I figured this was a bit more likely to be seen by people who'd get it here than anywhere else, so...

One of the contestants was wearing a sweater(?) with a pattern that was very obviously a stylized sailor uniform. Then in the little interview segment, she talked about having recently gone to Antartica.

And right that moment, I was internally screaming for Ken to namedrop A Place Further Than The Universe, but unfortunately he didn't do it.

Such a missed opportunity.

Otaku ni Yasashii Gal wa Inai!?, episode 7

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From the video description:

Sunrise 50th Anniversary Commemorative Production

Theatrical two-part series
Part 1 Releasing 20 November 2026
https://www.votoms-gh.com/

Director: Mamoru Oshii
Original Work & Supervision: Ryōsuke Takahashi
Original Mechanical Design: Kunio Ōkawara
Mechanical Design: Shinobu Tsuneki, Yoshihiro Sono
Music: Kenji Kawai
Production: Sunrise
Production Cooperation: Production I.G

Re:Zero kara Hajimeru Isekai Seikatsu 4th Season, episode 6

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Dorohedoro Season 2, episode 10

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Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e 4th Season 2-nensei-hen Ichi Gakki, episode 11

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Megami "Isekai Tensei Nani ni Naritai Desu ka" Ore "Yuusha no Rokkotsu de", episode 7

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Tadaima, Ojamasaremasu!, episode 7

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Replica Datte, Koi wo Suru., episode 7

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Aishiteru Game wo Owarasetai, episode 6

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Tongari Boushi no Atelier, episode 8

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Ponkotsu Fuuki Iin to Skirt take ga Futekisetsu na JK no Hanashi, episode 7

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Isekai Nonbiri Nouka 2, episode 7

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Kuroneko to Majo no Kyoushitsu, episode 6

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Tsue to Tsurugi no Wistoria Season 2, episode 6

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cross-posted from: https://ani.social/post/31704835

Yomi no Tsugai, episode 7

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“Over-reliance on ‘Narou’ and ‘Isekai’ Genres”—KADOKAWA Reports Sharp Drop in Publishing Profits, Accelerates Structural Reforms (in Japanese)

Partial Translation by DeepL:

“Over-reliance on ‘Narou’ and ‘Isekai’ Genres” — In its full-year financial results for the fiscal year ending March 2026 announced on May 14, KADOKAWA reported that consolidated operating profit fell from 8.9 billion yen to 4.0 billion yen, nearly halving from the previous year. In particular, its flagship publishing business fell into an operating loss of 1.0 billion yen, down from a profit of 3.2 billion yen the previous year. The company attributes this to an over-reliance on specific genres.

Regarding the factors behind the decline in profitability, the company explicitly stated in its financial results materials that it was due to “excessive reliance on existing winning formulas.” It analyzed that the overreliance on specific genres with a proven track record, such as “Narou and isekai,” led to market saturation, and the homogenization of projects resulted in a decrease in innovative initiatives. Although the company increased the number of titles published by actively hiring editors, the rise in works lacking quality or novelty failed to generate hits, leading to a decline in circulation per title.

Additionally, the company cited four factors that put pressure on profits: a decentralized approach that allocated promotional and sales resources across individual titles, and the inability to fully absorb rising manufacturing and logistics costs through pricing. ……

Akane-banashi, episode 7

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