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General off-topic chat for the crew of startrek.website. Trek-adjacent discussions, other sci-fi television, navigating the Fediverse, server meta (within reason), selling expired cases of Yamok sauce, it’s all fair game.


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151
 
 

I'm seeing a lot of blank images when looking at posts from startrek.website through Lemmy-UI, but when I look through Photon/Sync the images are there. It seems to only affect images uploaded directly to startrek.website instead of images uploaded to a separate website. Is there something I can do to fix this on my instance?

EDIT: copy-pasting my comment to another question here so you know the "solution"

I solved the cause of the issue (I think), it being caused by my browser caching the images/pict-rs urls weirdly (whenever i would clear the cache or open an incognito/private it would work fine), but I wasn't able to really fix it on the default UI. Not saying it isn't impossible to fix, just that I'm not smart enough to do it lol (though I have told the sysadmin). If it isn't working on Liftoff too though that's strange, since Liftoff seems to work fine for me. The best "solution" for me on desktop seems to be to just using an alternative UI like Photon, since it pulls the image in a different way which makes it load correctly (that and the fact that Photon is just great all around and the dev is cool). For mobile, I would think Liftoff would be working since it seems to work for me, but I don't mainly use Liftoff (Photon FTW), maybe try using a different app and see if you have the same problem?

BTW this is what I see right now on the default UI:

And on Photon:

I think I answered everything (?), if I didn't ask and I'll try to answer

152
 
 

Leaving aside bias towards the American market and critics, this latest criticism of Rotten Tomatoes influence comes from this September 6th piece from Vulture. The report provides new evidence of PR firms paying critics and persuading them to keep negative reviews off of Rotten Tomatoes tracking.

The Bunker 15 employee replied that of course journalists are free to write whatever they like but that “super nice ones (and there are more critics like this than I expected)” often agreed not to publish bad reviews on their usual websites but to instead quarantine them on “a smaller blog that RT never sees. I think it’s a very cool thing to do.” If done right, the trick would help ensure that Rotten Tomatoes logged positive reviews but not negative ones.

Collider has its own overview and retrospective on previous examples of corruption in reviewing, headlined “Rotten Tomatoes has always been mouldy at its core.’ It notes the inherent vulnerability of RT as it is owned by NBC Universal and Warner Brothers. Collider summarizes the recent criticism and analysis of RT as follows.

THE BIG PICTURE

Rotten Tomatoes' binary system oversimplifies complex works of art and diminishes the role of nuanced film critics.

The recent controversy surrounding Rotten Tomatoes reveals the site's susceptibility to manipulation by PR companies.

The dominance of Rotten Tomatoes in film discourse has led to a diminished appreciation for the human element and individuality in film criticism.

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Earlier this week Disney announced (whinged) that it expected a $ 300 million revenue loss attributable to the strike.

Today, The Hollywood Reporter says sources are reporting cost-cutting at Warner Brothers Television Group.

the studio has suspended a number of overall deals for its top creatives including J.J. Abrams’ Bad Robot (Duster), Greg Berlanti (Superman & Lois), Chuck Lorre (Bob Hearts Abishola), Bill Lawrence (Shrinking), John Wells (Maid), Mindy Kaling (Sex Lives of College Girls). Sources say Lorre’s multiyear pact with his decades-long studio was quietly suspended in May, a week into the strike, with Wells’ deal a month later.

Deadline has a similar report but interprets the news as more likely ‘suspend and extend’ arrangements.

One has to wonder why the major content producers are continuing side with Netflix, Amazon and Apple which are primarily streamers.

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Thank you for everyone's patience while we were migrating hosts . I know I said "a few hours" and it turned out to be over a day. Clearly I need to work on my Scotty estimates. During transport the team found a backlog of extremely low effort memes caught in the pattern buffer and we had to go through the copies one by one determining which were the evil versions.

You may notice some wonkiness/slowness the next 24hrs as we get re-federated with everyone. Basically every other Lemmy instance will bombard us with traffic for a while.

Our new host is designed for Lemmy in particular, meaning in the long run we should see increased stability, improved load times, and better scaling as we inevitably become the dominant Lemmy instance!

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Fascinating article, with numerous examples where significant characters make trivial residuals on hit shows with significant streaming runs.

It also has implications in terms of explaining why kids of people who work in the industry are working in the industry. If you’ve got parents in LA and NY and they can help support you, you’re more likely to hang in a business that’s not actually paying a living wage.

It gives a different lens on Mica Burton’s appearance in Picard season three as a recurring character for example.

Burton, the daughter of the "Star Trek" star LeVar Burton, tweeted about how little she got paid when she appeared in five episodes of "Star Trek: Picard" earlier this year.

In response to a thread regarding misconceptions about the union, Mica wrote: "Please read this thread. I said before, there is no way I could survive as a working actor if I didn't have my 100 other side hustles. Yes, I was on Star Trek. I also do not qualify for SAG health insurance and was paid almost the same fee my dad was paid for Roots back in 1977."