Aspera” 2393.8
”Tomorrow and Tomorrow and Tomorrow” 1581.2
”Among the Lotus Eaters” 1630.1
”Among the Lotus Eaters” 1630.3
”Among the Lotus Eaters” 1632.2
”Charades 1789.3
”Lost in Translation” 2394.8
”Those Old Scientists” 2291.6

• We are introduced to the USS Kelcie Mae NCC which, based on its appearance, answers the question, ”If there is a Utopia Planitia Shipyard, does it not follow that there is likely also a Dystopia Planitia?”

     • It used to be that when you saw a ship like USS Buran (“Best of Both Worlds, Part II), or the USS Curry (“A Time to Stand”), or the USS Yeager (“Doctor Bashir, I Presume”) you knew that the design team was basically fishing for parts at the bottom of the box of leftover Federation starship bits, and hastily gluing them together so there could be something that resembled a Federation ship in the background of a shot for a fleeting half moment. But with the USS Kelcie Mae someone used the most powerful 3d design software available to create an entirely new ship to be front and centre on screen.

     • I will never again complain about the Sombra-class from “All Those Who Wander” being a Constitution-class ship with a bit of blue paint instead of read, and a slightly larger bridge window.

• Prospero is the protagonist of Shakespeare's “The Tempest”. Data once portrayed the character on the holodeck while studying humanity in “Emergence”.

     • Prospero’s lines from the play are also quoted by:

         • Miranda Jones - “Is There In Truth No Beauty?”

         • Chancellor Gorkon - “Star Trek: The Undiscovered Country”

         • General Chang - “Star Trek: The Undiscovered Country”

         • Jean-Luc Picard - “Et in Arcadia Ego, Part II”

         • Beckett Mariner - “Crisis Point”

         • The Emergency Janeway Hologram - “Kobayashi”

• Starbase 12 is has been mentioned mentioned in a number of episodes across multiple series, including SNW’s “The Serene Squall” but was first named in “Space Seed”.

• The H16 Starfleet boatswain’s whistle is slightly different from the C18 that appeared in “Star Trek: The Undiscovered Country” and the C19 from “The Next Generation”.

• Among Dak’Rah’s crimes Ortegas mentions the siege of Athos. Athos is apparently a colony on the J’Gal. However, there is also a planet named Athos IV in the Badlands where the Maquis had a hidden base, seen in “Blaze of Glory”.

     • Captain Archer’s dog, Porthos, had a littermate named Athos.

• Klingons call Dak’Rah ”The Butcher of J’Gal”. We learned in “The Broken Circle” that Doctor M’Benga was stationed at J’Gal during the Federation-Klingon War.

• Spock and lieutenant Mitchell attempt to synthesize raktajino, a Klingon coffee. The mug that’s produced appears similar to the ones frequently seen in DS9, though more ornate.

     • Mitchell states of their first attempt to create a raktajino that we see, this one’s cold.” According to “The Passenger”, Jadzia occasionally enjoyed her raktajino iced, with extra cream.

     • With the second attempt, we see a cartridge of some sort lower into the bar, as the raktajino is produced. In some TOS episodes, such as “Tomorrow is Yesterday” and “And the Children Shall Lead” we characters with flat, coloured disks into a slot on a food synthesizer to produce the desired meal.

• *”On a recent mission, Spock was able to parlay with a Klingon captain.” Number One is referring to Spock’s encounter with Captain D’Chok in “The Broken Circle”.

• Shuttlecraft 12648, is very different from the Class C shuttlecraft that were aboard the USS Discovery in this era, but it does have the same paint colours as those ships.

     • Shuttlecraft 12648 has a registry number, NCC-7901, presumably for the starship it is usually berthed on, which seems pretty high for this era.

• The Starfleet officers we see in the flashbacks to J’Gal are all wearing tactical vests that were introduced in SNW’s “Memento Mori”, not the ones worn through seasons one and two of DIS, introduced in “The Battle of the Binary Stars”.

     • The badges everyone is wearing are also the ones the introduced with the Enterprise crew in season two of DIS, not the split delta design of DIS which everyone other than the Enterprise crew wore..

     • The badge Trask is wearing when he shows up does not have a division logo on it. Chapel says that he is special forces.

     • Similarly, the black uniforms are new, but appear to be the same cut as Chapel’s white jumpsuit, rather than resembling the ones worn in DIS which would have been common during the Federation-Klingon War.

• Doctor Buck is played by Clint Howard who previously appeared as:

     • Balok - “The Corbomite Maneuver”

     • Grady - “Past Tense, Part II”

     • Muk - “Acquisition”

     • A character credited as Creepy Orion - “Will You Take My Hand”

• It cost Doctor Buck a case of Romulan ale to get Chapel assigned to J’Gal as head nurse. Romulan Ale is illegal in the Federation, and was first named in “Star Trek: The Wrath of Khan” but might have been the blue beverage the Romulan commander served Spock in “The Enterprise Incident”.

”Doctor, I need a doctor.” Chapel is a doctor, as established in “Strange New Worlds”, but presumably Alvarado would not benefit from epigenetic treatments.

     • By “Star Trek: The Motion Picture” Chapel will also be an MD.

• Doctor M’Benga suggests keeping Alvarado in suspended animation in the transporter buffer, a technique he will later use on his own daughter aboard the Enterprise as seen in “Ghosts of Illyria”. The first time we saw it used in Trek was in “Relics” where Scotty’s pattern was able to remain stable for 75 years aboard the USS Jenolan, but not ensign Franklin’s. ”He was a good lad.”

”The Gorn attack as Finibus III,” Doctor M’Benga mentions in his log was seen in “Memento Mori”.

• Pike shows up in sick bay looking for Deltan parsley. In “The Enemy Within” the aggressive Kirk went to sick bay demanding Saurian brandy from Bones.

• Due to protests at Dak’Rah’s previous transport, Starfleet command has decided that veterans of the Federation-Klingon War are required to interact with him and make him feel welcome. For other ridiculous command decisions by the Starfleet admiralty, see: all of Star Trek.

• In flashback we see Doctor M’Benga tell Chapel to use her hand to manually pump their patient’s heart as part of their efforts to save him. In “Second Contact” Tendi had to manually pump Stevens’ heart to keep him alive.

”Convincing Propero Alpha to agree to an armistice was like getting a Tellarite to give a compliment.” The contentious nature of Tellarites was established in “Journey to Babel” when Sarek generalized the entire people.

“We all just call it the Moon.” In “Valiant” Collins tells Jake Sisko that ”nobody who’s ever lived on the Moon calls it Luna, either. That’s just something they say on Earth.”

• We learn that Doctor M’Benga has ”The most hand-to-hand kills confirmed.”

• Doctor M’Benga’s wheatgrass shot seen in “The Broken Circle” is called protocol 12, and he’s the one who designed it.

     • Doctor M’Benga says that protocol 12 is, ”adrenaline and pain killers,” and not just the ”green juice, extra green” that Tilly ordered from the food synthesizer in “Lethe”. It’s not canon, but the current storyline in the ongoing comics, “Star Trek” and “Star Trek: Defiant” involve the followers of Clone Emperor Kahless injecting the Red Path sacrament, a mixture of Klingon adrenaline and some chemical found in ketracel white.

Continued in Comment Below

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Star Trek: Deep Space Nine - The Dog of War #5
Written by : Mike Chen
Art by: Angel Hernandez
Cover Art : Angel Hernandez

With stolen Starfleet data on its way to the Dominion, Captain Sisko dons the mysterious Borg headset in an attempt to stop the transmission! Meanwhile, Major Kira and Lieutenant Commander Dax race to keep their new crewmember and prized corgi off the black market.  
 

Star Trek: Defiant #6
Written by : Christopher Cantwell
Art by: Angel Unzueta
Cover Art : Malachi Ward

The crossover event between Star Trek and Star Trek: Defiant continues here in part two of Day of Blood! Worf and Sisko begin their trek to Kahless' spire to stop the false prophet's siege of Qo'noS with each other being the last man either wants to rely on. Meanwhile, Spock takes the bridge of the Theseus, reuniting with his old friend Captain Montgomery Scott and desperately attempting to keep the Red Path's Bloodwings at bay.

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Charitybuzz: Lunch with Jonathan Frakes and Elizabeth Dennehy of Star Trek in LA

I presume this auction is out of the price range of many people, but I'm throwing it out there anyway.

https://www.charitybuzz.com/catalog_items/auction-lunch-with-jonathan-frakes-elizabeth-dennehy-of-2741000

@startrek #StarTrek

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Some interesting reflections on how the live action writers’ strike may improve the marketability of Prodigy to a new platform, as well as enable work to begin on a third season.

This would of course been a good reason for Paramount not to cancel and pull Prodigy when they have a gap in Star Trek releases ahead in 2024.

I always appreciate a callback to DC Fontana’s smart employment of writers for TASunder the exception that they could write one animated episode without violating the strike rules.

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This article features a message from Andrew J. Robinson, along with an excerpt from the audiobook.

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submitted 1 year ago* (last edited 1 year ago) by [email protected] to c/[email protected]
 
 

• In the episode “No Small Parts” Ransom explains to Captain Freeman that he calls the 2260s the ”TOS Era” in honour of ”Those Old Scientists” like Spock and and Scotty. Of course, this episode takes place in 2259, so clearly it’s time for a shake-up among the SNW production team.

• This episode was co-written by Kathryn Lyn, who also wrote “wej Duj” and co-wrote “Charades”. She was initially hired to be a canon consultant for LDS, before becoming an executive story editor for that series in season two, and is currently the supervising producer for SNW season two.

• Johnathan Frakes directed this episode. Trekkies will recognize him as the director of several episodes and movies, including:

     • “Sub Rosa”

     • “Meridian”

     • “Parturition”

     • “Project Daedalus”

     • “Two of One”

     • “Star Trek: Insurrection”

• It’s Bradward Boimler! From Star Trek! Boimler is voiced, and performed in live action for the first time, by Jack Quaid.

• Boimler records the stardate as 58460.1, which, because LDS has a functioning stardate system, would put this adventure between “Hear All, Trust Nothing” (58456.2), and “Trusted Sources” (58496.1).

• It’s Beckett Mariner! From Star Trek! Mariner is voiced, and performed in live action for the first time, by Tawny Newsome.

• It’s Samanthan Rutherford, and D’Vana Tendi! From Star Trek! Rutherford and Tendi are voiced by Eugene Cordero, and Noël Wells respectively.

• Rutherford has a holo-imager identical to the one introduced in the VOY season five episode, “Drone” when photography became one of the Doctor’s hobbies.

     • The viewfinder display on the holo-imager is also accurate to what we see in VOY, starting with “Infinite Regress”.

• Tendi has previously demonstrated being sensitive about the common association between Orions and piracy in the minds of her fellow Starfleet officers, going back to “Crisis Point”.

• As he’s being portaled by the portal, Boimler cries out, ”Remember me!” which is also the title of a TNG episode in which a swirling energy vortex repeatedly tries to pull Doctor Crusher into itself.

• The portal dumps Boimler 122 years in the past.

• The SNW opening credits are recreated in the animation style of LDS, with some slight adjustments to the angles at which things are seen. Fortunately they kept in all the usual elements, such as the glowing space leach attempting to digest the nacelle, and the Koala.

• Pike’s gives the stardate as 2291.6 in his captain’s log.

Episode Stardate
“The Broken Circle” 2369.2
“Ad Astra per Aspera” 2393.8
”Tomorrow and Tomorrow and Tomorrow” 1581.2
”Among the Lotus Eaters” 1630.1
”Among the Lotus Eaters” 1630.3
”Among the Lotus Eaters” 1632.2
”Charades 1789.3
”Lost in Translation” 2394.8

• The USS Enterprise is en route to Setlik II to deliver a shipment of grain. This is the first direct mention of the planet, but Setlik III was established in “The Wounded” as the site of the Setlik III massacre during the Federation-Cardasssian War.

     • The grain is tritriticale. In “The Trouble With Tribbles” there was a large amount of quadrotritricale grain being stored at Deep Space K-7 with the intent of transporting it to Sherman’s Planet, and in “More Tribbles, More Troubles” the Enterprise was escorting too transport ships loaded with quintotriticale grain, again to Sherman’s Planet.

• Number One explains to Pike that Boimler’s badge is also a communicator. Pike first saw such a device when Section 31 agent Ash Tyler used his badge as a communicator in “The Saints of Imperfection”.

     • ”But flipping it open’s the best part.” Pike is objectively correct.

“Computer end program.” Boimler attempts to shut down the past like a holodeck simulation.

     • In “The Inner Light” Picard gives the same command after awaking as Kamin in the memories imparted to him by the Kataan probe.

     • In “Ship in a Bottle” Barclay tests to see if using that command will shut off a simulation of the USS Enterprise D after encountering Moriarty, and his being trapped in a simulation.

• The soles on Boimler’s boots have the delta and star print on them that they do in animation on LDS.

• In “Cupid’s Errant Arrow” Boimler gets the computer to replicate him the coolest outfit ever in a ”Boy’s size small,” and in ”The Least Dangerous Game” transporter chief Lundy accurately guesses Boimler’s weight to be 61.2 kilograms, and asks him to volunteer for his afternoon life drawing class because they need ”a skeletal boy.” However, Boimler is taller than every every member of the bridge crew, and thus we can only conclude that everyone serving aboard the Enterprise is tiny.

”It’s a classic S/COMS operating system.” ”Spacecraft Operations and Management System” was seen on screen in “First Flight” and the ENT showrunners consciously adapted the displays to feature more familiar elements from the TOS computers as the series continued.

     • S/COMS would be considered a classic by Boimler, because by the time of “Encounter at Farpoint”, Starfleet has adopted LCARS as their operating system.

”Definitely won’t happen again, Worf’s honour.” Worf suffered discommendation and was stripped of his honour in “Sins of the Father”.

“And, perhaps most important, don’t make any attachments.” La’an became attached to an alternate version of Sam Kirk’s brother James when they travelled to the past together, and she watched him get killed by a Romulan agent.

”Riker!” Boimler swings his leg over the saddle in an imitation of the Riker maneuver, a practice he would have no doubt been witness to during his brief time serving aboard the USS Titan.

     • According to an interview, the line was ad libbed by Jack Quaid and, of course, Jonathan Frakes was in the room directing when he did it.

“I’m sorry, my friend Mariner, would be freaking out right now.” Though Tawny Newsome has stated in interviews what an important character Uhura is to her, Mariner has never mentioned Uhura in LDS. The only direct mention was actually by Boimler, when he was dehydrated talking to a hallucination of Sulu in “Crisis Point 2: Paradoxus”.

• “‘Explode,’ you said?” In “Arena” the Gorn were able to cause Spock’s tricorder to explode during their attack on the Cestus III outpost.

• An Orion scout ship arrives in orbit of Krulmuth-B. It’s design is inspired by the Orion vessel seen in the remastered version of “Journey to Babel”; in the original episode, the ship was merely a blip of spinning light.

     • ”Some Orion vessels are specifically designed to fool sensors.” Spock surmised that the Orion ship in “Journey to Babel” either had a dense enough hull, or was cloaked in some other way to prevent sensors from being able to get specific readings.

”What would come after the dash?” A bloody A, B, C, or D. Or E. Or F. Or…G unfortunately. Or J.

     • La’an’s statement implies that Starfleet has not yet adopted the custom of maintaining a Starship’s legacy by preserving its designation and registry number.

     • The Federation survey ship the Enterprise learned crashed on Talos IV in “The Menagerie, Part I”, the SS Columbia, had a registry of NC-5940-1, as seen on the printout of their distress call.

• Boimler built a model of an Orion scout ship in a bottle. Building ships in bottles is a hobby he shares with Captain Jean-Luc Picard and Miles O’Brien, as per “Booby Trap”. Lieutenant Carey also spent all his time aboard the USS Voyager between seasons one and seven building model of the Voyager in a bottle, which we see in “Friendship One” after his death. ”Ships in bottles. Great fun.

     • The episode “Ship in a Bottle” does not feature any ships in bottles.

”He was so excited to see me, that for a second it felt like maybe my future wasn’t so bad.” Pike’s future, so far as he’s aware, is ending up in a disfigured and living in a life support chair, able to communicate only through beeps after being exposed to delta radiation, which we see in “The Menagerie, Part I” and he sees in “Through the Valley of Shadows”.

”I know, but like smaller jetpacks.” In “A Moral Star, Part I” we see the Protogies using significantly smaller thruster packs than the ones seen in “The Vulcan Hello” or “Star Trek: The Motion Picture”.

• Ortegas tells Boimler she’s going to give him all the credit for the birthday party they’re going to throw for Pike. In “Temporal Edict” captain Freeman instituted the Boimler Effect, encouraging officers to add buffer time as needed into their scheduled tasks, something which Boimler also did not want credit for, but we see is his legacy far into the future in that same episode.

• Chapel assures Boimler he is not responsible for Spock’s recent exploration of his emotions. Spock broke his Vulcan mental conditioning in order to fight the Gorn in “All Those Who Wander”.

     • “I’ve read literally every book about Spock and they mention his upbringing on Vulcan, his pet sehlat, his relationship with his mom and his dad--” The books on Spock are apparently far more forthcoming about his life than he is; in “Journey to Babel” Kirk was unaware of the fact that Spock’s father was one of the most respected Federation ambassadors, and in “Yesteryear” after watching I-Chaya die while in the past, Spock only told Kirk that a pet died, not his own childhood pet.

”For all I knew you were dead, or stuck in a dystopian San Francisco in the middle of a riot.” Mariner is referring to the Bell Riots, as seen in “Past Tense, Part II”.

Continued in Comment Below

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A fairly thorough piece.

Whatever your view on whether it’s a pro or con for the ensemble and storytelling, SNW ‘Lost in Translation’ having covered off the ‘met him when he made fleet captain’ reference to Pike in TOS, there seems to be a great deal of flexibility for SNW to keep bringing Jim Kirk into its stories.

Here’s one unexpected take.

So what does that mean for Kirk? We have to wait until 2265 for him to take over as captain of the Enterprise, right? Well, maybe not. Canon is oddly vague on the handover from Pike to Kirk. In fact, only one episode of TOS actually takes place in 2265: “Where No Man Has Gone Before,” the second pilot. There’s also nothing that indicates Kirk didn’t serve on the Enterprise in another role before getting promoted. If, in theory, Pike were to step down and someone else became an interim captain, then nothing is stopping Kirk from serving on the Enterprise before 2265.

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Cast recording for this week's episode is up, I've only listened to one early track to avoid spoilers but sounds like they've nailed it.

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I watch TV while eating, because TV takes my mind off the textures of the food and helps me dissociate from eating. I also have a very active imagination and ability to immerse myself in a show

Enterprise seems to have characters beaten bloody, covered in soot, drenched in sweat or slime, or poisoned by trellium-D every other episode. It's very hard to watch Enterprise compared to the rest of Star Trek

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A plenitude of Pikes (lemmy.sdf.org)
submitted 1 year ago* (last edited 1 year ago) by [email protected] to c/[email protected]
 
 

Can I just say how fortunate we are that both of the recent actors for Pike did smash-up jobs? I’m talking about Bruce Greenwood in the Kelvin films and of course Anson Mount in SNW. Each brought something different and was a stand out in their respective appearances.

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I’m not happy with how the episode with the gorn ended. I really really liked Hemmer as a character and his arc was cut short way too early.

I don’t normally get upset about character deaths as I know they happen, but they don’t usually happen to a “main character” and I feel like he got the Tasha Yar end of the stick.

I found myself upset saying that’s bullshit at the end when they killed the last Gorn :/

☹️😢

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