Made a few line carvings similar to my previous post and trying to work out how to finish them. So far experimenting with Danish oil and Tudor oak coloured briwax. I also probably need to get some finer grit sandpaper at some point.

Carve straight into old wood, the carved lines are pale compared to the surrounding weathered wood. The lines are distinctive and easy to see.

Same as above followed by sanding and oiling, the lined are far less visible in comparison. Adding the wax and it might be a slight improvement but still not as clear as it was initially.

Attached image - Quick test this morning, sanding the wood then carving and applying wax, no oil. Some patches have held the wax/dark colouring better than others after wiping it down.

I am considering next trying to sand and oil the wood, then carve it and then wax it. Maybe a very gentle sanding before waxing if necessary but trying to keep most of the oil layer.

Trying to get the carved groves to be darker than the surrounding surface wood. Only got a few more bits of flat wood that don't have nails or staples in them, or too many cracks and splits.

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[–] 8 points 5 days ago (1 child)

If you oil then carve, I think you'll carve through the oil layer and reveal lighter wood. Oil "penetrates," but only relative to film coatings, maybe 50-100 microns. (more in extremely porous woods, like red oak) I suspect the darker areas in your carving are rays in the grain, running a shallow angle to the surface and revealed by the depth of carving.

If you want darker contrast, you might consider doing your carving & sanding, then buffing on a light coat of light paste wax to seal the field, then go on with your colored wax. Even clear-waxing the field before you start carving.

Depending on how much you like the machining marks - those cross-grain scratches in the image - you might also consider a cabinet scraper instead of sanding.

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  • [–] [S] 2 points 5 days ago

    Carving through the oil is the idea. It seems like wax on bare wood is darker than wax on oil. So the oil that remains in the uncarved parts would reduce how much the wax sticks there, but not in the carved parts.

    Clear waxing before carving sounds like it is probably similar oiling before carving. But I don't have clear wax, just the Danish oil. Both presumably leave a protective layer in the uncarved areas that reduce how much of the coloured wax sticks there in comparison.

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