On this day in 1913, the Dublin Lock-Out began as hundreds of tram workers went out on strike, growing into one of most significant industrial disputes in Irish history. It involved ~20,000 workers and 300 colluding employers, and led to the founding of the Irish Citizen Army (ICA) to protect worker demonstrations.

In the years leading up to the strike, the Irish Transport and General Workers' Union (ITGWU) had been seeking to unionize and radicalize the Irish workforce. Founded by socialist revolutionary James Larkin in 1908, the ITGWU was one of the first Irish unions that catered to both skilled and unskilled workers.

In July 1913, three hundred businesses (led by capitalist William Martin Murphy) agreed to not allow the ITGWU to unionize the Dublin workforce. Murphy dismissed hundreds of workers of suspected of union membership soon after.

Many employers in Dublin then locked out their own employees, affecting tens of thousands of Irish workers, many of whom were already the poorest in the United Kingdom.

After outbreaks of violence between striking workers and strike-breakers occurred, James Connolly, Larkin and ex-British Army Captain Jack White formed a worker's militia, the Irish Citizen Army, to protect workers' demonstrations.

The lock-out concluded in early 1914, when the Trades Union Congress (TUC) in Britain rejected Larkin and Connolly's request for a sympathetic strike. Most workers, many of whom were on the brink of starvation, went back to work and signed pledges not to join the ITGWU, which was further weakened when Larkin fled to the United States and James Connolly was executed following the 1916 Easter Rising.

Many of the blacklisted workers joined the British Army, having no other source of pay to support their families, and quickly found themselves in the trenches of World War I. ITGWU eventually recovered and gained strength after WWI; by 1920 the ITGWU was Ireland's largest union with 120,000 members, compared with its pre-war peak of 24,135 at the start of January 1913.

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[–] 6 points 20 hours ago (1 child)

Star Trek Deep Space 9 and Lower Decks spoilers in case anyone has those on their to-watch lists and haven't for whatever reasonIt is my firm belief that the Dominion War PTSD-related aspected of Lower Decks are an allegory for classic trekkies who didn't like the Dominion War arc.

The Dominion War pivot derailed the entire purpose of DS9, which was to be the story of how a formerly-occupied world recovers from a brutal occupation, with the aid of the Federation. There's so many stories that could have been told. The internal politics on Bajor dividing up into "the Federation are heroes" and "the Federation are just another empire" camps and the consequences thereof. "Progress" and "Duet" in particular are timeless episodes. But that was mostly jettisoned to make way for WAR DRAMA.

Mariner represents the old-school fans, who just wanted to explore the universe but was forced into war. She never wanted to be a soldier, we never wanted to watch Starfleet officers be shock troops. And in telling new stories of our new cast seeing the wonders of their universe, both Mariner and we IRL are healed a little, knowing that tales of hope can still be told.

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  • [–] 5 points 17 hours ago* (1 child)

    spoilerIt's such a shame nuTrek (at least at the beginning, i haven't really kept up with it) was poorly done nostalgia-slop instead of exploring the post-war Federation and Bajor's accession into it. All they had to do was TNG/DS9 but just more explicitly queer and I would've been so happy but instead we got crackerified Khan, Elon Musk name drops, and a literal fascist empress crew member. And what better timing would it have been? Coming off the heels of the Bush years and into the rise of open fascism, a hope-filled Trek series(es) after a quadrant-wide tragedy would've been perfect for the era. What I saw of Lower Decks S1 was good, maybe I should catch up.

    Star Trek Online is based in that era but as much as I like the janky game, the Federation is basically the Imperium of Man but not racist in it.

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  • [–] 7 points 9 hours ago

    Lower Decks is fantastic, it's exactly the hopeful more queer continuation of TNG you want.

    Starfleet Academy is also a good hopeful more queer recovery series, but it's a hopeful more queer recovery from the missteps of Discovery.

    Prodigy is aimed at kids, but it's just plain good Trek.

    Strange New Worlds is mostly good for the first two seasons, has one or two good episodes in season 3, then is really hit or miss so far in season 4.

    The Orville is also good and true Trek.

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