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submitted 3 hours ago* (last edited 3 hours ago) by Innerworld@lemmy.world to c/photography@lemmy.world

The Kelpies are a pair of steel horse-head sculptures located between Falkirk and Grangemouth in Scotland. They stand next to the M9 motorway at the eastern gateway to the Forth and Clyde Canal. Designed by sculptor Andy Scott and completed in 2013, each structure stands 30 metres (98 ft) high and weighs around 300 tonnes. Inspired by the kelpies of Scottish folklore and Clydesdale horses, the sculptures celebrate the role of working horses in Scottish industry, agriculture and canal transport. They form part of a local parkland project known as The Helix. The structures were created based on miniature models created by Scott, which were then laser-scanned. Following their opening in 2014, the sculptures quickly became a major attraction, drawing almost one million visitors within their first year.

Sculptor: Andy Scott

Photographer: Steven Straiton

CC BY 2.0

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Video and all the photos: https://quietpresence.art/soft-light-small-finds/

Music by Frederick St. Peter - https://frsp.xyz/

Thank you for checking it out, I hope you enjoy it!

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Tick season is in. (thelemmy.club)
submitted 8 hours ago* (last edited 7 hours ago) by arsCynic@piefed.social to c/photography@lemmy.world

Tick season is in. Careful all you forest bathers. Could find dozens if not hundreds of them yesterday, located on the end of plant stems on the edges of dirt paths.

They idle like this:
hNDijtGohv7ts8G.jpeg

They open their front legs when they sense movement, i.e., potential hosts to latch on to:
8ZbCiSRh3PyxM9Z.jpeg


⚜︎ https://www.arscyni.cc/: modernity ∝ nature.
📷︎ https://www.smetterling.eu/: Bug Capture 🦋 Smetterling.

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Portland, OR. (thelemmy.club)

Standing there under the Burnside Bridge, doing math in my head, pushing my trig tables to their limits, metering and evaluating light, thinking things through, calculating velocities of individual wedges, and finally selecting a shutter speed:

Now I got a super slick Ferris wheel.

I'm so goddamn proud of the effort it took to make this.

I could have shortcut it with multiple takes until I got it right, but no, I did the freakin' math and got it right the first time.

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submitted 23 hours ago by kokesh@lemmy.world to c/photography@lemmy.world
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Photographer: Jorge Royan

CC BY-SA 3.0

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Kristalbad in infrared (thelemmy.club)

Made using an IR converted Olympus E-PL1, OM System 25mm f/1.8 II lens, and a 720nm IR filter.

Settings: f/8, 1/400s, iso 200. In order to get these results, I had to do some edits. SOOC it looks like this (with custom whitebalance):

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Photographer: Afsalgado

CC BY-SA 4.0

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Little Jumping Spider (thelemmy.club)

Jumped on my lens just seconds later...

Nikon Z50ii - with my new 16-50mm 2.8 VR (ISO 250, f10, 1/60s)

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Valerian (Valeriana officinalis) is a perennial flowering plant in the honeysuckle family, Caprifoliaceae, native to Europe and southwestern Asia. It grows up to 1.5 m tall, with pinnate leaves and clusters of small, sweet-scented pale pink or white flowers that bloom in summer. The plant occurs in meadows, marshes and wet woodlands, and attracts insects such as hoverflies. Outside its native range it can be invasive, and is restricted in parts of North America. Valerian has long been used in traditional medicine, especially as a mild sedative or sleep aid, though scientific evidence for effectiveness is mixed. The European Medicines Agency recognises valerian root extract for relieving mild nervous tension and aiding sleep. The roots also have catnip-like effects on many cats. This valerian inflorescence was photographed in

Photographer: Ivar Leidus

CC BY-SA 4.0

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Portland, OR. (thelemmy.club)

The below work is hanging on my wall in canvas, and I had set out to the Ross Island bridge last night with the goal of besting it, but I’m not sure if I succeeded. I’m glad my style is changing though.

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submitted 3 days ago* (last edited 3 days ago) by tanisnikana@lemmy.world to c/photography@lemmy.world

Last week, I participated in a contest called PDX Squared! I was randomly assigned a square quarter mile of Portland, along with 99 other photographers given their own squares, with five wild squares interspersed throughout! With 21 hours of shooting time, we were to submit five images for seven different categories, and the judges would very quickly judge through all five hundred images live.

Needless to say, I crashed and burned, but I still like the work I put forth!

The last picture I submitted is omitted since it contains and is focused on a readily-identifiable license plate and I don't wanna get in trouble, so I'm adding a second-choice pick instead.

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Ribb (thelemmy.club)
submitted 3 days ago* (last edited 3 days ago) by dual_sport_dork@lemmy.world to c/photography@lemmy.world

I rather would have liked to have any number of lenses on my camera except the RF 200-800, but to be fair I was planning on looking at birds. As usual. Sometimes you've just got to dance with who you brung. That lens' minimum focal distance turns out to be about three and a half feet. This is perhaps not so much of a handicap if you can't be bothered to bend over.

This is probably an Eastern American Toad, Anaxyrus a. americanus. But what do I know from toads, or even frogs for that matter.

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Today is Montenegro's Independence Day.

Photographer: Marcin Konsek

CC BY-SA 4.0

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The mission will measure changes in how mass is redistributed within and among Earth's atmosphere, oceans, land and ice sheets, as well as within Earth itself. GRACE-FO is sharing its ride to orbit with five Iridium NEXT communications satellites as part of a commercial rideshare agreement.

Photographer: Bill Ingalls

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Dandelion Stack (thelemmy.club)

50 exposures. Hand held, if you can believe it, with my RF 24mm prime macro lens. Helicon does a rather amazing job of fixing the positions and lining everything up.

GIF:

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Where I've Been (thelemmy.club)
submitted 4 days ago* (last edited 4 days ago) by dual_sport_dork@lemmy.world to c/photography@lemmy.world

I suppose I should finally come clean before slathering !birding@lemmy.world with yet more field reports from a new location.

The headline picture is an excerpt. My R10 has an inbuilt panorama mode. I'm sure this type of thing is familiar to you, given that the functionality is also built into modern smartphones even though nobody I see standing around at overlooks in that leaned-back-at-the-waist pose desperately pinching at the screens of their iPhones ever appears to remember to use it. It's only mildly irritating on the R10, with a cheesy fake shutter noise it plays through its speaker with every exposure I haven't yet been able to figure out how to turn off and always scares away all the birds.

Posting this engendered some difficulties, one of them expected and one of them not. First off, the original composite weighs in at a rather imposing 20 megabytes. That sort of thing usually causes the upload to choke just by itself. That said, even bitcrushing it a bit as I was already forced to do for the headline presented a new error I've never seen the Lemmy API throw before: "Too wide."

Apparently.

Therefore in order to provide this to you all I had to cheat:

If you're browsing this on mobile and in a portrait orientation, well. I'm very sorry for your loss.

This lake is the largest freshwaster lake in the Sierra Nevadas and is in fact the largest alpine lake anywhere in North America. The corner of the border of California and Nevada is located in the middle of it. About it, Mark Twain had this to say:

The Lake burst upon us — a noble sheet of blue water lifted six thousand three hundred feet above the level of the sea and walled in by a rim of snow-clad mountain peaks that towered aloft full three thousand feet higher still!

As it lay there with the shadows of the mountains brilliantly photographed upon its still surface, I thought it must surely be the fairest picture the whole earth affords.

Yes, it's Lake Tahoe.

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I wrote a short Behind the Frame piece on Diez horas con Cristina García Rodero, the La Fábrica conversation book from the Archivo de Creadores series.

What interests me is not only the subject matter, though her world of rituals, processions, masks, saints, crowds, animals and fatigue is already dense enough. It is the method: returning, waiting, staying inside discomfort until the scene stops behaving like a clean symbol.

For street and documentary photographers, I think that is the useful part. Not copying Rodero’s look. That would probably produce loud, hollow photographs. The harder lesson is attention as pressure: looking until the first explanation breaks.

https://streetsoul.me/2026/05/20/diez-horas-con-cristina-garcia-rodero-staying-until-the-image-changes/

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Chicks (thelemmy.club)
submitted 4 days ago* (last edited 4 days ago) by Nooodel@lemmy.world to c/photography@lemmy.world
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Bird Hat (thelemmy.club)
submitted 4 days ago* (last edited 4 days ago) by dual_sport_dork@lemmy.world to c/photography@lemmy.world

Street photography: Bridges, girders, lamp poles, neon signs, blurred pedestrians.

Bor-ing. Instead, check out this guy and his sweet hat.

Taken while wandering around in the rain in Virginia City, located not in Virginia (where it might make sense) but rather in Nevada (where Mark Twain took on his nom de plume).

Bonus picture of this Zoltar style fortune telling machine, except it's Mr. Clemens himself and he makes cynical quips at you.

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Photographer: Diego Delso

CC BY-SA 4.0

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I was preparing some salad dressing and i thought; hey, oil in water looks pretty cool. So, i put some oil and water in a wineglass, threw some salt over it, put it next to my ambilight tv (with the static green lights turned on) and grabbed a flashlight and moved it around a bit.

Never knew salad dressing could look this cool and probably the weirdest shot i've ever taken.

Nikon Z50ii - 35mm (ISO 720, f2.8, 1/200s)

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