There are a lot of unknowns in this question, and assumptions filling in for facts about audiences (intended as well as actual viewership), writers/producers — and the gender ratio of each group. Throwing international, culturally diverse audiences into the mix doesn't do much to focus the subject.
There's a lot to unpick, especially when replies to comments show you're also implicitly concerned with the "anti-woke" crowd and their perceived gender majority. As well as their outsized public voice (ie, loudness) compared to their actual numbers, as @ValueSubtracted@startrek.website says.
Personally, and therefore also based in assumption, I don't see Trek as written for an "average viewer" vs an actual, predominantly male audience. I've only observed Trek viewers to be a fair mix of all gender identities, and the show's appeal to such a wide spectrum must come from the show itself, as written and produced.
But the individual shows must also be considered in isolation. Where shows like Discovery and SFA have celebrated woke (ie, humanist, progressive) values, I very much perceive the SNW show runners as a gang of old, male fans who somehow have been allowed to create the world's most expensive, regressive fanfic. But that's me.