[–] 3 points 3 years ago

So, like, Prodigy? No? Then fail. If I'm gonna pay for a streaming service, just for Star Trek, which I am entirely willing to do, but it darn well better have all of it. Take my money, but earn it!

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  • [–] 1 point 3 years ago

    TOS - Balance Of Terror, 12 plays TAS - Mudd's Passion, 7 plays TNG - The Chase, 22 plays DS9 - The Ascent, 33 plays VOY - One, 27 plays ENT - The Catwalk, 11 plays (wtf?) DIS - The Wolf Inside, 19 plays LDS - No Small Parts, 20 plays PRO - Terror Firma, 5 plays PIC - All of season 1, 5 plays SNW - Ghosts of Illyria, 3 plays

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  • [–] 2 points 3 years ago (1 child)

    Gotta ask. I have this same account name on lemmy.world and on startrek.website. Will that be a problem? I've just been logging into both, the startrek.website posts seem to take a long time to get to lemmy.world, so I just log in here if I want to read this stuff.

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    I'm rewatching it now, it's so well written that it almost stands out from the rest of the episode. It comes off like something from David Mamet or The West Wing. It's not Far Beyond The Stars or In The Pale Moonlight, the stakes of the episode are too low. But the material it gave all the actors to work with, the incredibly realistic way it weaves together different conversations going on between a large group, that the (really really good) acting abilities of the cast just get pushed over the top. It's all in one room, no effects, no cost except for the appearance of Bareil, but it's riveting, you can't stop paying attention. It's kind of a master class in writing. And it's buried after the opening credits in the second episode of season 2.

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