this post was submitted on 25 Jul 2023
24 points (96.2% liked)

Daystrom Institute

3455 readers
3 users here now

Welcome to Daystrom Institute!

Serious, in-depth discussion about Star Trek from both in-universe and real world perspectives.

Read more about how to comment at Daystrom.

Rules

1. Explain your reasoning

All threads and comments submitted to the Daystrom Institute must contain an explanation of the reasoning put forth.

2. No whinging, jokes, memes, and other shallow content.

This entire community has a “serious tag” on it. Shitposts are encouraged in Risa.

3. Be diplomatic.

Participate in a courteous, objective, and open-minded fashion. Be nice to other posters and the people who make Star Trek. Disagree respectfully and don’t gatekeep.

4. Assume good faith.

Assume good faith. Give other posters the benefit of the doubt, but report them if you genuinely believe they are trolling. Don’t whine about “politics.”

5. Tag spoilers.

Historically Daystrom has not had a spoiler policy, so you may encounter untagged spoilers here. Ultimately, avoiding online discussion until you are caught up is the only certain way to avoid spoilers.

6. Stay on-topic.

Threads must discuss Star Trek. Comments must discuss the topic raised in the original post.

Episode Guides

The /r/DaystromInstitute wiki held a number of popular Star Trek watch guides. We have rehosted them here:

founded 1 year ago
MODERATORS
 

Like most of us, I am greatly enjoying Strange New Worlds. One of the small benefits of the series, in my mind, is that it has finally broken one of the strangest of fan habits -- the insistence on literalism for TOS visuals, especially on things like ship designs and controls. Is there anyone still holding out for a "refit" of the beautiful SNW Enterprise so that it "really" looks like a set from the late 1960s? The updated look is a big part of what makes the TOS world seem relevant and alive for contemporary viewers, instead of just a nostalgia trip (as it was in the tribute episodes that showed TOS sets within a TNG/DS9 context).

Given that they have made the biggest remaining move of recasting Kirk, the idea of continuing past SNW into Kirk's Five-Year Mission seems unavoidable. Given that Paramount seems to be contracting their streaming footprint, it is admittedly unlikely that anything like this would ever get made. But something like the Kelvin Timeline tie-in comics where they redo TOS stories and intersperse them with new ones could actually be a good format -- reintroducing new viewers to classic stories while retrospectively granting more cohesion to TOS.

Obviously there would be drawbacks to redoing the old episodes. Fans would howl at any changes to the scripts, and of course there would be questions about whether any of this was worth anyone's time or talents. And maybe it wouldn't be! But redoing the most stone-cold classics of TOS in a more modern style could literally be the only way some new fans would engage with those stories. Young people are very intolerant of entertainment that seems old or outdated. Looking back at my childhood, I never liked TOS in large part simply because it looked too old and the acting style felt weird. If we really think that these stories are classics that deserve to endure for the long haul, a remake could be a way to inject new life into them.

What do you think? [UPDATE: You all have convinced me this is a bad idea. I will keep that in mind if I ever become head of Paramount.]

you are viewing a single comment's thread
view the rest of the comments
[–] [email protected] 4 points 1 year ago* (last edited 1 year ago)

I personally doubt that they would. It goes against the philosophy behind the revival of Trek, where it's meant to be "A Trek for everyone". Your modern remake of TOS is SNW, and if you want something more cinematic and action-focused, that's what the Kelvin Timeline movies are for. If you just want the older shows, you have the older shows for that.

From a practical standpoint, it would be something of a legal nightmare to dig up those scripts and start redoing them after all this time, both due to the age of the script, and the CBS/Paramount split-merger. They would have to check with the writers, or the estates of those writers if they're no longer around, which adds quite a bit of a headache that they wouldn't have wanted to deal with, not when they have a writing team that might do new scripts. The only exception to that that I could see is them trying to use it to get around the writer strike, but even then, that's an unlikely prospect.