And I cannot stress this enough: bury their bones in an unmarked ditch.
Those are original Warhol boxes. Two Brillos, a Motts and a Campbells tomato soup. Multiple millions worth of original art, set on the floor by the front door.
Theres a regular customer whom i do plumbing work for, for the last 3 or 4 years. These belong to her. She also has Cherub Riding a Stag, and a couple other Warhols that i cannot identify, along with other originals by other artists that i also cannot identify. I have to go back to her house this coming Monday, i might get photos of the rest of her art, just so i can figure out what it is.
Even though i dont have an artistic bone in my entire body, i can appreciate art. I have negative feelings on private art like this that im too dumb to elucidate on.
eat the fucking rich. they are good for nothing.
Casual reading on the internet suggests that it is art scene jerk off shit. I'm sure it's just hilarious and thought provoking if you're part of that world, but frankly I find the idea that someone is paying or getting paid millions of dollars for a pretend corporate art box just as offensive as the idea of the corporate art box not being displayed in a place of prominence
We have over a hundred comments threads about the cultural impact of Star wars every month and it gets wrung out dry with the most obsessive analysis no one hear can interpret anything from still art. No one here is allowed to complain about media illiteracy again. This is junior high curtain is blue shit. I can see why this is a debate about treats all the time, it's all people hee understand. I'm not even really into Warhol but this is like art school 101 shit.
I get that you are hyped up on all this stuff, but people are allowed to complain about media illiteracy.
'Getting Warhol' or 'understanding Art 101' is not the bar for media literacy, because, much like Econ 101 or Poli-Sci 101 or any 101 class, the point of doing the 101 class is to understand the basic arguments and terms which a constant academic (and non-academic) discourse is taking place. It is to get people familiar with the terms everyone is using, yeah? It is from there that you can then explore those terms and definitions presented by the discourse, and figure out if you agree or disagree with them and explain why you do or do not, thus participating in and potentially furthering the discourse along. Disagreement with 101 theory (whatever that theory happens to be at the time) is not only expected, it is encouraged. This isn't math.
That's the theory anyways. In reality, 101 classes are about memorizing definitions, sleeping through class, and are unloaded onto some poor grad student or adjunct who would rather be doing research.
Just because they disagree with your analysis and beliefs on still art doesn't mean that they shouldn't happen. After-all, by your own definition, it is art that they are creating.
Good comparison with star wars as another example of corporate schlock, thank you. the offensive thing to me is not some curtains are blue straw man bullshit like you are saying, it's that a staggering amount of money gets wasted by the bourgeoisie on bourgeoisie art which is then financialized and used for more bourgeoisie enrichment when those resources could be used to actually help people.