▲ 1681 ▼ Moderators Across Social Media Struggle to Contain Celebrations of UnitedHealthcare CEO’s Assassination (www.404media.co) submitted 2 years ago by misk@sopuli.xyz to c/technology@lemmy.world 390 comments fedilink hide all child comments Mirror: https://archive.is/0XqwR
[–] RobotToaster@mander.xyz 142 points 2 years ago (9 children) permalink fedilink source hideshow 9 child comments replies: [–] floofloof@lemmy.ca 66 points 2 years ago* (7 children) Silly tardigrade's playing on the wrong side of the bridge. Do they teach nothing at tardigrade music school? permalink fedilink source parent hideshow 7 child comments replies: [–] ylph@lemmy.world 24 points 2 years ago (4 children) He's playing Penderecki permalink fedilink source parent hideshow 4 child comments replies: [–] Rubisco@slrpnk.net 22 points 2 years ago (2 children) TIL. Thank you! but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). https://en.wikipedia.org/wiki/Krzysztof_Penderecki permalink fedilink source parent hideshow 2 child comments replies: [–] ylph@lemmy.world 9 points 2 years ago (1 child) The Threnody is definitely his most famous, but he has used that technique in some of his solo compositions for cello as well - example permalink fedilink source parent hideshow 1 child comment replies: [–] Rubisco@slrpnk.net 8 points 2 years ago Oh WOW! That's...something else entirely. So violent! Yet also subtle and quiet. Yields immediate visceral reactions. The entire instrument is so thoroughly explored. How does one remember such a piece? Or keep the original bow and strings to the end? Striking. Marvelous. Beautiful. I'm all for it. An amendment of something conjured by it: It's not safe out here. It's wonderous; with treasures vibrations to satiate desires both subtle and gross, but it's not for the timid. permalink fedilink source parent [–] floofloof@lemmy.ca 11 points 2 years ago Threnody to the Victims of Health Insurance Companies. permalink fedilink source parent [–] foggenbooty@lemmy.world 5 points 2 years ago (1 child) It's also not even a violin. permalink fedilink source parent hideshow 1 child comment replies: [–] floofloof@lemmy.ca 7 points 2 years ago It's hard to tell. It looks deep like a cello, but the bridge doesn't look quite high enough. Maybe at the tardigrade scale stringed instruments are made a little differently. permalink fedilink source parent [–] GaMEChld@lemmy.world 2 points 2 years ago 🐻 permalink fedilink source parent
[–] floofloof@lemmy.ca 66 points 2 years ago* (7 children) Silly tardigrade's playing on the wrong side of the bridge. Do they teach nothing at tardigrade music school? permalink fedilink source parent hideshow 7 child comments replies: [–] ylph@lemmy.world 24 points 2 years ago (4 children) He's playing Penderecki permalink fedilink source parent hideshow 4 child comments replies: [–] Rubisco@slrpnk.net 22 points 2 years ago (2 children) TIL. Thank you! but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). https://en.wikipedia.org/wiki/Krzysztof_Penderecki permalink fedilink source parent hideshow 2 child comments replies: [–] ylph@lemmy.world 9 points 2 years ago (1 child) The Threnody is definitely his most famous, but he has used that technique in some of his solo compositions for cello as well - example permalink fedilink source parent hideshow 1 child comment replies: [–] Rubisco@slrpnk.net 8 points 2 years ago Oh WOW! That's...something else entirely. So violent! Yet also subtle and quiet. Yields immediate visceral reactions. The entire instrument is so thoroughly explored. How does one remember such a piece? Or keep the original bow and strings to the end? Striking. Marvelous. Beautiful. I'm all for it. An amendment of something conjured by it: It's not safe out here. It's wonderous; with treasures vibrations to satiate desires both subtle and gross, but it's not for the timid. permalink fedilink source parent [–] floofloof@lemmy.ca 11 points 2 years ago Threnody to the Victims of Health Insurance Companies. permalink fedilink source parent [–] foggenbooty@lemmy.world 5 points 2 years ago (1 child) It's also not even a violin. permalink fedilink source parent hideshow 1 child comment replies: [–] floofloof@lemmy.ca 7 points 2 years ago It's hard to tell. It looks deep like a cello, but the bridge doesn't look quite high enough. Maybe at the tardigrade scale stringed instruments are made a little differently. permalink fedilink source parent
[–] ylph@lemmy.world 24 points 2 years ago (4 children) He's playing Penderecki permalink fedilink source parent hideshow 4 child comments replies: [–] Rubisco@slrpnk.net 22 points 2 years ago (2 children) TIL. Thank you! but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). https://en.wikipedia.org/wiki/Krzysztof_Penderecki permalink fedilink source parent hideshow 2 child comments replies: [–] ylph@lemmy.world 9 points 2 years ago (1 child) The Threnody is definitely his most famous, but he has used that technique in some of his solo compositions for cello as well - example permalink fedilink source parent hideshow 1 child comment replies: [–] Rubisco@slrpnk.net 8 points 2 years ago Oh WOW! That's...something else entirely. So violent! Yet also subtle and quiet. Yields immediate visceral reactions. The entire instrument is so thoroughly explored. How does one remember such a piece? Or keep the original bow and strings to the end? Striking. Marvelous. Beautiful. I'm all for it. An amendment of something conjured by it: It's not safe out here. It's wonderous; with treasures vibrations to satiate desires both subtle and gross, but it's not for the timid. permalink fedilink source parent [–] floofloof@lemmy.ca 11 points 2 years ago Threnody to the Victims of Health Insurance Companies. permalink fedilink source parent
[–] Rubisco@slrpnk.net 22 points 2 years ago (2 children) TIL. Thank you! but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). https://en.wikipedia.org/wiki/Krzysztof_Penderecki permalink fedilink source parent hideshow 2 child comments replies: [–] ylph@lemmy.world 9 points 2 years ago (1 child) The Threnody is definitely his most famous, but he has used that technique in some of his solo compositions for cello as well - example permalink fedilink source parent hideshow 1 child comment replies: [–] Rubisco@slrpnk.net 8 points 2 years ago Oh WOW! That's...something else entirely. So violent! Yet also subtle and quiet. Yields immediate visceral reactions. The entire instrument is so thoroughly explored. How does one remember such a piece? Or keep the original bow and strings to the end? Striking. Marvelous. Beautiful. I'm all for it. An amendment of something conjured by it: It's not safe out here. It's wonderous; with treasures vibrations to satiate desires both subtle and gross, but it's not for the timid. permalink fedilink source parent
[–] ylph@lemmy.world 9 points 2 years ago (1 child) The Threnody is definitely his most famous, but he has used that technique in some of his solo compositions for cello as well - example permalink fedilink source parent hideshow 1 child comment replies: [–] Rubisco@slrpnk.net 8 points 2 years ago Oh WOW! That's...something else entirely. So violent! Yet also subtle and quiet. Yields immediate visceral reactions. The entire instrument is so thoroughly explored. How does one remember such a piece? Or keep the original bow and strings to the end? Striking. Marvelous. Beautiful. I'm all for it. An amendment of something conjured by it: It's not safe out here. It's wonderous; with treasures vibrations to satiate desires both subtle and gross, but it's not for the timid. permalink fedilink source parent
[–] Rubisco@slrpnk.net 8 points 2 years ago Oh WOW! That's...something else entirely. So violent! Yet also subtle and quiet. Yields immediate visceral reactions. The entire instrument is so thoroughly explored. How does one remember such a piece? Or keep the original bow and strings to the end? Striking. Marvelous. Beautiful. I'm all for it. An amendment of something conjured by it: It's not safe out here. It's wonderous; with treasures vibrations to satiate desires both subtle and gross, but it's not for the timid. permalink fedilink source parent
[–] floofloof@lemmy.ca 11 points 2 years ago Threnody to the Victims of Health Insurance Companies. permalink fedilink source parent
[–] foggenbooty@lemmy.world 5 points 2 years ago (1 child) It's also not even a violin. permalink fedilink source parent hideshow 1 child comment replies: [–] floofloof@lemmy.ca 7 points 2 years ago It's hard to tell. It looks deep like a cello, but the bridge doesn't look quite high enough. Maybe at the tardigrade scale stringed instruments are made a little differently. permalink fedilink source parent
[–] floofloof@lemmy.ca 7 points 2 years ago It's hard to tell. It looks deep like a cello, but the bridge doesn't look quite high enough. Maybe at the tardigrade scale stringed instruments are made a little differently. permalink fedilink source parent
