Centered in the square carpet of green plastic turf, a Japanese teenager sat behind a C-shaped console, reading a textbook. The white fiberglass coffins were racked in a framework of industrial scaffolding. Six tiers of coffins, ten coffins on a side. Case nodded in the boy's direction and limped across the plastic grass to the nearest ladder. The compound was roofed with cheap laminated matting that rattled in a strong wind and leaked when it rained, but the coffins were reasonably difficult to open without a key.

The expansion-grate catwalk vibrated with his weight as he edged his way along the third tier to Number 92. The coffins were three meters long, the oval hatches a meter wide and just under a meter and a half tall.

-- William Gibson, Neuromancer

Cyberpunk was supposed to be a dystopian vision.